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Six people stand behind a table covered with a white cloth featuring the blue ZEISS logo, displaying cameras and gear, in a modern indoor event space with exhibition panels in the background.

I Flew to Atlanta for a Zeiss Lens Event but Found Something More

I flew to Atlanta expecting to cover a lens launch and came away with something far more meaningful. The debut of the Zeiss Otus ML 35mm f/1.4 was framed as a first look, but what Zeiss created was not a traditional showcase. Instead, it became an evening centered on artists, storytelling, and a sense of community that rarely takes the spotlight in this industry.

A view of Saturn against a black background, showing its colorful bands and prominent rings. Several small bright moons are visible near the planet.

You’ve Never Seen Saturn Like This

NASA's James Webb Space Telescope (JWST) and Hubble Space Telescope joined forces to deliver the most comprehensive view of Saturn ever captured. JWST contributed infrared light data, peering at the planet's surface, while Hubble's visible light imagery showcases the gas giant's atmosphere and cloud cover. Together, the strikingly different views deliver a greater understanding of Saturn and fantastic portraits, no less.

Lomo MC-A Review: The Standard for New Film Cameras

A close-up of a black Lomo LC-A analog camera with a lens and textured grip. The PetaPixel Reviews logo appears in the bottom left corner. The background is softly blurred.

Is there room for a new full-frame 35mm film camera? When the Pentax 17 half-frame camera came out, it represented a serious risk to see if beginner photographers would be willing to buy a new camera. When you consider the saturated used camera market with all of the options that are still available, it’s hard to imagine much demand for a camera that will cost substantially more.

A Sony digital camera with a 35mm f/1.8 lens attached is shown from the front, highlighting the lens and the camera’s top controls, including the power switch and shutter button.

Samyang Brings Yet Another 35mm f/1.8 Prime to E-Mount

LK Samyang kicked off its "Prima" series of lightweight, affordable prime lenses in late 2024 with the AF 35mm f/1.4 P. After launching the Prima AF 16mm f/2.8 and AF 85mm f/1.8 lenses last year, LK Samyang is revisiting the 35mm focal length with a smaller, lighter, and more affordable AF 35mm f/1.8 Prima prime for full-frame Sony E-mount mirrorless cameras.

A sleek, modern quadcopter drone with four enclosed propellers flies indoors near a circular opening in a white curved structure, against a blue sky background.

The DJI Avata 360 Aims to Ground Insta360’s Drone Dreams

DJI has announced the Avata 360, an 8K immersive drone that is equipped with dual Type 1 sensors and all of DJI's top-end sensors and transmission technology. With the promise of "exquisite clarity" in video and up to 120 megapixel photos, DJI is clearly aiming to take down Insta360's Antigravity.

What Is Panasonic’s Path to Success in Micro Four Thirds?

Two Lumix cameras are shown side by side on a blue abstract background, with a third camera silhouette on the right featuring a large question mark in the center.

Photographers would be forgiven for thinking that Panasonic is no longer committed or interested in developing new Micro Four Thirds products, but as the company told PetaPixel at CP+ 2026 in Japan, it is still very much interested in developing new MFT products that capitalize on the format's core strengths.

Two retro-styled, brown and silver devices with dials and screens sit among pieces of wood and swirling mist, illuminated warmly. They resemble vintage cameras but function as modern electronic gadgets.

Harlowe’s Newest Studio Light Ups the Power and Keeps the Style

Harlowe has introduced an expanded lineup of Max Bi-Color LED monolight kits, built around a 120W fixture with Bluetooth-based wireless control, an included Fresnel zoom lens, and a magnetic accessory mounting system. The range includes Creator and Master kits with both AC-powered and battery-powered options, addressing different production needs from studio setups to on-location production.

A Canon EOS R1 camera body without a lens is shown against a blue background with interconnected digital network lines and circles.

How AI Changes Canon’s Approach to Camera Tech and Performance

Photographers often feel like certain camera technology has plateaued. Sure, sensors get a little better, autofocus improves with each generation, and cameras are faster than ever. However, camera tech rarely improves by leaps and bounds like it once did. Canon believes AI may fuel many of the biggest camera tech breakthroughs in the coming years.

A man with gray hair and beard holds a Lumix S1 camera, pointing at it with a questioning expression. Text beside him reads, "Is this the best L-Mount can do?" with a red arrow pointing to the camera.

L-Mount May Never Get a Wildlife Camera | The PetaPixel Podcast

This week on The PetaPixel Podcast, Chris Niccolls, Jordan Drake, and Jaron Schneider discuss Panasonic's response to its plans for L-mount. While the company is working on a successor to the S1H series, it isn't very interested in trying to compete with Nikon, Canon, and Sony on the sports, action, and wildlife front.

Three Kodak film boxes labeled "PRO 160," "PRO 400," and "PRO 800" on a white background, next to a person wearing a pink shirt, black pants, and bracelets, standing outdoors.

Kodak’s Ektacolor Pro Film Is the New Name of the Beloved Portra

Alongside the new Kodak Ektapan 100, 400, and P3200 black and white films, Eastman Kodak also released Kodak Ektacolor Pro 160, 400, and 800 daylight-balanced color negative film. The new Ektacolor Pro films appear to be rebranded versions of Kodak's extremely popular Portra films, which have long been distributed by Kodak Alaris rather than Eastman Kodak itself.

Three boxes of Kodak Tri-X black and white film are shown on the left; on the right is a black-and-white photo of a rustic barn in a grassy field with mountains and clouds in the background.

Kodak Revives the Ektapan Name for Three ‘New’ Black and White Films

Eastman Kodak has continued its torrid pace of film releases by announcing two new professional film lines, Ektacolor and Ektapan, comprising six films in total, five of which are available in both 135 and 120 formats. Kodak Ektapan is a continuous-tone panchromatic black-and-white film available in ISO 100, 400, and P3200 variants.

Two compact, silver Thunderbolt-enabled desktop computers sit on a desk and shelf, surrounded by a keyboard, monitor, and laptop in a modern workspace with a warm light.

UGreen’s Two New Thunderbolt 5 Docks Power Pro Creative Workflows

UGreen has announced the Maxidok 17-in-1 and 10-in-1 Thunderbolt 5 docks, a significant expansion to the company's Thunderbolt 5 product portfolio. The pair of new docks promises to give professional creators the ports, performance, and multi-display support they require in demanding workflows.

A black Panasonic Lumix digital camera with a Leica lens extended, shown against a plain white background. The camera has a textured grip on the left and the brand name "Lumix" visible on the upper right.

Panasonic ZS300 Compact Camera Is Nearly the Same but Ditches its EVF

Panasonic has unveiled the Lumix ZS300, a successor to the Lumix ZS200 announced back in early 2018. Like its predecessor, the ZS300, also known as the TZ300, combines a 15x optical zoom lens and a 20.1-megapixel Type 1 CMOS image sensor inside a compact, pocket-sized body. However, it also features a major downgrade in user experience.

Dockcase Selfix Hands-On: The Case That Replaces Your Selfie Camera

Close-up of a smartphone with three rear cameras and an attached round device labeled "SELFIX," with the Petapixel Hands-On logo in the background.

If you ask me, some of the worst smartphone photos are those people take with front-facing cameras. Smaller sensors, smaller lenses, and fewer resources are big reasons why, and as rear cameras continue to evolve (some more than others, anyway), products are released to encourage users to turn their phones around and use the rear lenses instead.