It’s felt like a long six months since Sigma first announced the Aizu Primes (which cost $8,300 each), the company's new series of full-frame compatible T1.3 cinema lenses. Currently available focal lengths include 25mm, 27mm, 32mm, 35mm, 40mm, 50mm, 65mm, and 75mm. Fortunately, after shooting several projects with them while traveling, I finally have a trio of them at home to do some controlled testing.
Canon recently made a huge stir with its excellent do-it-all R6 III and for a while, it looked like the year was going to end with a big win for Canon. But with the Sony a7 V coming seemingly out of nowhere, we have a serious contender for the best all-round camera on the market.
Come in for the camera but stick around for the battery life. That’s one way to sum up the Oppo Find X9 Pro, a flagship smartphone that makes a strong case for being one of the top three in the world. And with a global version available, this is the kind of device that makes you think about how much you’ve been missing from the average flagship in North America.
The original Camp Snap camera was released a while back and became an unexpected hit. This digital camera was extremely limited and lacked an LCD screen in an attempt to bring the fun back to photography. Now Camp Snap is bringing this philosophy into the world of video with the Camp Snap 8 (CS-8), a video camera with no LCD, no playback, and only an EVF for framing.
This is DJI’s second gimbal within 12 months, following the Osmo Mobile 7P, and it can be viewed as something of a correction. That’s not to denigrate the OM7P, which remains a very capable gimbal unto itself, but the $159 Osmo Mobile 8 addresses numerous shortcomings of its predecessor.
In a photo industry of ever-increasing prices, it's refreshing to see optics that supply exceptional value for the dollar. The new Canon RF 45mm f/1.2 STM made the entire industry double-take upon seeing an f/1.2 optic for only $479. Surely, there must be a catch, so I took the handy little 45mm to a local Christmas market to explore the myriad lights using an extremely shallow depth of field lens.
The Stringer: The Man Who Took the Photo, which lands on Netflix this week, opens with a line implying Nick Ut is a liar: "What you do know is what you didn’t take." But is that really true? I've always thought the inverse makes more sense.
Leica is by far the leading company to create monochromatic versions of its most popular camera models, and that is because, love it or hate it, black and white exclusive cameras sell really well. Now the Leica Q3 gets the Monochrom treatment that we've seen in the recent Q2 and M11 models. It comes with a higher price at $7,790 and the limitation of only shooting monochromatic images, but it also comes with some image quality improvements.
As a Chinese brand, OnePlus skips the number 14 for cultural reasons, though after using the OnePlus 15 and its camera, I’m more likely to suggest the previous model was the lucky one. As a phone, the device is very impressive thanks to its outstanding battery life, gaming features, and superb software experience. Yet, as a camera system, it presents results that don’t feel like a worthy successor.
Tamron has a long and illustrious history of making travel-zoom lenses with massive focal ranges. These lenses provide a maximum amount of convenience, but how much of a compromise needs to be sacrificed to make this all possible? The new $900 Tamron 25-200mm f/2.8-5.6 Di VXD G2 is set to make a mark on the travel-zoom industry.
In PetaPixel's review of the new Canon R6 Mark III, the lack of a fan versus the C50 -- which uses the same sensor and has many of the same video features -- was mentioned as one of the reasons a videographer might want to go with the cinema-focused body. When it comes to the R6 Mark III, we do see overheating as a possible concern in some use cases.
With modern, high-resolution camera systems, photographers are capturing tens or even hundreds of gigabytes of files per shoot, before even considering video. Your storage workflow is now almost as important as the camera and lenses you use to capture everything. This is why portable, interchangeable Solid State Drives (SSDs) like the TerraMaster D1 SSD Plus have become commonplace among photographers.
The Canon EOS R6 III is an excellent camera for nearly every type of photographer and is better than its impressive predecessor in many essential ways. But did Canon play it a bit too safe with its new enthusiast-oriented, photo-first camera?
I recently took a trip to Aizuwakamatsu, Japan and this represented an ideal situation to also test the Sigma Contemporary 20-200mm f/3.5-6.3 DG super zoom lens. The autumn colors were just staring to turn and the mountainous area around Mt. Bandai promised some excellent landscape and wildlife opportunities.
It only takes a few shots to realize just how different the Vivo X300 Pro is as a mobile photography tool. It is laden with improved performance and output, plus a photography kit made up of a 2.35x telephoto lens extender and grip with built-in physical controls and a 2300mAh battery. It's stacked.
