A couple of days ago, photographer and retoucher Clint Davis shared a guest post about how he created composite photos for a Mercedes-Benz Sprinter 4x4 brochure. Turkish photographer and retoucher Burak Erzincanli was also recently commissioned to create a composite with a Mercedes Sprinter.
Back in 2012, photography broadcaster Frederick Van Johnson conducted this short 6-minute video …
Last week, NASA released a number of new close-up photos captured by its New Horizons spacecraft during its historic flyby of Pluto back in July. Many of the images showed the details of specific regions of Pluto's surface.
Photographer Daniel Machacek took 26 of those photos, combined them, and colorized them to create the amazing "global mosaic" of Pluto seen above.
What happens when you combine the art of light painting with fifty Olympus OM-D E-M10 mirrorless cameras? The team at ZOLAQ in Germany wanted to know just that. Teaming up with Olympus and design agency ‘Bird Like’, the team created the 2-minute video above, titled ‘Bullet Time’.
Here's a humorous example of why you should pay attention to lighting when combining photos into a composite image. A few days ago, Jeb Bush's super PAC Right to Rise USA tweeted a picture that showed Bush with a stock photo of Cedar Rapids, Iowa, in the background. People immediately noticed that something was strange with Bush's left hand.
This past weekend, New York-based photographer Brian Maffitt set up an angled mirror underneath his bird feeder and photographed hummingbirds for a few hours. Afterward, he combined a large number of the photos into this single, surreal composite photo showing ruby-throated hummingbirds swarming.
Photographer Casey Mac created this wild image by shooting ~800 photos of kite boarders at California's Waddell Creek Beach and then blending the shots together in Photoshop. The photo is titled "Rush Hour." (Here's a larger version.)
Photographer Nathan Bett has an unusual series of photos titled Learning to Disappear, which shows New Yorkers walking by in various parts of their city. What curious about the images, however, is that most of the passers-by in the frames are staring straight at Bett's camera.
Before I get into the nitty gritty details of how this piece came together, I would just like you all to take a minute to appreciate how very talented Mackenzie Johnson is. (She is the model for this photo, and happens to be a YouTube-singer-songwriter in case you were unaware.) Not only did she do her own hair/makeup/wardrobe and model like boss, but she even actually played and sang for this photo.
My name is Kyle Hart, and I'm the founder of Rhino Camera Gear. In this post, I'll be sharing an easy technique for combining a real-time camera move with a time-lapse to create a simple composite without doing any rotoscoping.
So I recently had this crazy idea in my head and some free time. The idea was to have myself falling over in the kitchen with tea and biscuits flying everywhere. Here's a walkthrough showing how I created the image with carefully shot photos and Photoshop.
Israeli photographer Ronen Goldman was recently commissioned by UK-based premium luggage manufacturer Redland London to shoot a series of advertising photos promoting an upcoming line of luggage. The company wanted to show the durability of the product and how it helps you "be prepared for anything," so Goldman created a photo of a man protecting himself from a cloud of falling lemons. The video above is a behind-the-scenes glimpse into how the image was created.
A murmuration of starlings is a beautiful sight to behold, as giant flocks of birds float through the air like a dark cloud with a mind of its own. French photographer Alain Delorme captured this beauty in his project Murmurations, but instead of birds and wildlife photography, Delorme's images were created through plastic bags and Photoshop.
Danish photographer Thomas Bangsted sits on the opposite end of the spectrum from "spray and pray" photography. The Brooklyn-based artist often spends months or years completing individual pictures through researching, traveling, shooting, and post-processing. The 7-minute video above offers a glimpse into how Bangsted creates his art.
Richard Roberts is a freelance creative retoucher and digital artist based in Milwaukee, Wisconsin. Over the past decade, he has worked on advertisements and promotional materials for clients that include Fox, HBO, Mountain Dew, Under Armor, Kelloggs, and Gillette.
For most of his projects, Roberts will capture snapshots of the image at various stages of compositing -- glimpses are later combined into animated GIFs that show how the various images were made.
German photographer Jan von Holleben is known for creating imaginative scenes by having kids lie on the ground and carefully arranging everyday objects around them. One of his first viral projects that featured this style was "Dreams of Flying".
His latest one is the most ambitious and elaborate of them all. Titled "Konrad Wimmel is in Town," the series features gigantic scenes that took a year to create.
By day, Robert Jahns is a digital artist and art director based in Germany. By night, he's known as nois7 on Instagram and runs a popular account boasting more than 600,000 followers. His stream of images consists of dreamlike photos that are often clearly the result of compositing, but there's one hidden fact that sets Jahns apart: his editing is done strictly on his phone.
My name is Michael Pistono, and I'm a 28-year-old photo enthusiast living in Honolulu, Hawaii. I was recently playing around with a reflection photo when I had the idea of creating another one out of a puddle -- one that featured both tall buildings and an airplane.
The photo I ended up creating in Photoshop (shown above) went viral online. Here's a look at how it was made.
What would the night sky look like if the closest spiral galaxy to us were as bright as the moon and visible in its entirety to the naked eye? The photo above offers a pretty accurate look (Click the image for a larger version).
