Features

PetaPixel's Features are in-depth, heavily researched stories designed to answer the most important questions on a topic. Where we flex our journalistic muscle, expect to find the best storytelling and original reporting the photo industry offers.
A split image comparing two water scenes. Left: Calmer water with a subtle wave and a green check mark. Right: More turbulent, splashing water with a red X. An arrow points from left to right.

I Was Disqualified by a Nature Photography Competition… Again

Everyone who knows me is aware that I love pushing the limits of what’s possible and creating the “makeable” from both the possible and the impossible. This time, however, I didn’t succeed, and the Glanzlichter nature photo competition disqualified me.

Close-up of an elephant's face, highlighting its textured skin and tusks. The light and shadow create a dramatic effect, while its eyes gaze forward. Lush greenery is faintly visible in the background, adding depth to the scene.

Photographing Forest Elephants in the Congo

Deep in the Congo Basin, in a remote corner of Nouabalé-Ndoki National Park, lies Mbeli Bai, a vast forest clearing where wildlife emerges from the dense jungle. Unlike open savanna landscapes, the rainforest hides its inhabitants behind thick vegetation, making photographing species like forest elephants particularly difficult.

Close-up of a digital camera's sensor, surrounded by a metal mount. The camera's body has a textured black surface. The sensor is rectangular, with electronic contacts visible along the mount's inner edge.

Canon Commits to Continuing In-House Sensor Development

Image sensor research and development is notoriously costly, which is why so many manufacturers have opted to work with an existing sensor fabrication company, like Sony Semiconductor, rather than develop their own in-house. Canon has been one of the few exceptions and, according to its executives, that will remain the case.

Split image showing two American football players in uniform. Left: Player in color wearing a white jersey with number 15 and a headband. Right: Black and white image of another player looking upward, wearing a headband and a jersey.

What It’s Like Being an NFL Team Photographer During the Super Bowl

Steve Sanders, the Director of Photography for the NFL's Kansas City Chiefs, was on hand in New Orleans for Super Bowl LIX. While the Chiefs ultimately came up short of a historic three-peat, falling to the Philadelphia Eagles, Sanders captured many amazing photos of the big game that put a bow on an excellent season for the Chiefs.

On the left, a football player in a green uniform stretches into the end zone. On the right, a coach in black Eagles gear is doused with yellow liquid from a cooler. An official and a crowd are visible in the background.

How AP Photographers Captured the Iconic Moments of Super Bowl LIX

The Philadelphia Eagles dominated the Kansas City Chiefs at the Caesars Superdome in New Orleans, winning Super Bowl LIX and lifting the Vince Lombardi trophy. The Associated Press (AP) was on hand in full force with its Sony cameras and lenses to document everything, and PetaPixel chatted with the AP to learn more about how it photographs the biggest sporting event of the year.