Equipment

Photographers use all kinds of equipment to craft their art, from cameras and lenses to lights and accessories. We cover the latest news and information on the tools of the trade in the photography industry.
A large underwater camera housing with a dome port and attached small action camera rests on a wooden bench, with a blue and yellow boat structure in the background. A person is reflected in the dome port.

DJI’s Osmo Action 5 Pro Is the Best Underwater BTS Camera of 2025

BTS -- or "behind the scenes" -- footage has become an essential part of how I tell stories; not just for social media, but for documenting the reality of underwater work. When it comes to shooting underwater, there are a ton of factors to think about — from managing your buoyancy and checking the settings on your camera housing, to being aware of your surroundings and controlling your breathing. The last thing I want to spend time worrying about, then, is how I’m going to capture behind-the-scenes content at the same time.

A Canon EOS R6 Mark III mirrorless camera body is shown without a lens, revealing its image sensor, on a dark, grid-patterned surface.

The Canon EOS R6 III Is Off to a Spectacular Start in Japan

Map Camera, one of Japan's largest photography retailers, has released its monthly sales charts for brand-new and used camera models. The Canon EOS R6 Mark III, PetaPixel's Camera of the Year, delivered an outstanding debut, topping the November sales charts "far ahead" of second-place.

A black camera lens lies on a light gray surface with the word "VILTROX" in large, bold white letters displayed across the image.

Sony Didn’t Intentionally Brick Third Party Lenses on the a7 V, Viltrox Confirms

Viltrox, one of the most popular third-party lens manufacturers for Sony E and Nikon Z-mount cameras, says it is working on a firmware update that will stabilize performance of its lenses on the new Sony a7 V. Additionally, despite rumors and speculation swirling online, the lens company doesn't believe Sony made any changes to intentionally degrade the performance of third party lenses on E-mount.

A Canon EOS R6 Mark II camera and a Sony Alpha 7 camera are shown side by side with a bold "VS" in the center, set against a red and purple gradient background.

Canon R6 III vs Sony a7 V Dynamic Range: Which Mid-Range Camera Reigns Supreme?

The ongoing battle of the latest superb mid-range cameras has a new chapter. Photons to Photos has published Canon EOS R6 Mark III dynamic range test results, enabling pixel-peeping photographers to see how the Canon R6 III stacks up against the Sony a7 V. Both cameras employ 33-megapixel full-frame sensors and target similar audiences at nearly identical prices, but they do many things differently, including image sensor technology.

Two men smiling and clinking glasses in a cozy, festive cabin setting. Large text reads “BEST & WORST” above them, with “2025 Edition” at the bottom. There’s a lit fireplace and holiday decorations around them.

The Best and Worst Cameras and Lenses of 2025

Your favorite holiday tradition is back! Yes, it is time for our annual Best and Worst camera gear roundup. Jordan and I get together to battle it out with some not-so-friendly challenges, drink more than we probably should, and reminisce about the last year’s gear releases.

A black camera lens with "24" marked on it stands upright on a reflective, curved surface against a gradient blue and black background. The lens has focus and zoom rings, a switch, and engraved text.

Brightin Star’s 24mm f/1.8 Lens for Full-Frame Cameras Costs About $300

Brightin Star has introduced a new full-frame wide-angle option for Sony E and Nikon Z shooters with the launch of the Brightin Star AF 24mm f/1.8, a fast-aperture autofocus lens aimed at photographers who want a lightweight, affordable, and sharp everyday companion. The lens brings modern optical engineering, quiet autofocus, and a bright f/1.8 aperture together in a compact form factor that targets street, portrait, architectural, and low-light creators.

A small black camera, a leather camera bag, and a lens cap sit on books; on the right, a person in a brown jacket holds a similar camera with a brown grip against a white background.