Created by Tom Buckley-Houston, the composite image shows the Andromeda galaxy's actual size in the night sky with a huge boost in brightness.
Astrophotographer extraordinaire Göran Strand created this neat composite image to explore an interesting 'what if?' scenario: What if your eyes could see the sun the way a Hydrogen Alpha Telescope does? What would a sunset look like then?
Here's a neat idea you can try next time the seasons change. All it took to create the image above was a couple of months of dedication, a smartphone, and a bit of work in Photoshop. No special gear, and not that much in way of effort, but a pretty cool (if a bit over-saturated) final product.
Erik Almas is here today to share his personal perspective on what a composition is and where he believes it falls in the world of photography. Beyond sharing his thoughts on digital compositions though, he also takes a BTS look at the making of one of his more recent compositions, using images captured while in the deserts of Namibia.
We all know how much time and effort is put into photo compositions, but the process by which the above image was created is even more mind-blowing when it's compiled into the GIF you see below.
Now this is a composition. Spending an entire day just outside of LAX and another "eight or so hours" in Photoshop, photographer Mike Kelley put together a photo he's calling "Wake Turbulence" -- a composite that documents an entire day of departures from LAX.
Reddit user Nasdaf created this moving composite photograph using images of Kiev's Independence Square captured before and after the havoc wreaked by violent clashes between the government and protesters.
Purists might not take to all of photographer Erik Almas' work, and in particular the work featured here, but if you can get over the fact that these are composites that necessarily need some help in the computer to come to life, Almas' advertising photography will blow your mind.
In light of the heated debate over post-processing sparked by the winner of World Press Photo of the Year 2012 award, the Amsterdam-based organization has chosen to implement some rule changes before it asks for this year's entries in a couple of months time.
We've run across some neat web apps in the past -- be it the Face to GIF app that lets you create animated GIFs with ease using your computer's webcam, or something a bit more practical like UT's enlarging and denoising app.
The 'Average' web app definitely falls on the less-practical side of things. It allows you to easily combine any number of Flickr photos from a set or tag into a composite average of them all.
Swedish photographer and retouch artist Erik Johansson creates amazing photo manipulations -- in fact, we've actually featured his work before. This, however, is the first time we've had the opportunity to get a behind-the-scenes look at how these manipulations come together.
In the video above he gives us a glimpse at how he created the manipulation Drifting Away, all the way from the first sketch to the final 123-layer manipulation.
People often comment on how similar sons look to their fathers, but how similar are they, really? Photographer Craig Gibson decided to find out, and created a photo project called "Boys and Their Fathers."
Check out this portrait of the hip hop duo Insane Clown Posse by photographer Paul Mobley and digital artist Mike Campau. Can you tell how it was created?
I had the opportunity to photograph the newest dormitory on the Florida International University campus a couple of nights ago and I thought I would share a little insight on the process of lighting such a large structure.
Photography purists might want to look away on this one. The above video is a 9 minute time-lapse that speeds up 7+ hours worth of Photoshop CC work. That work was spent creating an intense composite that wound up consisting of 284 layers before it was all said and done.
Photographer Dave Hill has launched the world's first Instagram TV show, a science fiction series called Desert Friends. Created as "a side project with some friends," the show comes in short 15 second episodes and is about three friends who "are warped to a distant galaxy and need to get home."
No, the creepy face above isn't a still frame of He-Who-Must-Not-Be-Named taken from one of the Harry Potter films. It's actually a composite portrait of countless faces found in the 2009 James Cameron science fiction film Avatar.
At the end of 2012, Swiss photographer Gus Petro took a trip to the United States, and was met with a sharp dichotomy. When he visited New York City, he found density in all its glory. But when he followed that up with a trip to the Grand Canyon, he was struck by the sheer emptiness of it.
This led to a project dubbed Empty, Dense, Merge, and the photos below represent the final third of that triad.
You might have run into this problem before: you're out with a group of friends and someone suggests a group shot. At this point, as the resident photographer of the group, several smartphones will probably be passed your way, leading to several good photos, all of them missing you.
You could always ask a stranger to take the group photo, but the picture might not turn out right and you might prefer avoiding that interaction altogether. Thankfully, with Groopic, now you can.
Some people have all the luck right? The above photo was taken by photographer Jason Smith, and it's a great example of the right place meeting the right time. While taking 4th of July photos at a friend's house, he was able to capture a lightning strike that synched perfectly with some fireworks.
At first glance, photographer Pelle Cass' series Selected People makes it seem like Boston is horribly overcrowded. The streets and squares are flooded with people, some of whom look like they're about to bump into each other without a second thought. And it's not just people, one tree seems to be the favorite spot of every single squirrel in the city.
Of course, once you realize what it is you're looking at, it starts to make a little more sense, because the photos in the series aren't made up of only one exposure, but hundreds of them.
What you see above is an ultra-high resolution aerial photograph of San Francisco as it looked in 1938. The David Rumsey Historical Map Collection put the image together using 164 large format black-and-white photos of SF that were shot in 1938. When viewed through a zoomable image viewer, the composite photo is pretty much a 1938 version of Google Earth's satellite view.