Equipment

Photographers use all kinds of equipment to craft their art, from cameras and lenses to lights and accessories. We cover the latest news and information on the tools of the trade in the photography industry.
Close-up of a black camera lens with a wide aperture. The lens features adjustment rings for focus and aperture, and has various labels and markings, including a G symbol and E-mount label. The lens is set against a plain white background.

Sony 16mm f/1.8 G Is Nearly As Wide as 14mm f/1.8 GM but Way Cheaper

Sony's new 16mm f/1.8 G lens slots in between the company's excellent, albeit pricey FE 14mm f/1.8 G Master released in 2021, which is $1,600, and the FE 20mm f/1.8 G that launched the year prior, promising photographers and videographers with a fast wide-angle prime that doesn't break the bank.

The image shows disassembled electronic components on the left and a hand holding a beige-colored outer camera casing on the right. The casing has a large circular cutout, indicating where a lens may be fitted.

Sigma Can Make Just Nine BF Cameras a Day

The Sigma BF is milled from a single block of aluminum on state-of-the-art five axis CNC machine, which is a process that takes seven hours to complete. It should be no surprise, then, that the production capacity is extremely low: just nine per day.

A person wearing a red jacket holds a Lumix camera towards the viewer, with a blurred body of water and snowy landscape in the background. The text "PetaPixel Hands-On" is displayed on the right side of the image.

Panasonic S1R II First Look: The Ultimate Hybrid?

I wasn't looking forward to a trip halfway around the world even though I've always wanted to see northern Norway. My main concern was the two full days of flight time to partake in the two-day-long launch event, but the rumors pointed to a long-awaited S1R replacement so it was worth the toil. The weather turned out to be very wet and very cold, but the camera may have made it all worthwhile.

A large, white telephoto camera lens is set against a swirling, colorful background with shades of yellow, orange, and pink. The lens is positioned horizontally, showcasing its detailed design and tripod mount foot.

Sigma’s New $6,000 300-600mm f/4 Lens Is Somehow a Bargain

It's bizarre to think that a $6,000 lens is a bargain, but that's precisely what Sigma's brand-new 300-600mm f/4 DG OS Sports lens is, thanks to the landscape in which it exists. Telephoto primes with an f/4 aperture can be extremely expensive, way more than $6,000, and Sigma's new lens zooms. It's a highly appealing lens, and Sigma targets an absurdly aggressive price point.

A person with gray and black hair and a beard is holding a large camera with a white lens, smiling at the camera. They are outdoors with green foliage in the background.

The Sigma BF Is Weird and I Love That About It

Today Sigma announced the BF, the company's latest camera that makes a series of wild, unexpected design choices. Sigma calls it "radically simple" and for the first time in a while, a company's marketing language isn't overselling the product.

Close-up of a Zeiss camera lens showing the textured grip and blue Zeiss logo. The lens is positioned horizontally against a neutral background, highlighting its sleek black design.

Zeiss’ Teased Lens Is an Otus 50mm f/1.4 Prime

Zeiss' hype train is stoked and roaring down the tracks ahead of a complete reveal on February 25 ahead of CP+ in Japan. After releasing a tepid teaser last week, the legendary German company is heating things up with the first real look at its new lens and some sample photos.

A person in a red jacket holds a black compact camera with both hands, pointing it towards the viewer. The camera lens is prominently visible, and the jacket features an orange zipper.

Why Is The Ricoh GR IV Taking So Long? Photographers Want it Now

In today’s world of photography, camera models come at us thick and fast. Some brands seem to update cameras yearly; for others, it’s two or three years between new models. However, there are always the odd ones out, and this is definitely the category in which Ricoh and its formidable GR III series fall. Despite being a runaway success for the brand, even the most loyal users now wonder when a successor will appear.

Three gimbals with smartphones are positioned in snow: the Insta360 Flow, DJI Osmo Mobile 6, and Hohem M6. A "PetaPixel Compares" graphic is displayed in the bottom left. Background shows a wooden fence and a house.

