Whether you're just starting to convert color to black and white or you've just never been satisfied with how your previous attempts have turned out, this short tutorial by Hong Kong street photographer Gary Tyson will come in very handy.
Dean J. Tatooles specializes in fine art panoramic landscape photography, wildlife photography, and indigenous portraiture from remote locations around the world. He also works with top-rated travel companies and fellow professional photographers to lead photographic safaris in Iceland, India, Kenya, and more. Fresh off a trip in Iceland, Tatooles and colleague Tim Vollmer answer some common questions about the eerie natural anomaly known as the Aurora Borealis. If shooting the Northern Lights …
One of the issues talented photographer and retoucher Michael Woloszynowicz often runs into when he's taking portraits is mismatched skin tones. Using a light modifier of some sort he'll get the tone he wants in the face, but the tones or colors in another part of the subject's skin simply don't match.
There are many options for recovering shadow detail in post, but if you still haven't settled on one or you want a technique that will give you more control, then we have a great tutorial for you.
Joe McNally knows a good bit more about lighting than many photographers out there, and in this short video he shares a great deal of information pertaining to both TTL flash lighting as well as adapting to a situation and using natural light.
One of our favorite Photoshop tutorial websites, Phlearn, yesterday put out a tutorial that is both incredibly useful and a bit scary. Useful because making eyes pop in post is probably one of the most sought after Photoshop skills. Scary because this kind of manipulation is a slippery slope that could lead to photographers getting lazy and using the "fix it in post" excuse... so proceed with caution.
In an ideal world, every photograph from a shoot would come out as we initially envision it. Perfect light, perfect focus, perfect everything. But, that's not the reality of it.
In this ten minute video created by Glyn Dewis, you'll get a nice little look at how to add sun rays to any photograph of your choosing by using gradients, layer masks and smart objects.
Colorized historical images are very popular in the photo community, but how exactly does one start colorizing photos? Getting to the skill level demonstrated by the Photoshoppers in Reddit's ColorizedHistory subreddit will take countless hours of practice, but if you want to start this Tutorial from Tuts+ is a great primer.
Yes, we know it's the day after April Fools', but we couldn't pass up the opportunity to share this little gem. We're all fans of tutorials, right? Well, today we have for you a tutorial that will dramatically improve your capabilities in Photoshop. Photoshop 1.0, that is.
When it comes to taking product shots of glossy items, one of the most difficult aspects is getting the correct amount of diffusion when using softboxes. When the incorrect amount of diffusion is applied (or the right amount is applied incorrectly) this can lead to harsh reflections and minimal gradients, which isn't usually the look you're trying to achieve.
Composition and the rules that accompany it are some of the most basic aspects you learn when first picking up a camera. If you've been a photographer long, it's probably safe to say that the "rule of thirds" and "golden mean" are ingrained into your brain so well that it's second-nature now.
When it comes to nailing the white-balance in a photo, it's rarely an easy task, especially with portraits. It becomes even more arduous when you're trying to stylize the image a certain way, since you might not want the same tones and color balance in your skin tones as you do in the rest of your image.
When Nick Fancher created his series of 80's Cyber images, he made use of some textures to add that extra bit of character to the photos. The textures turned out so well that, upon publishing the series, he received multiple inquiries about where he got those textures.
There are a few different ways to address bags under the eyes when you're editing a portrait in Photoshop, but the video above shows one that is both simple and extremely effective.
As a photographer, there is nothing more intriguing to me than the unknown. What’s out there and where will it lead me on my next adventure under the stars? …
When it comes to sharpening an image, more than likely, your technique involves using a certain method over the entire image all at once. However, that's rarely the best way to do it, because how much and where to sharpen varies quite a bit depending on what you're shooting.
From Jay P. Morgan of The Slanted Lens comes an educational and behind the scenes video out of Yanks Air Museum in Chino, California. Throughout the video, Morgan gives insight into the process of using a tilt-shift lens and shares some nice background information on how a tilt-shift lens actually works.
Five months after releasing his first tutorial video on shooting and processing time-lapse photography, Dustin Farrell is back at it again. This time he's gone more in depth, featuring some behind the scenes of his nighttime time-lapse workflow, from the gear he uses (and suggests) to the actual creation process of the video.
If you're looking for a comparatively cheap DIY option for adding a variable speed motor to a standard slider (most often used to shoot those cool motion time-lapses), this tutorial is perfect for you.
In November of 2012, we posted an article featuring impressionist-inspired photographs by photographer Matt Molloy that were created using a method called time stacking. The resulting images are quite beautiful, and in the tutorial above Molloy will run you through how to create them for yourself.
Back at the GoPro goodies again is none other than Mitch Bergsma, most recently featured on PetaPixel for his tip on how to stabilize hand-held GoPro footage using your face. This time though, the tutorial attempts to help those interested in using a DJI Phantom with their GoPro attached to it.
Online resources for learning about photography are anything but lacking. But every so often a new one comes around that changes things up a bit -- usually because it's created by a well-known, respected pro.
It's happened to all of us: we're browsing through someone's portfolio or even just through Flickr or 500px and we come across a photograph or series of photographs with a 'look' we absolutely love.
We're not in the habit of sharing full workshop videos during the week. The way we see it, most of you are at work right now (we sure are) and don't have time to watch a one and a half hour workshop at your desk (we sure don't). Problem is, this 1940s Glamour Portraits workshop by Robert Harrington can't wait.
