In the early 2000s, NYC-based photographer Christopher Dawson noticed that even though major events were going on around the world, major news organizations in the US often remained fixed on stories involving the rich and famous. Due to the fact that stories involving celebrities often result in more eyeballs and advertising dollars, things like Britney Spears’ custody hearing or Michael Jackson’s molestation trial would attract a disproportionate amount of attention.

Starting 2004, Dawson began to create a series of photos with the camera pointed at the newsmakers rather than the stories. The ongoing project is titled “Coverage.”
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Earlier today, unimaginable tragedy struck the town of Newtown, Connecticut as 20 children and 6 adults at Sandy Hook Elementary School were gunned down by a man we now know to be 20-year-old Adam Lanza.

As details poured in over the course of the day, Lanza — who took his own life at the scene — was mistakenly identified by police as Ryan, his older brother. Because of this mistake, news organizations nationwide began searching for pictures of a Ryan Lanza matching the description of the gunman, subsequently stumbling upon and disseminating the wrong picture for several hours.
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Children often incorporate things they see in the news and in movies into their playtimes, whether it’s soldiers engaged in battle or a superhero saving innocent people. Canadian photographer Jonathan Hobin has a project titled In The Playroom that offers a darker and more troubling look at this truth. The photographs show children at play, except instead of more traditional imaginary ideas, they’re reenacting the horrors of things seen in the news — things like 9/11, Jonestown, and the death of Princess Diana.
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One of the biggest stories in the news over the past month has been the controversy surrounding the shooting of Trayvon Martin. Poynter has published an article that examines how the media has used photography to portray Trayvon Martin, the victim, and George Zimmerman, the neighborhood watchman who shot and killed him.

The dominant photo of Martin shows him 13 or 14 years old, wearing a red Hollister T-shirt. Other photos, none of them recent, depict a young Martin in a youth football uniform, holding a baby and posing with a snowboard. He is the picture of innocence.

The most common photo of Zimmerman is a 2005 police mugshot. He is 22 in the photo, which was taken after he was arrested for assaulting an officer. (The charges were dropped.) He looks unhappy, if not angry.

The contrast — the two photos are often published side by side — has led to criticism that news media have tilted the story in favor of the 17-year-old victim and against the 28-year-old man who shot him.

The iconic photos of Trayvon Martin & George Zimmerman & why you may not see the others [Poynter]

If you enjoyed the beautiful 360-degree helicopter ride video we shared earlier today, then Condition One is an iPad app for you. It uses immersive video as a way to pull viewers into news stories — viewers control the camera by simply moving their iPad around!

The Condition ONE app gives users the ability to look in any direction while viewing footage. By pivoting and tilting the iPad, one literally manipulates the corresponding field of view. The highly sensitive motion controls produce the illusion of looking through a window into another reality, giving a visceral sense of ‘being there’.

Condition ONE will offer highly engaging storytelling with a focus on visual content conducive to being experienced firsthand.

It’s available as a free app through the iTunes store (with an Android version coming next year), so what are you waiting for?

Condition One (via NYT)

Thanks for the tip, Nelson!

Freelance news photographer Phil Datz was recording the conclusion of a police chase from the opposite sidewalk last Friday when he was confronted by a police officer and commanded to “go away”. Though he politely obeyed and moved a block further from the scene, the officer decided to arrest him for “obstruction of governmental administration”. The latest news is that the department is planning to drop the charges and put its officers through “media relations training”.

(via Poynter via Gizmodo)

Newspapers are fading. News media is in a limbo of redefinition. Now we can add photojournalism to that list of defunct media, said Neil Burgess, head of London-based photo agency NB Pictures. Burgess is also the former head of Network Photographers and Magnum Photos, and twice Chairman of World Press Photo, and has spent much of his life working on social documentary photography and 25 years as a photojournalist.

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There’s an increasingly overwhelming sense of frustration coming from the Gulf region, but this time, it’s coming from photographers and journalists. Media access has been tough since the beginning of the oil spill, whether on land, on beaches, or in the air.  According to a new safety zone rule passed down from the US government, reporters and photographers are not allowed within 20 meters of booms, boom operations, and other cleanup activities, except with the express permission of the US Coast Guard. CNN’s Anderson Cooper reports that the limit was originally 300 feet, but it was reduced to 65 feet.

But to complicate matters, under the new rule, anyone found “willfully” in violation of the rule would be fined $40,000 and charged with a Class D felony. Class D felonies typically carry a jail sentence. The law especially affects photographers in the area who need to be on site in order to properly cover the events.

(via A Photo Editor)

It happens all the time, but does that make it acceptable? According to a court decision this week, what Current TV’s vice president Michael Streefland calls “standard practice in digital media” is legal after all.

Current TV and photographer Ken Light have been entwined in a legal debate over an image which belongs to Light but was used without his permission on the media company’s website.

Light brought his case against Current TV to small claims court, charging the company with unfair competition. The photographer won initially, which included $500 for compensation and $88 for court fees.  Soon after, Current TV appealed the decision, which was subsequently reversed by a San Francisco Superior Court judge.

According to Light, the court’s change of heart stemmed from the technical details. Current TV’s chief technologist testified that the site used in-line linking to the image on the New Yorker’s site, and did not technically copy the photo.

Furthermore, the court ruled that the image qualified as fair use, and the root issue was over the photo’s copyright, which is a federal court case. Light told PDNPulse that he is at the end of the line in state court and doesn’t know whether he will  proceed with a copyright suit.

Although the case may not make it out of the state, the suit has garnered national attention,  including a piece in the New York Times. Times writer Scott James wrote in favor of Light, calling the case a “David vs. Goliath” situation, and suggesting:

“Imagine if Mr. Light’s photograph had been in a frame — few would say it was O.K. to borrow it without permission, deny the artist credit and exhibit it and collect sponsor fees.”

In spite of the loss, Light said he is pleased with the widespread publicity and ensuing discussions the case has sparked. He says he hopes the case sets a precedent for other photographers and journalists to fight for due compensation.

“Yes, I lost, but I think waving the flag is important,” Light said. “We have to keep [pushing] this until we get some protection.”

A video released on WikiLeaks.org shows disturbing footage taken in 2007 from an American apache helicopter as they circle and fire upon a group of people they identify as armed hostiles in the street.

As it turns out, the two men who appear to be armed are actually working Reuters employees: photographer, 22-year-old Namir Noor-Eldeen, and his driver, Saeed Chmagh, who was 40. The two men were walking in the street with camera straps hanging from their shoulders. One of the men has a long lens, misidentified as an RPG.

According to a New York Times article published yesterday, Reuters had heard of a military raid in the area — the same raid that the military was attending to, and the two men went to investigate. Their mere proximity to the raid proved to be fatal.

The military fired upon the men and other individuals, who were later confirmed to be civilians, among them two children and the two Reuters employees. The attack killed 12, including Noor-Eldeen and Chmagh.

In a United States Central Command report:

“[The men] made no effort to visibly display their status as press or media representatives and their familiar behavior with, and close proximity to, the armed insurgents and their furtive attempts to photograph the coalition ground forces made them appear as hostile combatants to the Apaches that engaged them.”

Reuters news editor in chief David Schlesinger said in a statement:

“The deaths of Namir Noor-Eldeen and Saeed Chmagh three years ago were tragic and emblematic of the extreme dangers that exist in covering war zones. We continue to work for journalist safety and call on all involved parties to recognize the important work that journalists do and the extreme danger that photographers and video journalists face in particular.”

(via New York Times)