Canon’s latest mirrorless camera takes on a new shape and reaches all new heights in performance. With its stacked 24-megapixel sensor, blackout-free silent shooting, eye-control autofocus, and improved subject detection, the EOS R3 might just be the new camera to beat.
The Canon PowerShot Pro1 was released almost 18 years ago and is seen as a "bridge camera" between a point and shoot and DSLR, but cost about the same as the latter. Unable to balance price versus features, it would be the last of its kind.
When Profoto released the B10 and B10 Plus, they made headlines for how portable and powerful they were. That was 2018. In 2021, Profoto takes the concept of a portable powerful battery-powered strobe further by launching the B10X and B10X Plus.
What does it take to make a camera stand out? Some companies go for specs, some go for looks, some go for versatility. DJI went for all three with the Ronin 4D.
Ricoh brought the GR IIIx into its lineup to largely address focal length, but to also cement the case that this compact camera shoots bolder than its size would otherwise indicate.
A few months ago Unistallar and Nikon announced the launch of a new smart-telescope called the eVscope 2. The two companies claimed it was the world's most powerful and simple-to-operate digital telescope for consumers. While I absolutely agree the system is incredibly easy and actually fun to use, dubbing it as the world's most powerful is a hefty over-promise.
Drones are fun. It doesn’t matter if we’re flying them or looking at drone photos and videos, there’s still that sense of wonder and awe as earthbound humans. That excitement carries over to watching not only any new drone, but in this case a high-end one that promises so much. There’s always inherent hype when a company like DJI announces a drone, and in the case of the Mavic 3, it may be justified.
There have been a lot of interesting light solutions for creatives released in the last few years, but they were either a slight improvement over a previous generation (like the Profoto A1 to A1X) or something to serve a niche corner like the Lumee from Spiffy Gear. Nothing has been really groundbreaking... except perhaps for the StellaPro Reflex from Light and Motion.
It is extremely difficult to come into a review of the new MacBook Pro with a truly neutral mindset. The original M1 was just so darned impressive that a follow-up naturally has enormous shoes to fill. Somehow, not only does the MacBook Pro powered by M1 Max meet expectations, it exceeds them: this computer is a marvel.
There are two things a camera should have to be good at astrophotography: a large image sensor and the ability to manually control camera settings. Yet somehow, the Google Pixel 6 Pro manages to capture stunning astrophotographs with the press of a single button. The image sensor, though much bigger than previous iterations of the Pixel line-up, is still tiny in comparison to mirrorless or DSLR cameras. But it’s the powerful machine-learning software within that makes the Pixel 6 Pro so good at capturing the stars.
XP-Pen's new Artist Pro 16 is one of the most compelling entry-level graphics displays on the market. It's lightweight, well-built, highly customizable, color-accurate, and all for a price that will make Wacom owners blush. It's not a perfect product, but no other Full HD pen display on the market offers this kind of experience and build quality for just $450.
A little over a year ago, Kolari Vision released its lineup of high-end and ultra-rugged drop-in filters for Canon's EF-to-RF mount adapter with a built-in filter slot, making the company the first to come to market for such a product. But does getting to market first make them any better than the competition? Is the price worth it?
The iPhone has been the best smartphone for video capture for some time, and the iPhone 13 Pro is no different -- it's currently our pick in that category. So, naturally, adding ProRes 4:2:2 10-bit capability only makes that better, right?
Not many people own a 4x5 camera let along actually use them, which makes Lomography's new LomoGraflok 4x5 Instant Back particularly interesting. It allows those with 4x5 Graflok-equipped large format cameras to shoot with Fujifilm Instax Wide film It's niche, but should appeal to a very small, but passionate, group of photographers.
What if a company released a high-end action camera that didn’t look exactly like the device that popped into your head when you read “action camera”? That's what DJI did with the Action 2, and it’s got... magnets?
With the Pixel 6 Pro, Google had no other choice than to give its flagship smartphone an overhaul, including its vaunted camera performance, and the results are certainly a good step in the right direction.
In a new update, Adobe is greatly increasing the masking capabilities of its Lightroom applications as well as Adobe Camera RAW. While it is not as powerful as what is found in full-fledged Photoshop, you will find yourself wondering how you ever lived without it.
The new Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD for E-mount and X-mount is an all-in-one APS-C lens with the power of 16.6x zoom. These types of do-everything lenses have a tradition of being subpar, but Tamron may actually have what it takes to pull off a winner.
Three and a half years ago, Sony made a statement with the Alpha 7 III. The company wanted to plant the idea that its “base model” did not mean basic. At the time, that camera was specced beyond its price, and it hit everyone by surprise. Now, with the Alpha 7 IV, our expectations are much higher. Did Sony do it again?
Sigma today announced its new 18-50mm /f2.8 DC DN lens -- a small zoom lens for mirrorless cameras with APS-C sensors -- and photographer Gordon Laing decided to see how it compared to Sony's 16-50 f/3.5-5.6 kit lens.
