Pentax K-3 III Monochrome: APS-C Becomes Black and White
The Pentax K-3 III Monochrome is among the most affordable cameras designed exclusively for black-and-white photography and a very good APS-C DSLR.
The Pentax K-3 III Monochrome is among the most affordable cameras designed exclusively for black-and-white photography and a very good APS-C DSLR.
In the early summer of 2023, I had an opportunity to play with the soon-to-be-released Nikon Z8. We met up with the Nikon crew in Yellowstone National Park to photograph some wildlife and the good folks at Nikon also had another surprise for us out there.
I am on what feels like an endless hunt for a backpack, or even set of backpacks, that I actually like to use. I'm looking for comfort, build quality, and maybe a tinge of style. Finding this bag is harder than it sounds, but Shimoda's new Urban Explore comes the closest yet.
The Canon EF 11-24 f/4 L lens was an extremely wide-angle lens that found popularity with DSLR users. Although it could easily be adapted to RF mirrorless cameras, doing so would make its bulky size more cumbersome and it was quite expensive -- but now there is an RF solution.
Like many photographers, I've spent years hunting the impossible combination: a high-quality camera that's also compact. Must haves: a great sensor and a wide aperture wide angle lens. Today, I’ll walk you through the meandering journey that eventually led me to the Leica Q3.
Tamron has built a reputation for creating some unique focal ranges. Take, for example, the 35-150mm that recently hit the market and really impressed. What might seem at first to be an odd range can end up being very useful. So the same could be expected of the 17-50mm f/4 Di II VXD, right?
The Phase One XC is an unusual camera, and not just because of its $62,490 asking price. It's designed with a specific purpose in mind and it sports a fixed lens in front of a massive 150-megapixel medium format sensor.
The DJI Osmo Pocket 3 skips the smartphone as a capture device and uses an integrated camera, essentially taking the front of a DJI drone and mounting it to a control stick. It is also one of the few creator gimbals I like and love using.
Like most photographers, I’ve never reviewed a piece of gear before. Also like most photographers, I tend to voraciously read reviews each time I consider upgrading. Many of these reviews parse through micro-level analysis of pixel detail, noise levels, and test charts but to me fail to answer the simple question: “will this help me get the shot?”
Where has the time gone? It's been ten years since Jordan and I started our annual roundup of the best and worst products in our industry. Every year we give our opinions on the cameras we feel deserve the top spot as well as any honorable mentions that have also made a positive impression. Perhaps even more exciting, though, is our vote for the most infamous photo and video products of the year.
Apple has just launched the promised new round of updates to its Final Cut Pro for iPad software and Final Cut Pro for Mac and we had the exclusive opportunity to put the changes through their paces.
The DJI Mini 4 Pro is a drone I’ve been looking forward to flying for a while. Weighing in at under 250g, while still featuring a powerful and capable camera, the Mini 4 Pro packs a lot of features into a tiny body. But can a drone that only weighs a few ounces really deliver quality photos and videos?
Fujifilm has come to dominate the medium format market and for good reason. Combining the ergonomic controls and autofocusing capabilities of its APS-C cameras with the colossal image quality from the 100-megapixel sensor has paid dividends for the company. Although Fujifilm also uses a 50-megapixel sensor, it's the latest sensors in the GFX 100 line of cameras that steal the show.
Like many photographers, I own a million bags. Some have different purposes, one for day-to-day work and one for traveling, one for quick access during rainy days, one for studio days.
I think Pergear likes my reviews! Here I am, reviewing an “action camera,” which is the opposite of my habits. But, I review gear and share my honest opinion with all the information in the open.
Sony is on its second version of a pro-level 70-200mm f/2.8 G Master lens. Tamron recently released its second 70-180 f/2.8 G2 lens. A professional 70-200mm f/2.8 was one of the first lenses released by Panasonic for its Lumix full-frame bodies. And in all this time, where has Sigma been? Well, the wait is over. Sigma has finally released the 70-200mm f/2.8 DG DN OS Sports series lens, but was it worth the wait?
I consider myself an ardent supporter of Ricoh/Pentax products and have always endeavored to review its cameras and lenses when many others have chosen not to. I also think that the Pentax brand has really found its niche as more of a boutique manufacturer, focusing on the classic SLR design -- a move that I think makes a ton of sense in today's waning market.
This week, Sony announced the a9 III featuring the world's first full-frame 24-megapixel sensor to feature a global shutter in a interchangeable lens mirrorless camera. There have only been a few times in my reviewing career where I would, in all seriousness, call something an actual game-changer. This is certainly one of those moments.
The world of mirrorless camera lenses is strangely devoid of professional 300mm lenses. That is, until now. Sony has released a brand new full-frame 300mm f/2.8 G Master lens and I had a chance to test it out.