No matter who it is you're photographing or where you're taking their picture, it's almost inevitable that in at least a few shots there will be some stray hairs flying across the photo. Usually, the result is an extra hour or so in post-production trying to get the hairs out one-by-one. Cue infomercial guy saying: "There has to be a better way!"
There are many ways to remove color casts from your images in Photoshop, but this tutorial by photographer and retoucher Michael Woloszynowicz offers one of the quickest, easiest and most effective methods we've seen.
No matter how long you've been shooting or what level you're at in your photography endeavors, there will always be those moments where you walk away from a shoot unsatisfied with how some of the images turned out. It happens to the best of us.
As part of a new campaign, Profoto has teamed up with photography pair Justin and Mary Marantz to create a twenty-part video series aimed at educating (and promoting) how best to capture the vital moments of a wedding using TTL lighting.
Actual 3D footage can be a pain, both to capture and to watch, which is why we fell in love with this super simple technique when we ran across it. It turns out, all you have to do to turn a normal photo or animated GIF into a 3D experience is add a couple of white bars...
If you're just getting into studio photography, trying to figure out how to light, shoot and set up your shots can be both frustrating and expensive. After all, if you're trying to take high-quality studio shots, you need high end strobes and all sorts of other gear, right? …
It's likely one of the reasons Adobe decided to shift to a subscription model was so that they could bring in more beginners and amateurs that had never had affordable access to the software.
The lens is the most important factor in the image quality of a landscape astrophoto.
If there are two things I love in life it’s cars and photography, and the thought of putting those two together sounds better to me than getting chocolate in my peanut butter! Now I don’t claim to be an amazing photographer nor hold any hopes of one day having my own photography tutorial DVD. However, I do like to talk about photography and more so, I like to get other people talking about it.
A couple of months ago, The Creators Project and post-processing guru Joe Fellows teamed up to show you how to turn stills into '2.5D' animated sequences. The tutorial was very popular on PetaPixel, but it left some with as many questions as answers, and so the duo are at it again, creating a part 2 that addresses the most common concerns.
The introduction of the new Perspective Warp tool (among other things) for Photoshop CC was met with a good deal of excitement by photographers. But if you haven't had a chance to play with it yourself, or you're still unsure exactly how it works from the intro video, the demo above should give you a much better idea of how to put the tool to use.
"Do-it-yourself" can mean a lot of things, but for camera dweebs, it's usually entailed some degree of scavenging and recycling parts from factory-made cameras. Grad student and specialty camera builder Kevin Kadooka understands the ease and accessibility of the practice but doesn't think it's sustainable -- eventually we'll run out of old cameras to cannibalize.
The ability to pull photos out of your camera and onto your computer wirelessly is an incredibly useful tool that many photographers use, but what if you could pull those photos instantly into Lightroom right there on-location? Well, it turns out you can, and it's not all that complicated either.
UK motion graphics artist and Make Productions founder Joe Fellows specializes in bringing stills to life. Using a series of steps in Photoshop and then After Effects, Fellows is able to transform photos into '2.5D' animated sequences that look like slow motion footage shot with a video camera.
Without a makeup artist at your disposal, even a great portrait can be ruined by shiny skin. So if you're looking through the results of your most recent portrait shoot and there's a lot of shine there, here's a fantastic tutorial that shows you how to get rid of it without making the photo look like it's been doctored.
Hyperlapse photography is an increasingly popular technique in which standard timelapse imagery is brought to life with camera movement. Rather than move the camera with a slider or with a crane, hyperlapse shots move the camera across very long distances.
A couple of weeks ago, Seattle-based production group Super Frog Saves Tokyo took the Internet by storm with their slow-motion photo booth footage from a recent wedding they shot. Now they're back by popular demand to share some of the specifics about how they set up their slow-motion experience.
Treasures are often buried under dirt. Well, that's usually the case, anyway. Treasures for photographers may mean finding a working copy of their dream camera at a flea market or on the second-hand camera market. However, more often than not, the camera may not be looking great.
Back in April, we shared the first of cinematographer Mark Vargo's informative series of videos on different photographic concepts. The videos are meant to educate photographers and videographers alike on these concepts so that they might "unleash their creative potential." …
Here's a good weekend project for those of you who have some old film canisters lying around, and a bit of DIY know-how up your sleeves. Those old film canisters done need to go to waste, with a little work you can turn them into tiny portable flashlights.
Need to send someone some RAW photographs but hate the fact that they weigh tens of megabytes each? You can actually resize the files to smaller sizes quite easily in Lightroom, making sending small copies back and forth a snap.
I’ve seen lots of used film canisters repurposed as dangling bag accessories for sale in trendy parts of Hong Kong. The idea is to drill or burn a small hole in the top of the plastic spool and fit a keychain to that. I figured it would be a lot more useful to use the can to give a return contact address in case the bag is lost and found. What better way could there be than to use film?
Earlier today, we showed you some of the impressive work the Photoshoppers of Reddit's r/ColorizedHistory community have been putting together. In case you read that post and though "I'd like to try that!" the short tutorial above by 19-year-old r/ColorizedHistory contributor Mads Madsen is a great place to start.
One of our popular posts back in 2011 was a quick video tutorial on how you can use Mod Podge to transfer photographs onto blocks of wood (we also shared a text-based tutorial earlier this year).
Ever since Google released the Photosphere feature for their Nexus devices, I have been obsessed with making tiny planets. The photosphere feature enables you to take 360 degree photos, essentially creating a "room" of photos. You also have the ability to turn your panorama into a "tiny planet". Android does all the work for you, and while you may get some errors with the stitched image, they usually turn out pretty great.
