Jaron Schneider

Editor-in-Chief

Jaron Schneider is an award-winning commercial filmmaker, an internationally published consumer technology journalist, and long-time digital imaging expert across the fields of both video production and traditional photography. He is also the host of the PetaPixel Podcast. 

The former A/V Editor of Digital Trends, Features Editor of Imaging Resource, and Editor in Chief of Resource Magazine, Schneider's production work – which includes clients such as Verizon, Redwood Credit Union, Grammy-Award-wining band Train, Food Network's Guy Fieri, UC San Diego Scripps Institute, the San Francisco WETA ferry system, and luxury Swiss watchmakers Cartier and Maurice Lacroix – has been featured across multiple networks, including CNN, ABC Network News, Gizmodo, Huffington Post, Business Insider, The Daily Mail, Telegraph UK, and Jalopnik.

Articles by Jaron Schneider

Two hikers equipped with backpacks, capturing photos in a rugged mountainous terrain shrouded in mist. Large text reads "OnePro" at the top, with smaller text "OnePro Backpack Born for Professional Outdoor Photography" below. PGYTECH logo is in the bottom right.

PGYTech’s OnePro Adventure Camera Backpack Looks Like a Winner

Making a good camera backpack, especially one that stands out in a crowded market, is difficult. Making a good adventure camera backpack is even more difficult, as it combines the needs of two very opinionated types of users. PGYTech's new OnePro might be one of the few that balances both groups' needs.

A red, interconnected infinity symbol in the center, representing creative collaboration, is surrounded by various black arrows and lines pointing towards it on a white background. The design is dynamic and suggests focus and convergence.

Adobe’s Swift Support of New Camera RAW Profiles Has Spoiled Me

Adobe has had a rough go of it lately and as a result, more photographers have been asking what legitimate options exist that can replace Photoshop and Lightroom. I've been testing a few and while they're all capable performance-wise, I'm left feeling spoiled by Adobe's absurdly fast support for new camera RAW profiles.