Apple's redesigned M4 Mac mini and powerful Mac Studio are amazing computers for photographers and video editors, delivering excellent performance for the price. However, neither ships with a display, leaving customers to decide, "What's the best monitor for my Mac mini (or Mac Studio)?" PetaPixel offers three great options.
Zeiss made its long-awaited return to the traditional photography space by reintroducing its beloved Otus series for full-frame mirrorless cameras. The Otus ML 50mm f/1.4 and Otus ML 85mm f/1.4 lenses channel a classic, manual-focus photographic workflow that most first-party lenses eschew in favor of clinical sharpness, digital lens corrections, and perhaps most notably, blazing-fast autofocus. For Zeiss, this is the Otus ML's strength, not its weakness.
Keks Camera introduced a new M-meter light meter with digital OLED for Leica M cameras that lack a meter.
The sudden surge in demand for compact cameras may have caught some camera manufacturers off guard after years of systematic decline. Canon wants to respond to this sudden resurgence but will do so cautiously.
When PetaPixel first laid hands on the OM System OM-3, it was easy to believe that this might be the best chance photographers could expect to see anything resembling a Pen series camera again. Luckily, that doesn't seem to be the plan.
Like many companies that make photographic lenses, Leica has its hands in many pies, including projectors, rifle scopes, and binoculars. It is the lattermost group that Leica updated today, launching four compact binoculars in the new Leica Ultravid Compact Colorline range.
DJI's latest firmware update, v01.06.08.04, brings improved 2x zoom, smoother focus, and professional-level color enhancements to the popular Osmo Pocket 3.
With companies releasing hit after hit of new gear from cameras to lenses at CP+, gear acquisition syndrome is very real. But does upgrading really make such a difference? I recently had the opportunity to find out.
Thypoch, a relatively new lens manufacturer based in China, is eliminating the polarizing lock switch that automatically engages when a lens is focused at infinity. In some cases, the company will replace it with a crescent-shaped focusing tab.
One of the most fundamental lessons taught in any art form is to strip away the excess; to streamline and distill down to its essence, only the most essential parts. We see this in many art forms such as sculpture, writing, and even photography, and now we have it in a camera. But is it possible to go too far?
Fujifilm announced today that it will host its next X Summit in just two weeks on March 20. The X Summit, followed by the typical Fujifilm events the following days, will take place in Prague, Czechia, also known as the Czech Republic.
For the past two years, The Verge's Editor in Chief Nilay Patel has recommended the same Brother laser printer as the best option on the market, even going so far as to renew that guide with an entirely new story that includes a very funny AI-generated text section. However, I disagree with Patel and Brother's anti-consumer practices are making the publication doubt that choice, too.
German optics company Schneider-Kreuznach, best known by photographers for its large-format lenses for Phase One cameras and its work with Samsung's long-gone digital cameras, partnered with South Korean lens company Samyang.
Sigma has been working on a new full-frame Foveon sensor for nearly a decade and speaking to PetaPixel last week ahead of the CP+ show in Yokohama, CEO Kazuto Yamaki explained that it was still in development but wouldn't guarantee it would make it to market.
The groundbreaking Leica I 35mm camera turned 100 last week, and as part of the ongoing centennial celebration, Leica announced that one of the 0-series prototypes for the Leica I will be auctioned in June, and all signs point to the rare camera fetching millions of dollars.
I often see questions on forums about the focal length of lenses and how they work on cameras of various sensor sizes. Is a 35mm lens really 50mm on an APS-C camera? No, it’s still 35mm, but the field of view (FOV) is narrower on the APS-C camera because the sensor is narrower.
Alongside the new MacBook Air, Apple announced its most powerful Mac ever, the M4 Max-powered Mac Studio.
As Tim Cook teased online earlier this week, it is the week of Air at Apple. Following an upgraded iPad Air yesterday, Apple announced a new more powerful MacBook Air today, which now sports Apple's latest M4 chip, a new sky blue colorway, and a new lower starting price.
Photography company Escura showed off a fascinating InstantSnap camera at the 2025 CP+ show in Japan. The unusual and affordable InstantSnap camera is basically a large optical viewfinder surrounded by a white frame, akin in overall size and shape to a small instant photo print.
Award-winning accessory and photo equipment company Vanguard announced a nifty new universal tripod leveling system.
Realme unveiled a surprise concept phone dubbed “Ultra” at the Mobile World Congress (MWC) in Barcelona as part of a broader interchangeable lens system that would come bundled with two lenses influenced by Leica’s M-mount.
Apple introduced a more powerful iPad Air today with an M3 chip, up from the M2-powered iPad Air Apple released less than a year ago.
Shure announced the MoveMic 88+ wireless stereo microphone, a first-of-its-kind mobile audio capture solution that connects with mobile devices and has four selectable polar patterns.
Peak Design announced what it calls "its most anticipated product release yet": the Roller Pro Carry-On. The new carry-on luggage aims to embody "the future of luggage design" by combining soft-sided style and hard-sided durability, clever features, and an entirely custom design.
Polaroid's new Now Generation 3 and Now+ Generation 3 Instant Cameras promise sharper instant photos across varied lighting conditions.
Last week, Sigma's CEO Kazuto Yamaki sat down with PetaPixel to talk about its new lenses and BF camera. As part of that discussion, Yamaki revealed that he doesn't always want to make unusual cameras but also desires to create a "serious" camera worthy of the new 300-600mm f/4.
