Equipment

Photographers use all kinds of equipment to craft their art, from cameras and lenses to lights and accessories. We cover the latest news and information on the tools of the trade in the photography industry.
A studio light stands on a tripod next to a black camera flash on a wooden stump, with a large green plant and a brown leather chair in the background. The text "PetaPixel Showcase" appears in the top right corner.

Neewer Q120 and Z3R: Compact Power Meets Modern TTL Control

Neewer’s latest lighting release introduces two very different flashes aimed at modern photographers working across both studio and location environments. The Q120 outdoor strobe focuses on compact, battery-powered portability for off-camera work, while the Z3R TTL round-head speedlite brings a more refined on-camera experience with a touchscreen-driven interface. This hands-on review looks at how each unit translates its design into real-world shooting situations.

A man with short hair and a beard is holding a black camera up to his face, looking through the viewfinder as he takes a photo outdoors in bright daylight.

Photographers Are Tired of Big Cameras

We were sitting on a train between neighborhoods in Osaka, Japan, when Chris Niccolls turned to me. "I'm thinking of buying a new camera," he said. I was shocked. Chris, who has a different camera in hand every week because of his job as a reviewer, actually wanted to own one. "I want something small."

A rocket launches vertically from a launch pad, emitting bright flames and smoke, with metal support structures framing the view and a vast desert landscape in the background under a clear blue sky.

Filmmakers Captured a Rocket Launch With a Blackmagic Immersive Camera

Chengdu Qiongjie Yingchuang Culture and Entertainment is a Chinese immersive imaging company. It recently captured a rocket launch on the Gobi Desert using Blackmagic Design's extremely impressive Ursa Cine Immersive camera, capable of capturing greater than 8K resolution video across two lenses, one for each eye in an Apple Vision Pro headset.

Two digital cameras are displayed on a white background: a larger black Phase One medium format camera on the left and a more compact black Sony Alpha mirrorless camera on the right, both with attached lenses.

Sony Is (Probably) Never Making a Medium Format Camera

There has been chatter about Sony making its own medium format camera system for about as long as Sony has made image sensors for other brands' medium format cameras. Sony's recent reveal of the 65mm-format Rialto 65 image sensor block for Venice 2 cinema cameras has only strengthened these rumors. However, the speculation is pipe dreaming, at best.

Two black camera lenses are displayed on a light blue surface, one standing upright and the other lying on its side. Both lenses have visible text and controls on their bodies.

Viltrox Announces Evo 75mm f/1.8 and 90mm f/2.2 Portrait Primes

Viltrox has introduced two new additions to its Evo series lineup, the AF 75mm f/1.8 Evo and AF 90mm f/2.2 Evo, designed specifically for APS-C mirrorless systems. Built for Sony E, Nikon Z, and Fujifilm X mounts, both lenses focus on delivering professional portrait performance in a compact and lightweight form factor.

Aerial views of volcanic landscapes with green moss, dark mountains, winding rivers, and a circular rainbow-like halo in the left image, under a dramatic cloudy sky.

Iceland’s Targeted Drone Ban Is Nature Conservation Theater

For several summers, I have taught drone photography in Iceland’s highlands under permits issued by the country’s nature conservation agency. I applied on time, followed every condition, and never received a complaint from a ranger, another visitor, or the agency itself.

A camera lens with yellow and white distance and aperture markings sits upright on an orange background. The "PetaPixel Reviews" logo appears in the lower left corner.

Light Lens Lab 35mm f/1.4 ASPH ‘11873’ Review: All the Joy for Way Less Money

Amongst the plethora of different versions of the Leica M 35mm f/1.4 Summilux lenses, the “11873” model has garnered special attention. This double-aspherical design is famous for its lens character and classic glow at wider apertures. Of course, lens aficionados have driven the price of this original lens to astronomical values, which is where Light Lens Lab has stepped in.

Three black camera lenses with lens hoods are displayed upright against a blurred gray background, next to a large white telephoto lens positioned horizontally at the bottom of the image.

Save Big on Sigma Lenses From Wide-Angle to Super Telephoto

Sigma has spent years building a reputation for producing lenses that often challenge first-party alternatives while remaining competitively priced. This week's Sigma lens deals cover everything from ultra-wide APS-C zooms and fast Art-series primes to versatile travel lenses and professional super-telephoto glass.

On the left, a professional Sony CineAlta film camera with various buttons and controls; on the right, a close-up view of the camera’s large image sensor.

Sony Is Making a Massive Cinema Camera Image Sensor

Sony has announced the development of the Rialto 65, a new 65mm-format image sensor block designed to expand the capabilities of its Venice 2 cinema camera platform. Scheduled for release in the first half of 2027, the new sensor promises to bring large-format cinematography to existing Venice 2 users without requiring an entirely new camera system.

A vintage film camera with a flash attached sits on a wooden surface next to a separate black Godox flash unit, against a warm brown blurred background.

Godox Launches Compact, Retro-Inspired iM30Pro Flash

Godox has announced the new iM30Pro, an upgraded version of its popular pocket-sized iM30 flash that adds a rechargeable lithium battery, bounce flash capability, a color display, and expanded creative controls while maintaining the compact design that made the original model appealing to travel and street photographers.

A camera lens with "SINEAR 1:1.4/50 ASPH Ø49" inscribed on it is shown against a bright red background. The lens cap marked "Thypoch" lies in front. "PetaPixel Reviews" is displayed in the bottom left corner.

Thypoch Simera 50mm f/1.4 Review: Crisp and Clean

Having previously used both the Thypoch Simera 28mm f/1.4 and Simera 75mm f/1.4, I was expecting great things from the 50mm f/1.4. I've come to find that the Thypoch Simera series is characterized by clean, crisp optics and affordable prices. At $749, the Simera 50mm f/1.4 for M-mount is certainly far more attainable than the equivalent Leica lenses, but can it still deliver high-quality optical performance?