Analog

Several CineStill 50D film boxes are arranged on a blue surface with various cameras, including wooden and black plastic models, in the background. The scene is set outdoors in bright sunlight.

CineStill 50D Is a Perfect Slow Speed Film for Bright Summer Days

Cinestill 50D is the less popular sibling to Cinestill’s 800T and 400D emulsions. Because 50D often gets passed over in favor of those other two, we figured it would be a great film to feature on Film Friday. It is a different and lovely film in its own right and deserves a bit more attention than it receives.

Person holding a vintage Minolta SR-T Super camera in one hand and a box of Fujifilm Neopan Acros 100 II black-and-white film in the other.

Fujifilm Acros II Is the King of Fine Grain Black and White Film

The original Fujifilm Acros film long held a special place in our camera bags here at Blue Moon Camera. We’d say that the whole Neopan line of films was highly favored by us, but we lost Neopan 400 and 1600 some time ago and Acros was the lone survivor.

Black and white photo of stacked Ilford film boxes arranged in a triangle, with vintage film cameras placed on the patterned surface around the structure.

Film Friday: Ilford Delta 100 Perfectly Blends Contrast and Tonality

When we first conceived of our Film Friday series, we had a few different motives in mind. The first was that we had long noticed that some black and white films were more popular than others with our customers. We sold a lot more Kodak Tri-X than we did Ilford XP2, for example.

Split image: On the left, a black film camera, film rolls, and printed photos on a white surface. On the right, a hand holds a white camera with a blurred green background.

This New $20 35mm Film Camera Embraces a Classic East German Brand

Photographers in 2026 live in the age of reusable film cameras. There is the Pure35 that U.K. retailer Analogue Wonderland launched last month, Lomography's huge array of cameras, and Dubble Film's SHOW camera, to name just a few. Now there's another one on the scene, and it arrives with a legendary name, the Praktica VF212.

A pink vintage camera sits on a yellow surface with a pink background. Behind it, a mirror reflects the camera, but the reflection appears as a yellow camera instead of pink.

Lomo’s Sprocket Rocket Pano Film Camera Comes In an Ugly New Color

Lomography's latest release, a pair of new colorways for its popular Sprocket Rocket 35mm panoramic film camera, is a real Dr. Jekyll and Mr. Hyde situation. One of the new colorways is beautiful and understated, while the other is super ugly. The fun part is that some readers may not know which of the two colorways is the ugly one.

A box of Kodak Professional 400 T-Max 120 film sits on a wooden table next to a vintage camera. The film box is yellow with black and green text.

Film Friday: Kodak TMax 400 Is Far From a One-Trick Pony

TMax 400 came into the world in 1986, at the same time as its slower speed brother. You can think of them as near identical twins, in fact. Since its introduction, TMax 400 has helped define a whole new generation of black and white films with its tabular grain structure, high resolution, and sharp image details.

Six boxes and two rolls of Ilford black and white film, labeled as football collectors edition, are arranged in two rows. The boxes feature vintage football match photos and different Ilford film types.

Ilford and Expired Film Club Get Into the World Cup Spirit

Harman Technology, among the world's largest makers of analog photo films, darkroom papers, and photo chemicals, has announced new limited-edition, football- (or soccer-) themed packaging for two of its most popular 35mm films, just in time for the World Cup, which kicks off in just a few weeks.