There have been a lot of interesting light solutions for creatives released in the last few years, but they were either a slight improvement over a previous generation (like the Profoto A1 to A1X) or something to serve a niche corner like the Lumee from Spiffy Gear. Nothing has been really groundbreaking... except perhaps for the StellaPro Reflex from Light and Motion.
The Aptolux MP-1 is a portable, lightweight, and modular lighting system that has the ability to change its size or shape depending on the need. The company says it prevents the need to buy multiple lights and is highly repairable if damaged.
One of the hardest things I experienced as a beginner was not knowing how to create a simple lighting setup. I’d always imagined elaborate lighting setups of three to six lights or more, and it’s why I began to shy away from working in a studio.
In this tutorial, we share our lighting setup for a piece of glass stemware using minimal gear. To mimic this shot, you will need a black background, stripboxes, and speedlights.
Parabolic light has become increasingly popular among fashion and portrait photographers. With so many options to choose from, a photographer may get lost or not understand the modifiers at all.
When it comes to headshots, there is perhaps no better source of information and guidance than the man who has made an empire out of the practice. In this five minute video on the, Peter Hurley quickly breaks down his favorite tips to light the perfect headshot.
Sony has launched two new shoe-mount, speedlight-style strobes for the Alpha system: the HVL-F60RM2 and HVL-F46RM. Both are capable of continuous 10 frames per second flashes or have sub-two second recycle times at full power.
TTArtisan has announced a $56 Light Meter for Leica cameras that do not have a built-in metering system.
One of the most frustrating things I see is photographers limiting their knowledge of light to one modifier. So much so, that there are people who can build whole portfolios with just one single type of light. While this is not wrong, it must get boring for the viewer after some time. That is why I went searching for some of the most unusual light shaping tools.
Diffused and soft light are often used interchangeably among photographers. Indeed, to an untrained eye, the two can sometimes appear to be the same. Furthermore, modifiers such as softboxes that give both soft and diffused light make it hard to spot the difference. Nonetheless, diffused light is not necessarily soft, and soft light is not necessarily diffused.
How does renowned portrait photographer Albert Watson light his photos? With a foolproof three-light setup that makes his photos look amazing, of course! Except... he doesn't. In fact, setups are very far from what professional photographers do when they light their work. Here is what mindset photographers have when they light.
You don’t often see photographers using gels outdoors in natural light, but why? I think one of the core reasons you don't see too many natural light gel shots, is that you need a lot of power and control from your lights to make color gels visible in daylight.
Lighting as a thought process is fundamentally easy to apply to schemata. Water is not.
There are literally hundreds of different flashes on the market. With brands competing for attention and offering some very unique features, it is often hard to decide which flash to pick. What is more, buying a flash is sometimes like buying a whole lighting system. If someone buys Profoto they are likely to stick with it for a long time because it’s part of a lighting system, not just one flash.
Hi, this is photographer Jay P. Morgan from The Slanted Lens. In this article and video, we’re going to take a look at how to set up a simple corporate portrait in a tight space.
Why is it so difficult to compare one light to another? It would be bad enough to say that watts, LUX, watt-seconds, and guide numbers aren’t directly comparable. And unless you’ve been around lights for a long time, these measurements won’t even make intuitive sense.
How do photographers freeze motion? With shutter speed, of course! This is something fundamental that everyone starting out in photography learns to do. If you’re shooting sports, for example, just crank the ISO up, set a high shutter speed, and expect a good frozen-in-time image. However, when using a flash, things are a little different. In fact, shutter speed is by far the worst way to freeze motion. Here’s why.
In this nine-minute video from Workphlo, photographer Dustin Dolby explains how to light catalog quality reflective product photos using just a single Speedlight.
If you’re just starting out with strobes, there’s more choice than ever to overwhelm you with! In this guide, we will help you systematically narrow down which lights are going to work best for your type of photography.
I'm photographer Jay P. Morgan from The Slanted Lens, and in this article and 10-minute video, we’re going to talk about my favorite lighting when it comes to lighting any kind of product: top back light.
Of all the various factors and variables involved in photography, light is by far the most important one. Photographer Karl Taylor argues that control over light will actually supersede the quality of a camera.