If iPhone Video is So Good, Why Would Anyone Need the Osmo Pocket?

PetaPixel's Chris Niccolls and Jordan Drake aren't the norm: one of them presents while the other one operates the camera. Modern content creators typically work alone, and that includes me. That means the same number of tasks that are enough of a burden for two full-time jobs is somehow supposed to be crammed into one person.

Two drones are placed on a wooden surface outdoors. The left drone is black with protective guards, while the right drone is white with circular propeller guards. Grass can be seen in the background. A "PetaPixel Compares" banner overlays the image.

DJI Neo Versus HoverAir X1 Pro Max: Affordable Versus Performant

When it comes to autonomous, compact drones, ZeroZero Robotics’ HoverAir X1 ProMax is a clear winner over the DJI Neo. We can pour over all the specs, put each drone’s real-world performance head-to-head, and dissect the footage frame-by-frame. The X1 ProMax will win every single time.

Two images of a black camera named "Snapflex." On the left, the camera is on a table, showing its lens and top section. On the right, a person holds the camera with a strap, showing the same features from a different angle.

Photographer Gives Camp Snap ‘Kids’ Camera a 3D-Printed Upgrade

Photographer James Warner recently created a clever $10 do-it-yourself waist-level viewfinder that works with any camera. Now the builder, who goes by Snappiness on YouTube, is back with another fantastic project, this time turning a digital camera made for kids into a twin-lens reflex-style creation.

A person holding a Nikon camera with a large Nikkor 28-135mm zoom lens. The text "PetaPixel Hands-On" is overlaid in the bottom right corner.

Nikon 28-135mm f/4 PZ First Impressions: Prestige and Power

If you had told me only a few years ago that Nikon would release a video-focused power zoom lens, I’d have called you all kinds of names. But since the release of the Z9, it has become abundantly clear that Nikon intends to capture the hearts of videographers and cinematographers, a strategy which has become even more clear since it acquired RED about a year ago. Now we have the first Z-Mount video-first product from Nikon, the Nikkor Z 28-135mm f/4 PZ.

A person is holding a smartphone horizontally, using it to take a photo or video. The person is wearing a dark jacket and standing in an outdoor setting with a clear sky visible in the background.

Phone-Friendly Planck SSD Is ‘World’s Smallest’ SSD Built for Creators

The Planck SSD is the world's smallest SSD with a smartphone-first design. First previewed at CES in January, the Planck SSD is now on Kickstarter. It offers up to 2TB in capacity, speeds up to 10Gbps, and promises uninterrupted Apple ProRes 4K recording at up to 120p frame rates on the latest iPhone 16 Pro and 16 Pro Max.

Exhibition booth featuring models of Godzilla and a cityscape, displaying lens cleaning products. Overhead signage shows "Zoom," "Macro," and other lens types. Bright screens in the background add a modern and dynamic atmosphere.

Tamron’s Godzilla Collab at CP+ Looks Sick as Hell

When the International Camera and Photo Imaging Show (CP+) kicks off in Yokohama at the end of February, Tamron will throw down the gauntlet for the most engaging booth design. Tamron announced a team-up with Godzilla, the famous Japanese monster, for its CP+ booth design.

A desktop computer monitor displaying a swirling blue abstract design on its screen. The monitor is placed on a wooden table in front of white blinds. The image has the text "PetaPixel Reviews" overlaid in the bottom right corner.

BenQ SW242Q Review: A Great Photo Editing Display in a Tiny Package

If you are anything like me, choosing a monitor smaller than 27 inches would be a hard decision to make when it comes to photo editing or video production. So it was pretty surprising that even with its smaller footprint and arguably "odd" 16:10 aspect ratio (2,560 by 1,600 pixels at max resolution), the $479 BenQ SW242Q 24 inch IPS display stands out as a very attractive option for retouchers and editors.