The Ray-Ban Meta Smart Glasses II, which Chris Niccolls described as impressive but ultimately a "luxury solution in search of a problem" in his review for PetaPixel, look to have found a problem to solve thanks to some fancy new AI technology.
This week, director Steven Soderbergh took part in an interview where he discussed the making of Presence, in which he revealed it was filmed on a Sony a9 III... which he gleefully referred to as a DSLR.
The internet is being overrun by fake and bogus AI imagery and text. The question is, what are we going to do about it? The internet has always had a problem with misinformation, but that problem is being accelerated by AI and the deluge of fabricated lies and deceit. Is it not important that the truth is determined by how it matches up with reality?
Civil War eschews the typical trappings of a combat action movie by turning the lens not toward the soldiers but to the photographers capturing them. And while it excels in some aspects of its portrayal, it falters when it comes to the big stuff.
SmallRig announced a slew of new products this week and each is designed to make some aspect of photography and filmmaking just a little bit easier.
In one of her most famous quotes, the photographer Dorothea Lange said that "the camera is an instrument that teaches people how to see without a camera."
For a long time, third-party optics usually meant compromise somewhere, but in 2024, does that apply anymore? Is it possible for a photographer to be perfectly happy shooting with, for example, Sigma lenses and nothing else?
Since the earliest cave drawings, artists have interpreted the world around them in ways that best communicate what they want the viewers to understand.
Next to portraiture, landscape photography is among the oldest genres. It has gone through evolutions, and thanks to pioneers like Ansel Adams, landscape photography even helped bring photography into the larger art discussion. But after more than a century of influence and brilliance, has landscape photography lost its way?
Nikon has long been a popular choice for amateur and professional wildlife photographers. Since the days of its film and digital SLR cameras, it has committed to engineering robust cameras with swift autofocus and making top-tier telephoto lenses. That same focus persists in the mirrorless age, perhaps even more.
Lots of people are fed up of hearing about Kate Middleton and her apparent penchant for Photoshop. But as yet another major photo agency goes on record to say another of her images was "digitally enhanced," there is a need for transparency.
The companies developing generative AI technologies are, typically, skirting around the rules regarding copyright: very few actually provide the public with concrete information on how they train their models.
While Fujifilm's runaway popularity of the newly launched X100VI is well known, it isn't the only company that is "suffering from success." Ricoh's GR III, which is now over five years old, continues to be in such high demand it is difficult, if not impossible, to acquire.
The future of Panasonic's organic sensor, a global shutter technology it has been developing with Fujifilm since 2013, doesn't look promising.
Today my mother-in-law texted me to say, "Can't trust any photo." Why? Kate Middleton.
Sight was the first of our senses to be technologically shared in a world we did not witness with our own eyes. Photography—writing with light—has historically meant a one-to-one relationship between what was before a camera (defined as a lens focussing light on a recording media) and what came out the other end, created by a human.
Nikon's surprise acquisition of RED Digital Cinema this week represents a seismic shift in the cinema camera space. It also has far-reaching consequences not only for Nikon and RED but also for the rest of the digital camera industry, including Nikon's biggest competitors.
The Madavor and BeBop saga has seemingly ended, thanks to a new settlement between Madavor's prior owner, Zilpin Group LLC, and the BeBop Channel Corporation. The settlement returns all BeBop-owned properties to Zilpin Group, LLC and cancels outstanding liabilities.
AI image generators are trained on millions -- even billions -- of photos. It is safe to assume the vast majority of these photos are copyrighted and used without permission.
Apple appeared content to sit by the sidelines as the AI craze took the tech world by storm last year, but that has changed. Apple is all in on AI, and it seemingly happened in the blink of an eye.
The 10-year anniversary of Ellen DeGeneres' internet-breaking Oscars selfie reveals just how much photo culture has changed.
This past week, the PetaPixel team came across an opinion on a photography blog that we didn't think was fair. In short, it argued that all "small sensor cameras suck," which is just not true.
A child's online privacy has long been a concern for parents and guardians, and even law enforcement. It is a topic mired in debate, and it's also an ever-changing technological landscape thanks to new AI tools. Wading into the complicated situation is freelance writer Hannah Nwoko in a new piece for The Guardian.
Lapse is the latest analog camera app to see a great deal in funding, but it's rarely a bet worth placing.
Famous memory card maker Lexar announced its (now outdated) 2024 roster of "Lexar Elite Photographers" this week, and many online commenters quickly noticed something each of the seven photographers have in common: They're all men.
In 2016, Adobe developed a technology that was best described as "Photoshop for audio." It would be able to change words in a voiceover simply by typing new words. Sounds scary, right? It was, and Adobe never released it -- for good reason.
During Sunday's Super Bowl commercials, a set of incredible photos were seen by some 123 million people. Regardless of where you stand on the Jesus-themed ad, it was a pretty cool moment for photography.
I can be called an Apple fanboy. I'd push back on the notion that I love everything the company does but for better or worse, I'm ingrained in the Apple ecosystem and have been for more than two decades. So naturally, I've been eagerly awaiting the Apple Vision Pro.
In a recent interview, a Samsung executive attempted to gaslight us all by saying that no photo is really "real."
My name is Martin Bissig and I am a Canon Ambassador and a professional photographer from Switzerland. My previous work has been published in over 30 countries and I work for national and international clients around the world.
The OM-1 Mark II has landed with more of a whimper than a bang. It's a great camera but there's not much new about it. However, the rush to pass judgment on what the lack of novel features means for the future of OM System and Micro Four Thirds at large is premature.
Samsung often touts its ecosystem of devices as a boon to productivity, especially when you combine its smartphones, tablets, and laptops together. But how truly effective is it? And is it too intricate to be more adaptable?
Following DPReview publising its Sony a9 III studio test shots, PetaPixel wrote about our hands-on experience with the a9 III's image quality. We wanted to add more context to that discussion, even if it spoils parts of our impending review.
When it comes to protecting its intellectual property, Canon is among the most litigious. Whether printer ink or lenses for the RF mount, the company spends significant effort shutting down unregistered third party brands. From the outside looking in, this can come off as petty, aggressive, or even greedy.
This year included some fantastic new cameras, lenses, and accessories. From the Nikon Z8 and the Sony a7CR to the Canon RF 100-300mm f/2.8 and Sigma 14mm f/1.4 DG DN Art, nearly every camera maker brought something amazing to the table. However, some of them also announced products that slipped through the cracks by virtue of being dreadfully boring, if not outright bad.
Up until recently, most introductory photography classes in colleges and universities still taught students the basics of the medium using film and darkroom processes. These days, though, the majority of schools have transitioned to digital since it is more affordable for students and doesn’t require a lab full of equipment and chemicals. But despite the obvious benefits of digital, analog photography still serves as a valuable tool for learning the medium.
A few months ago, the esteemed German photo printing company WhiteWall introduced new black-and-white specific products into its expansive catalog. I recently tried some of the products with my images and am extremely impressed by the company's craftsmanship.
As we wrap up 2023, a year that featured a ton of incredible photography gear that will undoubtedly feature in many a photographer's kits for years to come, we began to wonder, "What popular photography gear from years past is much less common now?"
Now in its third year, PetaPixel has gathered its team together to guess the things they just know are going to take place over the next calendar year. All of us are, as usual, ready to be very, very wrong.
Like many photographers, I've spent years hunting the impossible combination: a high-quality camera that's also compact. Must haves: a great sensor and a wide aperture wide angle lens. Today, I’ll walk you through the meandering journey that eventually led me to the Leica Q3.
