Chris Niccolls

Articles by Chris Niccolls

Nikon Z8 Review

Nikon Z8 Review: The Best Camera for Most Serious Photographers

My first experience with an almost full production Nikon Z8 took me to stunning Yellowstone National Park. In the week or so that I had to play with it I found it to be a most enjoyable camera, and I was able to review most of the major aspects of the cameras handling and capabilities. However, there were still some features that I needed to test, and for that I would need to wait for a final firmware Z8.

leica q3

Hands-On With the Leica Q3: Is This the Perfect Street Camera?

Ask nine out of 10 influencers, and the Leica Q2 will still be on their favorites list even though it's three years old. Its timeless styling made it an instant classic, but credit goes to the venerable 28mm f/1.7 Summilux for delivering the goods. Now Leica has released its latest version, the Q3, and we got our hands on a pre-production version to try out.

Apple Final Cut for iPad Review

Apple Final Cut for iPad Review: Lots Here, But Some Things Still Missing

It's no secret that I have had an anti-Apple attitude in the past. As much as I may have made jokes at their expense, I have nothing against them. My perceived bias stems more from a fierce loyalty to the PC; I use to custom-build gaming rigs as a kid. Ever in search of more gaming power, I saw Macs as boring, work computers. However, now that I'm older, what I truly need a computer for is exactly that -- work.

Sigma 17mm f/4 Contemporary Review

Sigma 17mm f/4 DG DN Lens Review: Good Things Come in Small Packages

There just aren't a lot of ultra-wide full-frame prime lenses to choose from. There are plenty of zoom lenses to choose from, however, compact dedicated ultra-wides are in short supply. Cue Sigma to save the day with its brand new Contemporary series 17mm lens. But is this the hero we were looking for?

Laowa Argus 28mm f/1.2: Trash or Treasure? A Little Bit of Both

When I reviewed the Laowa Argus 35mm f/0.95 I was struck by how bad it was, but also how good it could be. Normally, I rate a lens based on how well it handles flare, how sharp it is, and how well it controls chromatic aberrations. Going by the above criteria, the Argus should have failed spectacularly.