SmallRig’s New Ricoh GR IV Accessories Are Practical and Stylish

SmallRig has unveiled a full accessory ecosystem designed specifically for the Ricoh GR IV, expanding the compact camera’s portability, protection, and day-to-day usability by offering a leather half case, straps, a thumb grip, a lens hood with UV filter, and a crossbody-style storage bag. The coordinated system is meant to elevate the GR IV’s handling and field-readiness.

A Sony Alpha 7 mirrorless digital camera body is shown facing forward, displaying its large sensor and lens mount, against a blue gradient background.

The Sony a7 V’s Sensor Is Even More Impressive Than it Seemed

Another day, another Sony a7 V dynamic range update. Our initial speculation has proven correct, and the new a7 V is employing Dual Gain Output (DGO) to achieve outstanding dynamic range when using its mechanical shutter at base and low ISO settings. Further, building upon research by Adam Horshack, William "Bill" Claff of the excellent Photons to Photos has revised his a7 V testing to indicate that the camera is not using baked-in noise reduction with its RAW files. What initially appeared to be evidence of noise reduction is, in fact, DGO.

A Sony Alpha camera with a large lens is displayed on a brown, motion-blurred background, with a large green checkmark icon overlaid on the left side of the image.

There’s No Reason to Believe the Sony a7 V Has a Third-Party Lens Problem

After popular YouTuber Kai Wong reviewed the a7 V last week and mentioned potential issues with third-party lenses, concerns about whether the a7 V is taking a different approach to E-mount's famous openness spread like wildfire. However, while there is always the chance that certain lenses, particularly third-party ones, may have compatibility issues with new cameras, there is no reason to believe that the Sony a7 V represents any departure from Sony's longstanding view toward third-party optics.

A Sony Alpha 7 mirrorless digital camera body with no lens attached, showing the large E-mount and image sensor on the front against a plain light background.

This Is How Much Dynamic Range the Sony a7 V Loses When Using Electronic Shutter

Just one day after publishing his dynamic range tests for the Sony a7 V using its mechanical shutter, show exceptional dynamic range performance that rivals medium-format cameras -- William "Bill" Claff of Photons to Photos is back with a7 V electronic shutter testing. The story the results show is an interesting, albeit predictable one.

A person adjusts the purple focus ring on a LUMIX camera with an external microphone attached, outdoors on a sunny day.

We Applaud the Effort but the 7Artisans Floral Bloom Lens Is Awful

Earlier this year, 7Artisans announced the Floral Bloom Art Cine Lens series, with the first being a 37mm T2.9 for PL mount only. It sounded interesting, so we agreed to check it out. We appreciate the effort and applaud the company for trying something new, but unfortunately, this lens is terrible.

A Canon EOS R10 camera with a lens is shown against a background of red circular bokeh lights.

Entry-Level Cameras Dominate Among Japanese Consumers

As exciting as the latest and greatest cameras are, the best-selling models are, by and large, entry-level cameras with older, worse technology. Photographers love to talk about cutting-edge flagship cameras, but when it comes to consumer spending habits, entry-level interchangeable-lens cameras rule the day, as BCN+R's latest data from Japan shows.

Close-up of a silver and black camera labeled "Camp Snap Pro," with a logo in the corner reading "PetaPixel Reviews." The focus is on the camera's branding and textured surface.

Camp Snap CS-Pro Review: Slightly More Tolerable

Everyone wants a point-and-shoot digital camera. There is something to be said for having a compact, simple, fun, pocket camera that you can take photos with, just for the pure joy of it. Memories to be made, without having to know the exposure triangle, or shoot RAW photo formats and edit later. But not everyone wants a used hand-me-down that may or may not function properly, and Camp Snap is hedging its bets that some consumers out there want a fresh start.

Gold laurel wreath around geometric design with the letters "PP" in the center, above the text "2025 WINNERS," on a sparkling, festive background.

The PetaPixel Awards: The Best of Photography in 2025

We are proud to announce the results of the fifth-annual PetaPixel Awards where we are able to honor the best new photography products released in the last year. We were really impressed with how big of a year 2024 was but, somehow, 2025 managed to be an even more impressive showing.

