A coastal scene at sunset with calm water, rocky shore, and trees on islands. The left half is clear and vibrant, while the right half is grainy and noisy, showing a difference in image quality. We Are Post ISO Now
A person in a long beige coat, white turtleneck, and colorful pants poses confidently on a blue planet with a cosmic background. The word “VOGUE” appears at the top of the image. Annie Leibovitz’s Vogue Cover Shoot of Timothee Chalamet Raises Eyebrows
Overhead view of a digital camera attached to a rig with multiple lenses. The camera’s screen displays a detailed close-up of colorful objects, highlighted by a red box and zoomed in another box for detail. This Camera System Can Focus on Everything, Everywhere, All At Once
A phone is held by a black, textured strap floating in the air; next to it, a woman stands with a blue version of the strap hanging from her sleeve, holding a phone at her side. Apple’s Unusual iPhone Pocket Is a $150 3D-Knitted Fashion Statement
A man in a reflective vest sits at a table with snacks and a can of Coke, appearing thoughtful. Sunlight filters through vertical blinds. A vending machine, potted plant, and a framed portrait are in the background. ‘Bugonia’ Nails the 35mm Photography Aspect Ratio
A distressed woman is held by a group of people, some gripping her shirt and shoulders. She appears to be crying or shouting, her face full of emotion, while others around her also look tense and concerned. Award-Winning Photographers Describe Emotional Toll of Documenting ICE Arrests
Four birds fly in a clear blue sky above tall, vibrant orange marigold flowers, viewed from a low angle among the blossoms. Bird Photographer of the Year Won’t Elaborate on Why It Disqualified Winner
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Jeremy Gray
A person in a black hat stands behind a horse covered with a colorful blanket. An abstract app icon with red and orange layers is overlaid in the center of the image, partially covering the person's face.

Arri Film Lab Brings Film’s Look and Feel to Digital Cinema

Arri, one of the biggest brands in all of digital cinema, launched a new tool that aims to make digital video look more analog. Arri Film Lab is an OpenFX plugin that integrates into industry-standard color grading workflows and gives filmmakers and editors creative tools to make their digital videos, regardless of what camera they used, look like they were shot on film.

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Jeremy Gray
A coastal scene at sunset with calm water, rocky shore, and trees on islands. The left half is clear and vibrant, while the right half is grainy and noisy, showing a difference in image quality.

We Are Post ISO Now

A camera's native ISO range used to be a huge deal and was an integral part of how companies advertised their latest and greatest cameras. However, these days, companies sometimes don't mention ISO at all, relegating it to side, separate detailed spec sheets.

Jeremy Gray
Two digital cameras with external flashes are displayed, one showing the back and the other the front. Between them is a standalone flash unit, all set on white platforms against a light background.

Godox’s New Universal Flash Has a Swappable Hotshoe That Is Also a Wireless Trigger

Godox announced a new compact camera flash and accompanying wireless flash trigger. The Godox iT32 iFlash and X5 TTL Wireless Flash Trigger comprise a new modular lighting system built for all major camera systems, supporting full TTL and HSS across the board. The flash itself has an interchangeable hot shoe, so photographers can mix and match camera brands in their kit without needing a new flash.

Ted Kritsonis
A close-up of an iron gate with the inscription “Arbeit macht frei” and a view through the gate showing a watchtower and trees in the background at a historical site.

My Visit to Dachau: Through the Lens and the Gates

Nazi concentration camps have long been documented in all forms of media, but stepping through the gates of one on foot makes for a very different experience. Dachau was where it all began, setting off an industrialized machine of death and depravity that would later consume all of Europe during World War II.

Jeremy Gray
A wrapped roll of vintage film labeled “EASTMAN FLUOROGRAPHIC SAFETY FILM” sits beside a black-and-white photo of a rural scene with a house, trees, and a wire fence, bordered by sprocket holes.

This Photographer Successfully Shot 82-Year-Old Film

Photographer Nick LoPresti loves film. As his YouTube channel shows, his adoration for the medium often manifests in "silly" videos centered on wild, ambitious projects. LoPresti's latest video demonstrates the intersection of his passion for analog photography and his willingness to embrace any challenge. LoPresti, perhaps against his better judgment, shot on 82-year-old film.

John Bilbao
A yellow Nikon-branded SUV with flames on its roof is parked at night. Next to it, a woman and a man in a bright yellow shirt examine a camera together outdoors during the day.

The Nikon Tour Highlights Big Changes, and I’m Here For It

It’s no secret that things are changing in the camera and imaging space. As technology advances and the old guard passes the torch to the new, we’ve seen the digital camera evolve from a work instrument only accessible to industry professionals to a creative tool that even those of modest means can access.

Kate Garibaldi
Close-up of buttons on a vintage audio device showing a “MONO” label, with dark, rectangular buttons set against a wooden and metal surface.

Retouch4me’s New Plugin Removes Dust and Distracting Particles From Videos

Retouch4me, known for its AI-powered photo and video editing tools, has introduced Dust OFX, a new plugin that automatically removes dust and small particles from video footage. Built for DaVinci Resolve and compatible with other OFX-based editors, the plugin uses advanced neural networks to streamline one of the most time-consuming aspects of video retouching.