Today Apple launched several updates to its professional video applications including the most significant update in years to its flagship Final Cut Pro video editing software, as well as several convenient updates to Final Cut Pro for iPad, Final Cut Camera, and Compressor.
With the recent addition of the Apple Log profile in the Apple iPhone 15/16 Pro/Pro Max models, you can capture truly professional video with the phone in your pocket. We use iPhone footage interwoven with large sensor mirrorless cameras constantly when shooting PetaPixel’s YouTube videos, and few viewers have commented on a difference. However, to make iPhone video truly compare to dedicated cameras, it takes a bit of technique, and a few additional accessories.
If I told you that Kodak just released a new camera that shoots Super 8 film but has a digital LCD, an SD card slot, and it costs $5,500, you’d probably be as confused as I was. But the Kodak Super 8 Camera has arrived and I’m going to try and make sense of it.
If we recommended the Sony ZV-E10 II for many beginner creators last week, why wouldn't we do the same for the Panasonic S9? At first glance, it looks like an incongruous set of opinions.
Sony's new ZV-E10 II corrects all of the issues I had with its predecessor and delivers an affordable and performant hybrid creators' camera. It isn't without compromises, but it is far and away the best attempt in this space we've seen yet.
The Panasonic GH series has always been some of the best hybrid cameras ever made, and the new Lumix GH7 brings the best features of the GH6 and last year's G9 II together in a single body. It's basically a perfect camera for me as the sensor size is the only thing I consider a compromise.
Microphones are an absolutely critical part of my video kit, and I’m very hard on them. So when I find something that works, I tend to stick with it for a long time.
I’ve been in the camera review game for a decade and a half and while the pleasure of checking out new gear hasn’t diminished, it’s very rare for me to be truly excited about a new camera. Well, that happened two years ago with the DJI Ronin 4D release, and now we have an impressive new 8K version to check out.
When making PetaPixel’s documentary about Blair Bunting’s U2 photo shoot at the edge of space (which you should really watch now if you haven’t), one thing we decided not to focus on was the camera gear. But we love talking about cameras and lenses, so Chris sat down with Blair the evening before his epic shoot to discuss the equipment he was bringing up in a U2 spy plane.
In the last decade, 4K video recording has gone from a format only used in high-end productions to a feature found on even the most entry-level cameras and smartphones. It was inevitable that there would be another resolution bump as sensors and computing power improved, and now we have a number of compelling full-frame mirrorless cameras that can record 8K video internally (right to the memory card). We decided to compare the most compelling 8K-capable, full-frame mirrorless cameras to see which was your best option today: the Sony Alpha 1, Canon R5 C, and Nikon Z8.
The iFootage Cobra 3 monopod has enormous shoes to fill, as the Cobra 2 was one of my favourite video accessories ever made. Has iFootage managed to improve on near perfection?
The DJI Inspire 3 is a drone that I had actually given up hope on ever seeing. The Inspire 2 was released way back in 2016 (the hot camera that year was the Nikon D500, to give you some perspective), and progress with UAVs has been incredibly rapid since then.
Arriving in stores only weeks apart and at the same price, the Panasonic S5 IIX and Sony ZV-E1 are full frame, video optimized cameras designed for creators. Obviously, I had no choice but to compare them!