One of the bigger personal projects I’ve been working on recently is my Cinematic Studio Lighting course. During the process of writing the accompanying notes and shooting promotional images for the event, I’ve done a ton of research on how cinematographers and directors of photography work, think, and plan their shots.
Well-known portrait photographer and YouTuber Manny Ortiz made this 5.5-minute video in which he shares his go-to beauty lighting setup that guarantees stunning and flattering studio portraits time and time again.
Godox has announced the updated V860III Speedlight (AKA the Flashpoint Zoom Li-on III R2 TTL). The new $229 76Ws Speedlight has all of the features from the existing V860II as well as several new and improved features, including a front-facing modeling light.
The beauty dish is one of the most commonly used light modifiers for beauty and portrait work, but being popular doesn’t mean that it’s an easy-to-use modifier without any quirks and intricacies. In fact, you can only harness the true magic of the beauty dish if you know the principles behind it inside-out. In this article, I will explain everything you need to know when using a beauty dish.
We all love soft light because it adds that dreaminess to food and drink photos that will always be great. However, recently I have been seeing more people use hard light in their food and drink photography.
People always have a love/hate relationship with Godox. For many, they are a cheap entry point to off-camera flash, offering massive bang for the buck. Others see them as cheap imitations of more expensive brands.
When starting out in photography, you are bombarded with terms, definitions, and a whole new universe of things you must know as a photographer. Sometimes the definitions are confusing at best, seemingly conflicting at worst. When it comes to lighting, there's a big list of terms and jargon that you need to know. Here are some of the common ones with simple definitions and explanations.
In this 18-minute video, photographer Dustin Dolby explains many of the tricks beverage photographers use and shows how anyone can achieve professional-level beer photos with just a few speedlights and some entry-level camera gear.
Nighttime street and urban photography can actually be easy. Street lamps (your ready-made light sources), can effectively provide all the light you need for your photos. The illumination gives you compositional ideas and options for taking great shots.
How do filmmakers and photographers fake rain for the cameras? A team of creatives has shared a behind-the-scenes look at ways to add fake rain to scenes and how to combine it with lighting for a natural but atmospheric look.
Natural light is one of the easiest ways to shoot portraits with minimal gear. More often than not natural light is soft and flattering to the face. Yet, a photographer who is able to create natural light in the complete absence of it is valued highly. That is of course with strobes. Here’s how you can easily create natural-looking light with flash.
Picking the right light modifier is often crucial to the success of the image. With hundreds of different modifiers to choose from, there is really nothing you can’t do. However, a wide choice often ends up confusing or possibly scaring photographers.
Photographer Jeremy Cowart has created what he calls a Lightograph, a patent-pending evolution of both the cinemagraph and standard photography that moves light through a still photo without adding any motion or shift in perspective.
Sometimes photographers may be in a situation where they only have a single light source at their disposal during a portrait session. The good news is there are many ways you can use a single light to create unique and dramatic looks for portrait work as Dima Metkin demonstrates.
Softboxes are among the most popular light shaping tools. Few photographers have never shot with softboxes, and more often than not a softbox is a go-to modifier for beginners. In this article, I will break down the anatomy of a softbox, from physics to possible applications for it. Read on to become a master of using softboxes.
Previously, we looked at which line of Sony's full-frame mirrorless cameras is most popular. Before that, we checked out which DSLR system held its value better over time. This time, we explore data from two Micro Four Thirds companies -- Olympus and Panasonic -- and see which system has held up better over time.
At some point during the history of the influencer, the ring light became an accessory de rigueur, fueled by the availability of cheap Chinese-made devices. The original ring light was invented for dentistry by Lester A. Dine in 1952 because of its ability to cast an even light with diffuse shadows in a confined space. An ideal solution for photographing teeth and gums.
Street portraiture provides the opportunity to capture so much of the urban textures and patterns that give a city its look. The brick walls provide great leading lines as well as murals and large wall art that set a dramatic tone to any image.
Taking photos of white subjects on white backgrounds or black subjects on black backgrounds is a skill that requires photographers to skillfully bend light in various ways. Photographer Zach Sutton has shared tips on what works best in each scenario.