A Sony digital camera with a fluffy microphone attachment is mounted on a tripod. The flip-out screen displays a person taking a selfie outdoors with green fields in the background.

Sony’s Great ZV-E10 II Camera Gets Even Better With Free 4Kp120 Upgrade

When the Sony ZV-E10 II launched in July 2024, it did so with the promise of significant improvements over its predecessor and high-level content creation ambitions. One of the biggest improvements was finally delivering 4Kp60 video, something the original ZV-E10, puzzlingly, could not. Now, with a free upgrade released today, the ZV-E10 II can do one better: 4Kp120 recording.

A split image shows a portable card reader with multiple SD cards on the left and the same card reader connected to a laptop with several SD cards inserted on the right.

Why Choosing the Right Camera Card Is Essential for Professional Photography

In modern photography, nearly every part of the workflow has evolved at an incredible pace. Sensors are larger, resolutions are higher, and video formats now reach deep into 8K and beyond. Yet one of the smallest pieces of gear in your bag plays one of the biggest roles in whether your camera can take full advantage of that power: the memory card. For professional photographers, choosing the right media is not a convenience. It is a critical decision that affects performance, reliability, data safety, and ultimately the quality of the work you deliver.

A person holding a Sony camera equipped with a large white telephoto lens, positioned against a blurred outdoor background.

Viltrox’s New 2x Teleconverter for Sony E-Mount Costs Under $300

Viltrox has been busy so far in December. Alongside wide-angle and telephoto conversion lenses for Fujifilm X100 Series cameras, the Chinese lens maker has also launched a new 2x teleconverter for Sony E-mount cameras. The new teleconverter works with the expected Sony lenses, plus Viltrox's 135mm f/1.8 prime.

Split image: On the left, a black Fujifilm camera facing forward; on the right, a silver Fujifilm camera viewed from above with a detached lens beside it, both on a dark background.

Viltrox’s Conversion Lens Gives the Fujifilm X100 a Wider 28mm Prime

Viltrox, best known for its excellent camera lenses, has announced a new Wide Conversion Lens that attaches to the built-in lens on Fujifilm's popular X100 compact cameras, including the newest X100VI model launched last year. The conversion lens turns the X100's 35mm equivalent lens into a wide-angle 28mm prime.

A pair of sleek, modern white binoculars with metallic accents is shown on a light background, viewed from an angle that highlights the lenses and textured surface.

Leica’s Beautiful New Binoculars Will Set You Back

Leica Sports Optics, which makes the legendary photo company's binoculars, spotting scopes, and weapon sights, announced a pair of new Leica Ultravid White Ocean binoculars. The 7x42 binoculars are designed to be a powerful and elegant companion for people's luxurious outdoor adventures, especially those on the ocean.

A hand holding a metallic cup against a dark background, with beams of light and subtle rainbow reflections passing through the scene.

This Photographer Found a Beautiful Vintage Angenieux Lens for Just $10

Sometimes the universe has a sense of humor. Other times, it hands you a $10 cinema lens that shouldn’t exist outside a collector’s dream and whispers, “Here, go make magic.” This is exactly what happened to Mathieu Stern, the intrepid lens hunter who just scored cinematic history for about the price of a nice latte.

Two action shots from an ice hockey game: on the left, a player in a red uniform skates with the puck; on the right, two players, one in red and one in white, battle for the puck along the boards.

Photographing Professional Hockey with the Sigma 135mm f/1.4 Art

Sometimes it is the least obvious choice that produces the most striking results. That is why I ended up photographing a hockey game in the Swiss National League, with a Sigma 135 f/1.4 Art and a Lumix S1 II and not your standard f/2.8 zoom -- and boy was I up for an exciting shoot!

Colorful graphic featuring "CYBER WEEK HOLIDAY SAVINGS" text surrounded by electronics like a camera, lens, monitor, printer, and SD card, along with holiday icons like snowflakes, a candy cane, and a gift box.

