A widely distributed image used to illustrate stories about Monday’s horrific shooting at the Washington Navy Yard likely had nothing to do with the tragedy, offering a cautious tale of modern media overreach. Read more…
The media has been dominated by coverage of Asiana Airlines Flight 214′s crash landing in San Francisco this past weekend. What’s interesting is that some of the most powerful photographs showing the aftermath were not captured by professional photojournalists, but rather those with the most access to the site: US government employees. Read more…
In the early 2000s, NYC-based photographer Christopher Dawson noticed that even though major events were going on around the world, major news organizations in the US often remained fixed on stories involving the rich and famous. Due to the fact that stories involving celebrities often result in more eyeballs and advertising dollars, things like Britney Spears’ custody hearing or Michael Jackson’s molestation trial would attract a disproportionate amount of attention.
Starting 2004, Dawson began to create a series of photos with the camera pointed at the newsmakers rather than the stories. The ongoing project is titled “Coverage.” Read more…
As details poured in over the course of the day, Lanza — who took his own life at the scene — was mistakenly identified by police as Ryan, his older brother. Because of this mistake, news organizations nationwide began searching for pictures of a Ryan Lanza matching the description of the gunman, subsequently stumbling upon and disseminating the wrong picture for several hours. Read more…
Children often incorporate things they see in the news and in movies into their playtimes, whether it’s soldiers engaged in battle or a superhero saving innocent people. Canadian photographer Jonathan Hobin has a project titled In The Playroom that offers a darker and more troubling look at this truth. The photographs show children at play, except instead of more traditional imaginary ideas, they’re reenacting the horrors of things seen in the news — things like 9/11, Jonestown, and the death of Princess Diana. Read more…
One of the biggest stories in the news over the past month has been the controversy surrounding the shooting of Trayvon Martin. Poynter has published an article that examines how the media has used photography to portray Trayvon Martin, the victim, and George Zimmerman, the neighborhood watchman who shot and killed him.
The dominant photo of Martin shows him 13 or 14 years old, wearing a red Hollister T-shirt. Other photos, none of them recent, depict a young Martin in a youth football uniform, holding a baby and posing with a snowboard. He is the picture of innocence.
The most common photo of Zimmerman is a 2005 police mugshot. He is 22 in the photo, which was taken after he was arrested for assaulting an officer. (The charges were dropped.) He looks unhappy, if not angry.
The contrast — the two photos are often published side by side — has led to criticism that news media have tilted the story in favor of the 17-year-old victim and against the 28-year-old man who shot him.
If you enjoyed the beautiful 360-degree helicopter ride video we shared earlier today, then Condition One is an iPad app for you. It uses immersive video as a way to pull viewers into news stories — viewers control the camera by simply moving their iPad around!
The Condition ONE app gives users the ability to look in any direction while viewing footage. By pivoting and tilting the iPad, one literally manipulates the corresponding field of view. The highly sensitive motion controls produce the illusion of looking through a window into another reality, giving a visceral sense of ‘being there’.
Condition ONE will offer highly engaging storytelling with a focus on visual content conducive to being experienced firsthand.
It’s available as a free app through the iTunes store (with an Android version coming next year), so what are you waiting for?
Freelance news photographer Phil Datz was recording the conclusion of a police chase from the opposite sidewalk last Friday when he was confronted by a police officer and commanded to “go away”. Though he politely obeyed and moved a block further from the scene, the officer decided to arrest him for “obstruction of governmental administration”. The latest news is that the department is planning to drop the charges and put its officers through “media relations training”.
Newspapers are fading. News media is in a limbo of redefinition. Now we can add photojournalism to that list of defunct media, said Neil Burgess, head of London-based photo agency NB Pictures. Burgess is also the former head of Network Photographers and Magnum Photos, and twice Chairman of World Press Photo, and has spent much of his life working on social documentary photography and 25 years as a photojournalist.
There’s an increasingly overwhelming sense of frustration coming from the Gulf region, but this time, it’s coming from photographers and journalists. Media access has been tough since the beginning of the oil spill, whether on land, on beaches, or in the air. According to a new safety zone rule passed down from the US government, reporters and photographers are not allowed within 20 meters of booms, boom operations, and other cleanup activities, except with the express permission of the US Coast Guard. CNN’s Anderson Cooper reports that the limit was originally 300 feet, but it was reduced to 65 feet.
But to complicate matters, under the new rule, anyone found “willfully” in violation of the rule would be fined $40,000 and charged with a Class D felony. Class D felonies typically carry a jail sentence. The law especially affects photographers in the area who need to be on site in order to properly cover the events.