Analog

A black Pentax Zoom 90-WR camera rests on a grid of Kodak ColorPlus 200 film boxes, accented by several dried autumn leaves.

Vintage Tones on a Budget: Why We Love Kodak ColorPlus 200

Today’s Film Friday takes a look at a blast from the past: Kodak ColorPlus 200. This all-purpose film is one of the most affordable color negative films available for loading into your favorite 35mm film camera. It is very much a jack-of-all-trades type of film (and a master of none) that will do everything you want it to decently well and save your camera budget in the process. So let’s get started.

A box of Kodak Professional Portra 160 120 film floats against a background of vertical blue and purple string curtains.

Kodak Portra 160 Might Be the Best Fine-Grain Color Negative Film

We stated in our Film Friday review of Kodak Portra 400 (and again in our Portra 800 write up) that it is pretty much a perfect color film, so you’ll hopefully understand and forgive us if we start off this Film Friday by insisting that Portra 160 is a more perfect film.

A Minolta SRT 101 camera with a red textured grip sits above four boxes of Kodak Ektar 100 film arranged on a dark surface with a red painted shape.

Kodak Ektar 100 Brings Fine Grain and Vivid Color Saturation

Welcome back to Film Friday. We’re featuring one of our heavy hitters this week with Kodak’s Ektar 100. Alongside the Portra films, Ektar is one of the most popular films on the market and definitely one of the most used color films out there. The film is well-known for its fine grain, vivid color saturation and poppy contrast.

A young child in a green shirt and blue shorts sits on a patterned couch, holding and eating a small square cracker in two different poses.

10 Great Vintage Lenses for Portrait Photography

Vintage lenses are often talked about as if their only value is “character.” That usually means lots of flare, low contrast, possibly swirly bokeh, spherical aberration, or some other charming defect that gives digital images a little analog grit. There is nothing wrong with that, of course. A flawed lens can be a wonderful creative tool. But the more interesting vintage bargains are not always the strange ones. Sometimes the best buys are lenses that are simply much better than their used …

A box of Rollei Retro 400S 135-36 film sits centered on a decorative amber-colored glass plate.

Rollei Retro 400S Is a Film for Making Loud, Brash, Dramatic Statements

Welcome to another Film Friday review, where we like to dig into a particular film emulsion, lay out a bit of its history, share our personal experiences with it and provide some inspiration for why you should try it out. This episode features Rollei Retro 400S, the high speed member of the Rollei Retro family that also includes 80S and Superpan 200.

A person wearing blue gloves and a striped sweater operates industrial machinery processing a bright pink material.

A Close Look at a $100M Piece of Photographic History: Machine E

In a town close to the French/German language split in Switzerland lies a piece of photographic history that is worth taking a look at. In Marly, Switzerland, lies Machine E, a multilayer photographic coating machine that has been used to bring many world-beating photographic products to the market.

A black and silver industrial device with a digital display, control buttons, and a black pipe fitting with a valve on the right side, set against a white background.

Fränk Automatically Develops Your Motion Picture Film at Home

Developing motion picture film at home has long required either manual processing tanks or expensive commercial equipment, particularly for color film stocks that demand precise temperature control. Vintage Visual and Arno Peever are aiming to change that with Frank, a standalone home film processor designed for Super 8, Double 8, and 16mm film.

A Nikon camera sits in the center of a circular graphic surrounded by several boxes of Rollei Superpan 200 film.

While At First Unimpressive, Rollei Superpan 200 Is a Bag of Tricks

Rollei Superpan 200 is a curious sort of film, making it all the better reason to feature it today. The first impression we would give you of Superpan 200 is that on the surface it can be easily unimpressive, but dig a bit deeper and Superpan quickly reveals that it has quite a bag of tricks at its disposal.