The Osmo 360 is something of a reverse situation for DJI. Rather than being a category leader in this respect, the device is more of a response to what competitors like Insta360 have been doing. That widens the scope and scrutiny for what a camera like this could and should be, given the versatility DJI claims it has.
The "M" in the Leica M series stands for Messucher, which refers to a large and accurate rangefinder incorporated with a viewfinder. For decades, this Leica rangefinder system has been synonymous with its brand and is the basis for the charming shooting experience that Leica M cameras are famous for. But with the Leica M EV1, Leica has forged a new path, and it is sure to polarize its fans.
Fujifilm has a crowded lineup of cameras, which, from an optimistic viewpoint, offers photographers many choices. However, from a pessimistic viewpoint, the degree of choice can be intimidating to beginners. This is part of why it is so important to have a solid entry-level camera to welcome new photographers into the Fujifilm family. For many years, the X-T30 series has served this role well, and now a third version has arrived. Priced at $999, it keeps photography affordable.
Although Apple’s Pro, Max, and Ultra-series chips rightly get significant attention in the creative professional space, the company’s base M-series chips are nothing to scoff at. The brand-new MacBook Pro with M5 (14-inch) is an excellent example of just how great Apple’s base model chips are. Photographers and most video editors should take notice, because the new MacBook Pro with M5 is a fantastic machine.
Since the Canon Cinema series was started over a decade ago, the cameras have targeted professional users in film and television, leading to large, expensive bodies that appealed to a small group of users. That changed with the release of the new $3,899 Canon C50, which is the smallest, most affordable and possibly most exciting camera yet related in this line. Or does it?
Many of us started our photographic journeys with a fixed 50mm lens. Arguments abound about what the best focal length is, but none can deny that a 50mm is the crossover point from wide angles to telephotos. It is a versatile focal length that can accommodate so many different kinds of photography if one is simply willing to move their legs.
Zeiss is a famous and prestigious name in the world of optics, and it is very willing to partner with other brands to bring the weight of its name to the table. So often we see the Zeiss name attached to Sony products, Vivo smartphones, Contax cameras, and Cosina optics, to name a few brands, both past and present.
Laowa has made a name for itself by releasing wonderfully weird optics that the major lens manufacturers would never think to produce. Probe lenses, ultra-wides, incredibly bright manual focus lenses, these are the kind of oddities Laowa is best known for. I was, therefore, surprised when they started teasing a 200mm f/2 C-Dreamer professional autofocus lens.
Sony was one of the first major manufacturers to switch from DSLRs to mirrorless cameras and subsequently rushed to bring out a line of dedicated lenses for what was then the new E-mount. To be completely honest, some of these lenses were less than stellar, but nonetheless had to carry the line for many years.
Nikon debuted its Z-mount cameras in 2018 and shortly thereafter came out with its first professional 24-70mm f/2.8 S lens. Unlike some of the other companies that also began making mirrorless full-frame glass, Nikon came out with a legendary lens right out of the gates. The original 24-70mm f/2.8 lens may have been a little bulky, but it was incredibly sharp, immune to flare issues, and excellent for video work, too.
Earlier this summer, Chris Niccolls, Jordan Drake, and I browsed the fixed-lens section of KEH's website to see what was available for a reasonable price. With compact, point-and-shoot cameras suddenly exploding in popularity, we were wondering: have they aged well, or is it just nostalgia?
35mm has long been one of my favorite focal lengths, so it’s odd that I never had the chance to use the original Sigma 35mm f/1.2 DG Art as it would be right in my wheelhouse. Fortunately, when Sigma launched the second version of this optic in both E-Mount and L-Mount, I had a chance to make up for this omission.
Two things that I love are 85mm lenses and Tokyo, Japan. I was fortunate to experience both, and PetaPixel's Jeremy Gray joined me for a week in Japan to visit Canon headquarters and the Utsunomiya optical factory. We missed Jordan on this trip, but Jeremy had never before visited Japan, and we wanted him to experience all that it has to offer for the first time.
The Xiaomi 15T Pro and 15T are driven by their cameras and Leica co-engineering, and continue to outperform established competitors in North America. As these are global launches, obtaining either of these still requires importing them from online vendors. Or, if you happen to be in Europe, Asia, or one of the other available markets, buy it and bring it back.
I absolutely love the 135mm focal length, and feel like it’s quite underrepresented on modern mirrorless mounts. It’s a great choice for portraits, candids, indoor sports, and street photography. So when I heard Chris Niccolls would be unavailable to review the new Sigma 135mm f/1.4 DG Art lens, I jumped at the chance!