It might feel like Apple has been producing its own silicon for a long time now, but it's really only been a few short years. It's been less than two years since we got the M1 Ultra and with the new M3 Max, we've already surpassed its power in a portable form factor.
With the recent release of the Panasonic G9 II, we've been hearing a lot of you ask how it compares to the OM-1. We are happy to report that we have that answer.
Elinchrom has aggressively expanded its offering of strobes for creatives in recent years. The 261 watt-second (Ws) $1,000 Elinchrom Three seems to be placed in position to be the "Just Right" adventure light Elinchrom is advertising.
I must admit, reviewing the new Ray-Ban Meta Smart Glasses is something I never thought I would be doing. I was excited to give them a try though, and hey, they do have a camera in them after all.
The original Tamron 70-180mm f/2.8 Di III VXD has quite a wordy title to say. Luckily, it's worth the hassle because it is one of my favorite lenses in recent memory. Sharp, compact, and affordable, the Tamron 70-180 f/2.8 was an immediate hit. However, debuting on Sony E-mount, we now have a brand new version, and it promises to shake things up again.
Xiaomi launched the 13T Pro and 13T as a way to bring its Leica mobile photography partnership to mid-range and affordable phones. The results are strong evidence that brands can produce cost-effective cameras for those on tighter budgets.
Lately, it seems like everyone wants to save money on film while still having fun shooting it. So, on the heels of the wildly successful 72-photos-per-roll, Kodak Ektar H35, Hong Kong camera maker, RETO, just released an upgraded version of their smash hit half frame point-and-shoot, the H35N.
The Leica M11 series now consists of three cameras. We have the original M11 which I very much enjoyed using on the streets of New York. Then, the M11 Monochrom was released and became an instant classic. I loved taking black-and-white images with it all over Montana. Now we have the release of the M11-P which apart from some minor cosmetic changes is largely the same as the original M11. So, why then should we get excited about such a similar camera?
The OnePlus Open is not only a new entry into a slowly growing category of smartphones, it’s also taking a shot at other brands in the process, of which the camera plays a central role.
The M.Zuiko Digital ED 150-400mm f/4.5 TC1.25x IS PRO debuted in early 2021 and has been nearly impossible to acquire ever since. Huge demand and lengthy back-orders have finally given way years later and we now have a chance to finally review this exciting telephoto.
The Google Pixel smartphones enjoy a well-earned reputation as photographic tools. With the release of the Pixel 8 and 8 Pro, Google took the photo game one step further by substantially increasing the amount of light the Pixel cameras can collect. As a photographer, this excites me.
You have definitely seen the Shure SM7 series before because it's basically the gold standard of podcast microphones and can be found in studios around the world. Now, thanks to a built-in preamp, the SM7dB lets anyone get that silky smooth sound every time -- no fuss, no hassle.
Only months after launching the V27 Pro and V27, Vivo comes back with the V29 as yet another option, giving its V-Series a fair bit of attention. Releasing successive models within the same calendar year is unusual for any brand, but Vivo seems to think pumping them out in shorter cycles is serving a market that wants them.
There's no denying that in the last few years, we've seen a veritable explosion of pen and display tablets from competing companies. At this stage in the competitive game, the hardest part for creatives has been figuring out what makes one tablet better or different than another at each budget level.
The first thing you notice about the Sigma 10-18mm f/2.8 DC DN Contemporary is just how compact and adorable it is. In fact, Sigma claims that it is the smallest and lightest ultra-wide APS-C zoom lens on the market. Having used it myself, I wouldn’t disagree with that statement.
Lomography's latest art lens has been announced on Kickstarter. The Nour Triplet 64mm f/2 follows the company's trend of releasing incredibly distinct lenses that providing users something perfectly imperfect to chase their creative visions.
Samsung has announced the Samsung Portable SSD T9, the successor to the T7. The Samsung T9 offers compelling performance improvements over its predecessor and sports an attractive new design.
Without skipping a beat, DJI has released its newest Osmo Action camera. This year’s big advancement is its larger-sized sensor which is 25% bigger than last year’s model. Is it enough reason to go with the new Osmo Action 4? I think yes.
Sigma’s 60-600mm f/4.5-6.3 DG DN OS Sport lens arrived during a flurry of product releases and bitterly cold weather earlier this year. It's been a minute, but I've now had a chance to test it in full.
Nikon does not give many of its lenses a moniker; the Nikkor Z 58mm f/0.95 "Noct" was the only Z-mount lens to have an official title. That is until now: introducing the new Nikkor Z 135mm f/1.8 S "Plena".
The new CFexpress 4.0 specification promises significantly faster transfer speeds than the cards currently on the market and while no camera can take advantage of it right now, your computer can, which makes a strong case for consolidating your storage hardware into a single media.