Cyber Week Savings: 25 Great Photo Deals You Can Still Get

Black Friday and Cyber Monday may be over, but the deals on cameras, lenses, and essential photo gear are still going strong with Cyber Week. We’ve handpicked the best offers, spanning major brands and covering everything from hobbyist-friendly cameras to flagship systems used in professional production.

A smiling woman examines a camera with a large lens next to an orange drink, while the right side shows a close-up of a camera lens against a blurred background.

Tamron Lens Buyer’s Guide: All New and Holiday Instant Savings

Capture the season’s best moments with incredible savings—Tamron’s Holiday Instant Savings event is here, bringing exclusive deals on some of their most advanced and versatile mirrorless lenses. From the all-in-one travel favorites like the 18-300mm and creator essentials including the 28-75mm F/2.8 G2 and 70-180mm F/2.8 G2, these limited-time discounts make it easier than ever to upgrade your kit.

A gold emblem with "PP" in the center and laurel branches around it, above the text "2025 Nominees," set against a sparkling, bokeh light background.

The PetaPixel Awards Nominees: The Top Photo Gear of 2025

Every year, PetaPixel recognizes the top cameras, lenses, and photography accessories in The PetaPixel Awards. Selections are voted on by the PetaPixel staff and while final awards will be announced next week, we are happy to share our nominees in each of the categories today.

Three black camera lenses are arranged side by side on a grid-patterned surface, with “Petapixel Reviews” and “Editors' Choice” badges displayed in the image corners.

Sigma Aizu Primes Review: Breathtaking Falloff and Flare

It’s felt like a long six months since Sigma first announced the Aizu Primes (which cost $8,300 each), the company's new series of full-frame compatible T1.3 cinema lenses. Currently available focal lengths include 25mm, 27mm, 32mm, 35mm, 40mm, 50mm, 65mm, and 75mm. Fortunately, after shooting several projects with them while traveling, I finally have a trio of them at home to do some controlled testing.

Three mirrorless camera bodies—Sony Alpha 7, Canon EOS R6, and Nikon Z—are arranged against a colorful, blurred background resembling fireworks or light bursts.

Mid-Range Showdown: Sony a7 V vs Canon EOS R6 III vs Nikon Z6 III

With this week's reveal of the very impressive Sony a7 V, the mid-range full-frame camera market has never been hotter. The oldest competitor of the bunch, the Nikon Z6 III, has been out just a little over a year, while the Canon EOS R6 III and Sony a7 V are brand-new. All the major players have put their best foot forward, but which of them is actually the best when it comes to key specs and features?

A Sony Alpha 7 mirrorless digital camera body is shown facing forward on a plain white background, with the lens removed to reveal the camera's image sensor.

Sony a7 V vs a7 IV: The 15 Biggest Improvements

The brand-new Sony a7 V ushers in many improvements, ranging from a new image sensor and a first-of-its-kind processor to better autofocus and faster continuous shooting. Let's take a closer look at the most significant changes between the a7 IV and the new a7 V.

A Sony Alpha 7 camera body is displayed on a gray grid surface. "PetaPixel Reviews" and "Editors’ Choice" banners appear on the image, indicating a positive camera review.

Sony a7 V Review: Don’t Call It a Comeback

Canon recently made a huge stir with its excellent do-it-all R6 III and for a while, it looked like the year was going to end with a big win for Canon. But with the Sony a7 V coming seemingly out of nowhere, we have a serious contender for the best all-round camera on the market.

A Sony Alpha 7 mirrorless digital camera body with an E-mount cap, shown on a grid-patterned surface against a plain, light-colored background.

Sony a7 V Has New 33MP Partially Stacked Sensor and Faster Processor

The long-awaited Sony a7 V has finally arrived, just over four years after its predecessor, the a7 IV. Much has changed in the camera landscape, not just for Sony but also for its primary competitors. The Sony a7 V promises a wide range of improvements, including a new image sensor, faster processor, better autofocus, and much more.