Reports from the CP+ show floor in Japan suggest Sigma is developing an upgraded version of its popular 35mm f/1.2 DG DN Art lens, first announced in 2019 for E and L-Mount alongside the Sigma 14-24mm f/2.8 and 45mm f/2.8 lenses.
Sigma will host a pop-up space in New York City through March to allow photographers to see the brand's updated visual identity as well as get hands-on time with the new 300-600mm f/4 lens and the "radically simple" BF camera.
Viltrox is steadily expanding its line of lenses and I’ve committed to making 2025 the year that I review more of them. Viltrox lenses have earned a glowing reputation and I very much enjoyed the 135mm f/1.8. But the latest 25mm f/1.7 comes in at an incredibly low price of $179. Can a lens this affordable make a favorable impression or is it too good to be true?
Australian video equipment company Atomos announced the Shinobi Go Monitor, a compact, slim, and affordable HDR monitor for hybrid photographers and content creators.
Just before Mobile World Congress 2025 opens up in Barcelona, Xiaomi presented a concept it’s calling the “Modular Optical System”, which is basically an external lens that can attach to one of its phones.
Xiaomi unveiled its 15 Series smartphones with the Xiaomi 15 and 15 Ultra on the eve of the Mobile World Congress in Barcelona, championing them as “the ultimate professional imagery flagship” mobile photography and video devices.
When I heard about Sony’s new FE 400-800mm f/6.3-8 G OSS, I was excited. As a wildlife photographer, the appeal of a lens with 800mm reach in a zoom format is undeniable.
The Leica I was unveiled 100 years ago today, on March 1, 1925. The Leica I, the first mass-produced 35mm Leica camera, is widely celebrated for its influence on photography.
As part of the deluge of gear announced at CP+ this year, Viltrox announced the release of its latest lens, the AF 25mm f/1.7 Air APS-C.
The public opening of CP+ in Yokohama, Japan, has brought with it a flurry of new third-party lenses. PetaPixel covered some from Viltrox yesterday, and there are many other companies showcasing their newest lenses on the show floor, including well-known Chinese lens maker 7Artisans.
Angelbird announced a pair of updated portable SSDs in 2TB and 4TB capacities. The compact, rugged drives are designed for professional creators and include a physical write-protect switch on the new SSDs, ensuring users don't accidentally overwrite or delete precious files.
This year's CP+ in Yokohama, Tokyo, is the gift that keeps on giving. Viltrox provided attendees with a look at four brand new lenses and a new battery charging case.
TTArtisan unveiled a surprising retro folding instant film camera, the 203T, at CP+ this week.
Nikon released firmware updates for its Z6 III and Z8 cameras this week, adding an assortment of new video-centric features and improvements. One of the changes added to the Z6 III in firmware version 1.10 is "Reduced noise in dark areas of N-Log videos." While just a single line in the firmware notes, this is a huge deal.
Lomography debuted a new compact, hassle-free development tank for 35mm film at CP+ in Yokohama, Japan. The Lomo Daylight Developing Tank 35mm enables analog photographers to develop their film anytime, anywhere, no darkroom or changing bag required.
I distinctly remember when the Zeiss Otus 55mm f/1.4 lens first entered the market. It was a lens designed to project a larger circle of light onto the sensor and therefore it was huge. As bulky as it was, this oversized design enhanced the overall sharpness of the lens, especially toward the corners, and quickly cemented itself a legendary status. However, the Zeiss Otus lenses were designed for DSLR cameras and it has been six years since the 100mm Otus was released. A lot can happen in six years and the other manufacturers have had plenty of time to catch up in terms of optical performance.
The new DJI Dock 3 is DJI's first "Drone in a Box" solution that supports vehicle mounting, providing users with new ways to achieve 24/7 remote operation in a broader range of environments.
DxO, a company known for its photo editing software and lens correction profiles, has announced a new Photo Storm Cape designed for photographers who need to protect their gear during bad weather conditions.
Sirui has announced its new Vision Prime 1 series of T1.4 Full Frame Cine Lenses that offers 8K production quality optics with user-changeable mounts that can adapt the lenses from Sony E-mount to Canon RF, Nikon Z, and L-mounts to save consumers money.
Zeiss unveiled its heavily teased Otus lenses for full-frame mirrorless cameras, revealing not only the expected Otus ML 50mm f/1.4 but a longer Otus ML 85mm f/1.4. Let's look closer at the two new premium manual focus primes for E, RF, and Z-mount cameras.
Nikon announced new firmware for the Nikon Z6 III and Nikon Z8 mirrorless cameras. The free updates promise to improve each camera to meet the demands of professional videographers.
Alberta, Canada, has been pounded by polar vortex after polar vortex, pushing daytime temperatures down to -25 Celsius before any wind chill factors in. As Alberta-born Canadians, Jordan and I can brave the frigid temperatures for the sake of the show, but with our lavalier microphones refusing to hold a charge and our camera EVFs running at eight frames per second, we pressed on to review a fascinating little lens on what we knew would be a taxing day.
Sony announced the FE 400-800mm f/6.3-8 G OSS telephoto zoom lens for full-frame mirrorless cameras. It is the company's longest telephoto zoom lens, besting the prior record-holder, the Sony 200-600mm f/5.6-6.3 G OSS.
The Sony FE 400-800mm f/6.3-8 G OSS addresses many of the shortcomings of the popular Sony 200-600mm f/5.6-6.3 G OSS, delivering an excellent telephoto zoom lens for wildlife photographers.