Lighting

SmallRig-RC220B-Review

SmallRig RC 220 Bi-Color LED Review: Accurate and Affordable

SmallRig's 220 Watt RC 220B LED light is a much-anticipated update to the RC120 series LED. While the D version is daylight balanced, the B model we tested offers a color balance of 2700K to 6500K. After making several smaller vlogger-style LED lights, it seems with this update, SmallRig is officially entering the professional continuous lighting world.

7 Types of Lighting in Portrait Photography

Portrait photographers use a myriad of different lights and lighting styles to achieve the results they desire. I’ve seen great portraits done with 10 lights, and even greater portraits done with a single light. The best photographers can do both and play around with lights like tools in their toolbox to create something unique.

A Guide to Studio Lights in Photography

If you’ve decided to take the next step in your photographic lighting and purchase some studio strobes, then you will need to ask some questions about what kind of images you’ll be creating in the studio and what the best lighting for those particular subjects is.

What-Is-Fill-Light

What is Fill Light in Photography?

Fill light is one of the unsung heroes in the photographic industry, yet the fill light in basic three-point lighting can be just as important as the key. Getting it right can make your images look much better.

Photographer Creates the World’s Darkest Photo Backdrop

Black holes. They’re an astronomical phenomenon that sucks in all available light with no escape. So what if you could create a photo backdrop that could mimic that kind of light absorption without reflecting? A photographer recently used an ultra-black fabric to make the darkest photo backdrop in the world.

Light Modifiers for Portrait Photos: A Beginner’s Guide

In the two-plus decades I’ve been a photographer, finding the right light modifiers for the varied work that I did was a challenge. In the small community I lived in, my subject matter ranged from commercial photography to weddings and portraits. Each subject required its own type of lighting.

What Is Flash Duration in Photography?

What are the most important features you look for when buying a flash? Many photographers consider the amount of power a unit has to be the most important, but there are a few other specifications that are just as important, including flash duration. In this article, I will break down exactly what flash duration is and how it works.

No, Grids Do Not Directly Increase Contrast in Photos

One of the biggest challenges for a photographer learning how to light with an off-camera flash isn't necessarily the type of lights they have but rather learning how to control it.

How to Create White, Black, and Gradient Backgrounds in Photos

Creating an evenly lit background can be trickier than one would think, but is a skill that every photographer should master. But with the right equipment and knowledge, it gets much easier to capture a pure white, black, or colored gradient background in-camera without the need for heavy Photoshop cleanup in post.

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Rotolight AEOS 2 LED Review: A Colorful and Easy to Use Hybrid Light

Rotolight, an award-winning LED lighting company based in the UK, has recently released the $1,399 AEOS 2, a circular LED that can be used as a constant video light as well as a strobe for still work and has zero recycle time. As an added bonus, the light features a series of built-in filters and gels that allow users to create nearly any look and mood imaginable and a mobile app for controlling and changing settings when the lights are in awkward and precarious positions.

How I Built a DIY Gel Holder for the Godox AD300 Pro Flash

I purchased some of the new compact and foldable Godox softboxes (e.g. AD-S60S, AD-S65W, AD-S85S, etc) for my Godox AD300 Pros. They work just fine but I wanted to use the magnetic color gels from my AK-R1 kit with them, so I decided to design my own gel holder compatible with the AD300 Pro.

Profoto B1X Review: Tough, Powerful, and Worth Every Penny

When Profoto released the cordless, battery-powered B1X monolight in 2017, I was rather skeptical. Why should a company release a new light if it offers mild improvements over the old model? Faster recycling, better battery life, and more modeling lamp output aren’t exactly groundbreaking. Yet the build quality, the ability to freeze motion, and the number of flashes per charge make this light worth every penny.

An Intro to Shadows in Photography

What is a photograph? There are many different ways to answer this simple question, but in basic abstract terms through the lens of lighting, every photograph is a combination of highlights and shadows. The only reason we see depth and dimension is in fact shadow. Understanding shadows is crucial in growing as a photographer.

Anything Can Be a Light Modifier for Portraits with a Little Creativity

Light shaping tools are very expensive. What if you could take any object and turn it into a modifier? That would save you a lot of money as well as give some unique results. In this article, I will share some everyday objects that you can turn into light modifiers to get different looks.

Profoto B2 Long-Term Review: A Small Flash That Punches Above Its Weight

The Profoto B2 is a small, seemingly-"underpowered" light that was released back in 2015 and that has been with me for the past two years. Having bought it used and taken it on trips, shot in-studio, and photographed on-location, there are a lot of good things to say about it.

Look Beyond the Softbox to Spice Up Your Portrait Lighting

What kind of lighting do you use as a portrait photographer? Softboxes are great and popular, but that also makes them potentially overused and boring. If you want to spice up your portrait lighting, you can look into expanding your toolbox beyond the softbox and into other kinds of lighting.

How to Make a DIY Softbox for Free

Almost anything can be used as a light modifier. As long as it interacts with light in one way or another, it can be considered a light modifier. In this article, I will show you how to build a do-it-yourself (DIY) softbox with things you likely already have around at home.

A Photographer’s Guide to Umbrellas

Umbrellas are perhaps the most under-appreciated light shaping tool around. Due to their low price and wide availability, they are considered by some to be only for those who are beginners. This couldn't be further from the truth.

How to Mix Flash with Ambient Light: A Step-by-Step Method

Can you think back to a time you were taking photos in a dinner scene and they just look "flash-y"? Why does flash never look natural? Well, in order to make flash look natural, you have to make flash part of the natural lighting scenario. Here’s how.

Using a Flash for Insect Photography

I've shot thousands of pics of insects without flash and tens of thousands with flash. When the lighting is bright and sunny, the results can be good without flash. But when I venture out in pursuit of photo ops, I often encounter poorly lighted situations which are better with flash. If you study the work of experienced insect photographers, you'll find that most of them use flash.

Deal Alert: Westcott Cyber Week Sale

It’s Cyber Week, and that means fantastic deals and a wonderful opportunity to stock up on photography equipment. Westcott is offering savings of up to $150 off some of its most impressive lighting gear and kits. These bargains are only available until December 3rd on the Westcott website, so you will need to get in quick.

Why the Inverse-Square Law Might be ‘Wrong’ for Your Photo Shoot

Think you know the inverse-square law? How much of a "law" is it actually in the practice of photography? We are taught that the inverse-square law is the holy grail of understanding the laws of light. Some condense all the wonderful knowledge about light concepts to the inverse square law only. In this article, I want to invite you to take a step back and see how the inverse square law is wrong. Sometimes.

Lighting White-on-White or Black-on-Black Photos with Just One Flash

The most complex scenarios one can get in lighting are black on black and white on white. These scare most photographers, regardless of the genre. If black absorbs light and white bounces, how can you achieve natural-looking results with just one light?

StellaPro Reflex S Review: One Light to Rule Them All?

There have been a lot of interesting light solutions for creatives released in the last few years, but they were either a slight improvement over a previous generation (like the Profoto A1 to A1X) or something to serve a niche corner like the Lumee from Spiffy Gear. Nothing has been really groundbreaking... except perhaps for the StellaPro Reflex from Light and Motion.