Jaron Schneider

Editor-in-Chief

Jaron Schneider is an award-winning commercial filmmaker, an internationally published consumer technology journalist, and long-time digital imaging expert across the fields of both video production and traditional photography. He is also the host of the PetaPixel Podcast. 

The former A/V Editor of Digital Trends, Features Editor of Imaging Resource, and Editor in Chief of Resource Magazine, Schneider's production work – which includes clients such as Verizon, Redwood Credit Union, Grammy-Award-winning band Train, Food Network's Guy Fieri, UC San Diego Scripps Institute, the San Francisco WETA ferry system, and luxury Swiss watchmakers Cartier and Maurice Lacroix – has been featured across multiple networks, including CNN, ABC Network News, Gizmodo, Huffington Post, Business Insider, The Daily Mail, Telegraph UK, and Jalopnik.

Articles by Jaron Schneider

A woman with long, wavy blonde hair and glasses, wearing a black shirt, sits with her arms resting on her knees. Large white letters "WPPI" are overlaid on the image.

Annie Leibovitz Is the WPPI 2026 Keynote Speaker

WPPI, the Wedding and Portrait Photographers International conference, is stepping up its game and is poised to put its name back in the minds of photographers as it has announced Annie Leibovitz as the 2026 keynote presenter at its show that takes place in Las Vegas from March 1 through March 5, 2026.

Three men sit at a podcast table with microphones, having a discussion. Behind them is a blue screen with the C.R. Kennedy logo. Text on screen reads “Conversations with Chris Niccolls, PetaPixel.”.

Chris Niccolls Talks Gear, Reviews, and Almost 20 Years of YouTube

The PetaPixel Podcast crew is taking a break this week as they reconvene after weeks of travel, but that doesn't mean there isn't something to listen to. Chris Niccolls sat down with the folks from C.R. Kennedy for a discussion about his early roots at the Camera Store, career choices after DPReview, his current tenure at PetaPixel, and his ongoing journey as a photographer.

Four vertical color stripes with camera brand names: Fujifilm on green, Nikon on yellow, Sony on orange, and Canon on red, each in their distinctive logo fonts.

Camera Makers Need to Lean Into Their Brand Colors Again

When Nikon added the gold ring to the lens mount of its 28-135mm f/4 PZ earlier this year, I was ecstatic. Finally, Nikon was leaning into its brand color. I was saddened to learn it would only do this on select products moving forward. That got me thinking: every brand is leaning away from color when they should be leaning into it. For a tool designed to create art, the camera tends to be dreadfully boring.

A group of emergency responders surrounds and assists a person lying on a stretcher with a neck brace, preparing to move them in a hallway with beige tiled walls.

NPPA Condemns ICE Assault on Journalists ‘In the Strongest Possible Terms’

The National Press Photographers Association (NPPA) has condemned "in the strongest possible terms" the actions taken by ICE officers against journalists in Federal Plaza in New York City earlier this week. "The assault on an a New York reporter and the serious injury inflicted on another journalist represent an unacceptable, blatant attack on press freedom," the organization writes.

A black Nikon Z series digital camera with a large NIKKOR lens is displayed against a dark red, swirling background.

Nikon Believes the ZR Is Versatile Enough to Be Two Camera Lines in One

With the introduction of the Z Cinema series of cameras that includes both RED cinema cameras and the new ZR, it's easy to imagine how this camera line might expand. But in conversations with Nikon, the company thinks its newest video camera is so wide in its capabilities, there isn't a need for other cameras right now.

Three men hold different cameras toward the viewer. The man in the center, with gray hair, focuses on his Canon camera. The man on the left squints his eyes, holding a Sigma camera, while the man on the right holds a Sony camera.

Are Old Compact Cameras Good, or Is It Just Nostalgia?

Earlier this summer, Chris Niccolls, Jordan Drake, and I browsed the fixed-lens section of KEH's website to see what was available for a reasonable price. With compact, point-and-shoot cameras suddenly exploding in popularity, we were wondering: have they aged well, or is it just nostalgia?

A grid of twelve black squares on a white background spells out "CREATIVE LIVE" in bold white letters, with one letter in each square.

CreativeLive is Shutting Down

CreativeLive, one of the original platforms for online photography education, is shutting down on December 31, 2025. The site is now closed to all but current users and will be wholly shuttered at the end of the year.

A close-up image of an electronic sensor, likely a camera sensor, with a rainbow-colored reflective surface and four mounting holes, set against a plain white background.

Sony’s New Global Shutter Sensor Captures 105 Megapixels at 100FPS

Sony Semiconductor has announced a new high-speed, high-resolution image sensor called the IMX927, a backside-illuminated and stacked CMOS sensor with a global shutter. While designed for industrial use, it showcases Sony's sensor capabilities and may give some insight into what may trickle down to consumer devices.

A smartphone displays the TikTok logo on its screen, positioned in front of a blurred American flag in the background.

TikTok Sale Grows Closer as Trump Signs Executive Order Legalizing It

U.S. President Donald Trump has signed an executive order that outlines how the China-based Bytedance divestiture from TikTok in the United States will play out, laying the groundwork for the app to be majority-owned by U.S. persons and leaving Bytedance with a minority stake. This move only applies to the U.S.-based version of the app.

Three objects: a vintage silver and black camera, a cutaway view of a camera lens showing internal elements, and a black camera with its body partially cut away to reveal internal mechanisms.

Wooden and Cutaway Leica Cameras Set to Fetch Thousands at Auction

Wetzlar Camera Auctions is set to take place on October 11, and it features both the pretty standard fare of unusual or limited edition Leica cameras from the company's history of production runs, but this next auction also includes some lots that are not meant to be functional photographic tools -- by design.

Frosted glass with cut-out letters partially reading "GR SPACE BRISBANE," with the background faintly visible through the transparent text.

Brisbane, Australia to Open the First GR Space Photo Hub Outside of Asia

Ricoh Imaging not only manufactures the extremely popular GR series of cameras, but the company also operates three GR Space locations in Tokyo, Shanghai, and Beijing, which are designed to serve as dedicated community hubs for photographers. Brisbane, Australia, is set to be the fourth global location for a GR Space when it opens in October.

A modern, compact digital camera with a sleek, square design, silver body, and prominent lens mount. The camera features a red record button and minimalistic controls against a plain white background.

The Pixboom Spark is a 4.6K Cinema Camera with 1,000 FPS Global Shutter

Pixboom is set to release the Spark this week, a compact video camera that touts some seriously impressive specifications at an even more impressive price. Pixboom says the camera will be capable of shooting 4K resolution at up to 1,000 frames per second, even in low light, with unlimited record times via its global shutter.

Two men stand in a forested area by a river; one holds a fishing rod and laughs while the other films him with a camera. Large text in the background reads, "WE MADE A MOVIE.

A Behind-the-Scenes Look at Making PetaPixel’s Documentary Film ‘No Guarantees’

Making a movie of any kind, scripted or otherwise, is a massive endeavor. Not only do you need to assemble the right team, but you also need to figure out budgets, manage every shooting day carefully, and prepare for every eventuality. So while the PetaPixel team may have the camera and editing skills, the multitude of other factors usually preclude us from actually making a movie. So, when the opportunity was presented, we jumped on it.