Reviews

Photography is amazing, but it does require gear. I recently moved from Canon to Sony, so I had to offload a camera body, lenses, flashes, and triggers. I purchased out-of-pocket insurance on all of my gear packages just to have some peace-of-mind.

At first glance, all we see is a dinky point-n-shoot camera; not much to it. It slips inside my front pocket, I mean, how powerful can it be? Well, photographers shouldn’t be fooled by its size and minimalism; like many of our subjects in the street. The Ricoh GR III is called a “wolf in sheep’s clothing” for a reason.

Back in February, Tamron announced the development of three new lenses: the 35mm f/1.4 for DSLRs, the 17-28mm f/2.8 for Sony FE, and the 35-150mm f/2.8-4 for DSLRs. We just received the 35-150mm f/2.8-4 Di VC OSD for Nikon F mount to test out for a few days. It’s always exciting to test out new gear, and especially exciting when it’s a unique lens like the 35-150mm.

If you ever feel like quitting your job and buying a plane ticket to some exotic location with only your backpack in tow, you might wonder which lens to bring. The Nikon 300mm f/2.8 would be on the top of my list.

This article is not meant to be an in-depth review of the Samsung S10+. The review will chiefly discuss the cell phone’s camera capabilities from a landscape photographer’s standpoint.

The Godox V1 round-head flash is coming to market despite the loud protests and legal threats of Profoto, which claims its A1 design was stolen (something Godox denies). If you're wondering how the $259 V1 compares to the $995 A1, photographer Robert Hall has a sneak peek for you.

Samsung and Huawei are #1 and #2 (respectively) in worldwide smartphone market share, and now they're together at the top of the DxOMark smartphone camera quality test leaderboard. The Samsung Galaxy S10 5G just scored the same best-ever score of 112 as the Huawei P30 Pro.

I have gone through the gear of almost every major brand during my early photography journey, buying my way through cameras and lenses until I arrived at my current setup, which has remained more or less the same for my entire professional career. Despite settling on a brand known for its high price point, I have been comfortable with all of my camera and lens choices except one, which is what I’ll be discussing here.

If there’s a fundamental flaw with product reviews, it’s the typically short duration that reviewers have with the item before hitting a publishing deadline or needing to return the product to the manufacturer. With rapid product refreshes, the lifetime of any particular product can be short, which can often render longer evaluations as impractical.

In this article and the 8-minute video above, we are comparing the $2,200 Sony FE 24-70mm f/2.8 GM lens with the $880 Tamron 28-75mm f/2.8 Di III RXD lens in sharpness, image quality, focal length, autofocus, and video.

I hate it when I see photographers writing articles like this. I always think, "why bother?… just let it go, this isn’t going to change anything." But here I am anyway, tapping away to release some of this pent up anger. And I don’t expect this to change anything for me, but I sincerely hope it can stop at least one other person making the same mistake I did: buying a Drobo.

Nikon's newly announced NIKKOR Z 14-30mm f/4 S, the first ultra-wide-angle Z Series lens, hasn't been covered by reviewers yet, but we've got our hands on a set of exclusive new sample photos showing what the lens can do in the real world.

Although it’s been six months since the Nikon mirrorless Z system was announced, there’s still a dearth of native Z mount lenses, and the ones that are available are in my opinion somewhat overpriced (starting at $599 for the Nikon 50mm f/1.8 S). While the FTZ adapter does work remarkably well, it adds quite a bit of bulk to even the smallest F mount lenses. This is where I believe the Meike 50mm f/1.7 finds its niche.

Could you and would you shoot with a digital camera without an LCD screen that costs and arm and a leg? I spent two days in Singapore wandering the streets with the Leica M10-D and here are my thoughts.

Like its predecessors, the Fuji X100 and Fuji XT, the Fuji GFX 50R is a marvel of engineering, ergonomics, size, image quality, and price.

I recently I canceled my PhotoShelter account after being with the service for 8 years, and I wanted to provide a better understanding of the pros and cons of PhotoShelter and Squarespace. I currently use Squarespace and while I wouldn’t say the service is without its faults, I do believe that it is a better service for my needs.

Sony claims its new TOUGH line of SD memory cards are the toughest and fastest SD cards ever made, so the folks over at Cameta Camera decided to put that claim to the test. Here's a 12-minute video in which the NY-based camera store subjects a card to a variety of torture tests to see how it holds up.

Last week, after much anticipation, I received back my first rolls of the new Kodak Ektachrome 100, exposed in Chicago over the Christmas holiday (thanks to Denver Digital Imaging Center). After all the hype and fanfare surrounding Kodak releasing a new chrome film this far into the alleged afterlife of film, I was excited to see the results. Spoiler alert: the wait was worth it.

After I saw an ad on Facebook about an upcoming Best Buy photography workshop, I got the idea to attend it, and I thought other photographers would be interested in the experience, too. I signed up, paid the $50 to attend the workshop, and got an email confirming my registration.

2018 was a weird year and one that I’m glad is behind us. One highlight late in the year was Canon announcing the EOS R.

Want to hear a communist joke? Well, they are only really funny if everyone gets them, but if you still want to hear it, then Soviet: A worker standing in a liquor line says: “I have had enough, save my place, I am going to shoot Gorbachev.” Two hours later he returns to claim his place in line. His friends ask, “Did you get him?” “No, the line there was even longer than the line here.”

Sigma completes its “Holy Trinity” with the release of the all-new 70-200mm f/2.8 Sport – is it the ultimate 70-200mm on the market right now? Sigma sent us a review piece of the upcoming lens for us to try out for a few days.

I recently did a comparison between old and new Kodak Ektachrome E100 film. But first an amusing story about how these two rolls met.

Artificial intelligence is no longer a new concept in photography. Complex algorithms allow machines to choose auto contrast and exposure settings in all modern editing software. They're getting better all the time. What I haven't seen before however, is a tool that successfully automates face retouching. Until now, that is.

At night, it can be especially difficult getting enough light to shoot film. There are no color emulsions with speeds higher than ISO 800, and most stocks don’t even exceed 400. Pushing enables you to add sensitivity past the recommended ‘box speed’ of your film.

Is it too good to be true? A cheap M mount lens that goes all the way to f/1.1? Does the $369 7artisans 50mm f/1.1 lens belongs in the bargain bin or on your camera?

On December 18, 2018, Skylum will be releasing its long-awaited DAM (Digital Asset Manager) for Luminar. Called Luminar 3 with Libraries, this will be a free update for everyone who currently owns Luminar 2018 on Mac and Windows.

Peak Design is probably the most well-known camera bag brand to leverage Kickstarter to launch their products, going way back as early as 2014 with their camera straps. And since then, there have been many camera bags brands who have tried to follow their footsteps -- some successfully, and some not.

I’m no stranger to the iPad. In fact, it once caused me not to get a job at an Apple store shortly after college. I was asked in an interview, “What do you think of the new iPad,” and I answered honestly (mistake number one in a job interview I would learn).

Some months ago, I did a speed riding photoshoot with FriedeFly in the Swiss Alps. I was able to try out some new stuff in the snow and managed to capture some really nice shots. During the shoot, I also played around with my old Jinbei DC II 600 V flash since I was fascinated by shots of skiers made with flash that overpowers the sun.

I got my hands on a pair of the new Profoto B10 for some hands-on shoot testing from Profoto. If you just want to see the photos, scroll to the end of the article. If you want to get a little background on the ideas and the tech, read on.