Equipment

Photographers use all kinds of equipment to craft their art, from cameras and lenses to lights and accessories. We cover the latest news and information on the tools of the trade in the photography industry.
A camera lens with "SINEAR 1:1.4/50 ASPH Ø49" inscribed on it is shown against a bright red background. The lens cap marked "Thypoch" lies in front. "PetaPixel Reviews" is displayed in the bottom left corner.

Thypoch Simera 50mm f/1.4 Review: Crisp and Clean

Having previously used both the Thypoch Simera 28mm f/1.4 and Simera 75mm f/1.4, I was expecting great things from the 50mm f/1.4. I've come to find that the Thypoch Simera series is characterized by clean, crisp optics and affordable prices. At $749, the Simera 50mm f/1.4 for M-mount is certainly far more attainable than the equivalent Leica lenses, but can it still deliver high-quality optical performance?

A vintage Leica camera and a silver lens are displayed separately on a blue background, each with their lens caps and accessories neatly arranged around them.

Crafty Lens Cap for Leica M Hides AirTags

To paraphrase Jane Austen, it is a truth universally acknowledged that a photographer in possession of valuable equipment must be in want of protection against theft. It's just part of the reason why Apple’s AirTags have become so popular.

A close-up of a camera lens with visible reflections, lying on a dark marbled surface. The image includes a "PetaPixel Reviews" banner in the lower left corner.

Thypoch Voyager 24-50mm f/2.8 Review: Autofocus Zoom for a Bargain

Even now in 2026, autofocusing lens design out of the Chinese manufacturers is still in its relative infancy. We have seen some excellent autofocus-equipped prime lenses from companies like Sirui and Viltrox, but who knew that a manufacturer known for making boutique manual-focusing M-mount lenses would be the first to market with a zoom?

Close-up of a camera lens with a red "G" logo. The "PetaPixel Reviews" logo is in the bottom left corner.

Sony 100-400mm f/4.5 GM OSS Review: Zoom Zoom

Sony photographers have a lot of great choices available when it comes to the serious telephoto lens. Whether you are into sports or wildlife, the Sony E-mount has you covered. However, many of these excellent lenses come with big physical dimensions and even higher prices.

A Nikon Z series camera is centered, surrounded by two camera lenses and two 512GB memory cards from Lexar and SanDisk on a red, white, and blue blurred background.

The 25 Best Memorial Day Deals for Photographers

Spring sales have already been aggressive this year, but Memorial Day camera deals take things even further. Across cameras, lenses, memory cards, bags, and tripods, we’re seeing discounts that range from useful everyday savings to genuinely massive price drops on premium gear and pro-level kits.

A person with colorful, mismatched nail polish holds a small, retro-style toy camera with an orange and teal body against an orange background.

Photographers Can Build Their Very Own Keychain Camera at Home

Keychain cameras are all the rage these days. After the success of the Kodak Charmera, it is of little surprise that other companies are getting in on the fun. What sets the new Keymera apart, though, is that it's 3D-printable and can be built by photographers at home.

A close-up of a Canon RF 20-50mm F4 L IS USM camera lens resting on its side on a black surface, with a white tiled background. “PetaPixel Hands-On” text is overlaid in the bottom left corner.

Canon RF 20-50mm f/4 L IS USM PZ Hands-On: Surprisingly Good for Photos

One of my favorite zoom lenses of all time is the Sony 20-70mm f/4. Just the fact that a versatile range can be coupled with an ultra-wide-angle field-of-view brings a lot of convenience to the camera bag. I don’t mind the moderate f/4 aperture either, and the size and weight are kept to a minimum because of it. So when Canon released a 20-50mm f/4 L PZ lens alongside the R6 V, I was excited to try it out.

A black RD-1 rangefinder camera with a lens is resting upright on a concrete surface in front of a wall painted with horizontal blue, white, and red stripes.

Reviewing the Most Beautiful Digital Camera Ever Made 22 Years Later

In 2004, Epson and Voigtländer teamed up to create a truly legendary camera, the Epson R-D1. It was the world's first digital rangefinder, packed with exceptional features and style to match. Cameralabs' Gordon Laing has given the Epson R-D1 his wonderful "Retro Review" treatment, giving the R-D1 another chance to shine and show the world what made it so special more than 20 years ago.

A hand holds a black Polaroid digital camera outdoors by a river, showing the camera's front in one image and the back with its screen and buttons in the other. The background is green and sunny.

This Could Be the Rarest Digital Camera Ever Made

The Polaroid x530 compact digital camera launched over 20 years ago to nearly no fanfare and minimal commercial success. However, its distinct Foveon image sensor technology and urban legend status make it one of the strangest digital cameras ever made. Outside of limited-edition digital cameras, the x530 could even be the rarest of them all.

Two Sony Alpha cameras are shown side by side on an orange background, separated by a large "not equal to" symbol, indicating a comparison or difference between the two models.

No, the Sony a7R VI Doesn’t Make the a1 II Obsolete

As soon as I learned about the exciting and excellent new Sony a7R VI and got my hands on it a few weeks ago, I knew exactly what people would be asking once they learned about the camera's new, faster stacked sensor and 30 FPS burst shooting rates. Why would any photographer choose the Sony a1 II over the a7R VI? And I was right. I heard this question at least a dozen times at Sony's a7R VI event in New York City without any prompting whatsoever.

A professional camera setup with a Laowa lens on a slider is shown next to three Laowa probe and zoom lenses. Text highlights "PROBE ZOOM 15-24MM T8, 15-35MM T12" on a black background.

Laowa Launches ‘The World’s Widest Probe Zoom’ Lenses

Laowa has officially unveiled its next-generation Probe Zoom system, which it states is "the world’s widest macro probe lens with the broadest focal range ever made." Designed for cinematic and high-end commercial work, the new 15-24mm T8 and 15-35mm T12 macro lenses expand the company’s well-known probe lineup with a wider focal range, increased flexibility, and a modular design built around extreme close-up imaging.

Three digital cameras and three tripods are displayed on a red and orange abstract background. The cameras are from Sony, Canon, and Lumix, and each tripod is set up with its legs extended.

Hot New Camera and Lens Releases and the Best Deals on Tripods

New camera announcements continue to arrive at a rapid pace, and this week’s lineup brings together several of the most talked-about new releases alongside deep discounts on premium tripods to support them. Whether you are planning to preorder a new body, upgrade your lens lineup, or finally replace an aging support system, there are some unusually strong deals available right now.

A bearded man in a red cap holds a camera lens filter up to his eye. Next to him is a close-up of a black Leica camera on a table with photo prints and a red magazine cover.

PolarPro’s Split 50 Is Only Half a Filter, and That’s the Entire Point

PolarPro has introduced a new creative lens filter that intentionally leaves half the glass uncovered, and that unusual design is exactly what gives the filter its cinematic effect. The new PolarPro Split 50 is a split diopter filter designed to place two subjects at different distances into focus within the same frame, creating a distinctive look long associated with classic Hollywood filmmaking.

A Sony α7R camera body without a lens is displayed on an orange background with its body cap off. "PetaPixel Reviews" and "Editors' Choice" graphics are overlaid on the image.

Sony a7R VI Review: The High-Resolution Camera to Rule Them All

The Sony a7R VI might very well be the last camera many photographers truly need. It won't be the last camera people want, of course, but there is very little this camera cannot do, at least for still photography. It's exceptional and, in many crucial ways, the new standard-bearer in the industry.