In this tutorial I’d like to demonstrate that you don’t need expensive studio flashes to create a complex scene with subtle lighting. I haven’t yet seen anyone else do this quite the same way and there doesn’t seem to be a name for it, so I named the process “zone lighting”, a form of exposure blending by dividing the scene in different zones. But let’s start with a little bit of background about the project and its concept.
We were introduced to the “Ghetto-Flo” lights after reading the excellent blog of New York-based photographer Brad Trent. He had mounted 4 standard workshop fluorescent light fixtures into light-stand mountable strip lights. “Ghetto-Flo” because they're similar in use to the much more expensive Kino-Flo lights, though there are advantages to the later (variable power and output).
In my experience there seems to be a common misconception that shooting production photography and behind the scenes videos/documentaries are an easy task. While it's true that these sometimes don't require the normal spit and polish, photographers are used to, especially in terms of video work, I can assure you they're no walk in the park.
I have been shooting a lot of film lately and enjoy it tremendously, so I thought I'd share some of the experiences I've had in the last year or so, mainly so you can learn from the mistakes I made, avoid them and then make your own.
Are you the type of person who enjoys using things built using your own two hands? 20-year-old Croatian tinkerer CroBuilder is like that too. He recently spent 10 hours in his workshop building a camera tripod from scratch.
Earlier this year I tried Polaroid emulsion lifts for the first time. An emulsion lift (or emulsion transfer) is when the emulsion layer is removed from a sheet of instant film and then transferred to a different surface.
Film photography is similar in many ways to digital photography, and most of your standard digital photography techniques apply to film too. You just have to understand the peculiarities of film and its limitations and you’re good to go.
Finding a website using your photographs without your authorization can be a distressing situation. Luckily, the Digital Millennium Copyright Act (DMCA) of 1998 helps to protect individuals who have had their intellectual properties stolen on the web. This article is a guide to detecting and enforcing copyright by filing DMCA takedown notices with hosting providers that harbor copyright infringement.
It seems the perfect storm of affordable cameras, constant updates in technology, and adventurous artists has hit us and brought with it a large wave of time lapses. I'm not sure when time lapses really became as popular as they are right now but they show no sign of slowing down anytime soon.
In case you don't know it, cameras and lenses are prime theft targets. You may never think it's going to happen to you, but almost every day I hear from someone who is missing thousands of dollars worth of gear with no hope of getting it back.
Want to make some business cards for your photography business that stand out from among traditional cards? Try making some in the style of 35mm film slides. Last week we shared photographer Lars Swanson's beautiful slide cards, and this week we have a step-by-step look at how you can make something similar.
The know-how to properly shoot day-to-night or night-to-day when you're capturing a time-lapse can add a special something to your final product, but the task may seem daunting at first. That's why photographer Preston Kanak has put together this comprehensive and easy-to-follow tutorial that discusses three approaches to shooting the perfect day-to-night time-lapse.
There are two types of clipping you probably try to avoid introducing into your images during post-production: luminosity clipping (when the brightest areas of an image become white, or when the darkest areas become black), and channel clipping (when the data within an individual channel becomes compromised). Both forms – unless you've made a deliberate decision to clip your data – are something to avoid.
Tutorials are available for photographers of all levels, but many of the tutorials you'll find online have to do with grasping a basic technique or tackling an intermediate lighting scenario. The above tutorial falls much closer to the pro level.
Phoenix-based photographer Dan Tabár sometimes shoots on sound stages, sets, and quiet studios -- locations where a loud camera would either cause problems or cause angry glares and murderous thoughts. Needing a way to surpress the shutter sound of his Nikon D800 -- he says the "quiet mode is a joke" -- Tabár decided to create his own DIY sound blimp.
For a while now, Canon has offered online resources to available teach those who may be unfamiliar with, well, taking photos. In what could be called a welcome addition to already-available resources, the company has launched what they call 'Canon EOS 101: Photography and Videography Basics'.
Firefly photographs are commonly shot using long exposures from a tripod. The proper exposure depends on the ratio of the fireflies' luminosity to that of the background. That ratio is constant if we assume (as is usually the case) that the background lighting doesn't change much over the course of a session. We usually would like a rather long exposure because we want to see lots of fireflies in the final image.
If you've never attempted to photograph the night sky, be it a constellation or a planet, the idea may seem daunting. You may think that you need a specific type of camera or that you need to invest in a high-quality telescope.
Given the recent leaps Magic Lantern has been making regarding mind-blowing RAW video capabilities for both old and new Canon cameras, there are probably a lot of Canon owners out there who are thinking of giving the custom firmware a try for the first time.
Photographer Glyn Dewis shared this cool little technique that lets you work with a black background even if you don't have an actual backdrop with you. It's a fairly common trick that he refers to as "the invisible black background," and it's a nifty little tip that many photographers may want to keep up their sleeve.
Between a recent post here on PetaPixel about the Beauty of Space Photography, and my own experiments on blending series of images using averaging techniques, I noticed some rather interesting alignments in technique.
With the availability of a whopping 1TB of storage space now available to users on Flickr, it wasn't long before someone out there found other ways to put 1TB of storage space to good use. That is to say, the uploading of files other than images.
If you’ve ever harbored interest in trying light painting, there’s no better time than now. Summer is here and the weather is perfect for you start messing around with lights in the late evening, but where do you get started? Luckily I’m here to help!
This guide is what I do during wedding days, and I typically photograph the cake right when I enter the reception location. Overall, I take 4 shots of the cake: 1 vertical, 1 horizontal, 1 detail of topper, and 1 detail of the base or whatever is the most interesting on the cake.
I am a former kid. I have lived through the trauma of bad photos taken of me by my father. I was not photogenic, and admittedly he had a cheap camera. He had a knack for catching the incredibly awkward moments of childhood in a way that now makes me cringe. If I could go back in time and give my 1970′s dad a few tips on how to take better pictures of me I would.
It goes without saying; a time-lapse can be difficult to shoot. A transitional time-lapse from day to night can be even more of a challenge and hassle. That is, unless you're prepared with the right tools for the job.
Check out the picture above. Pretty cool, huh? Well, to make photos like this you can use a special technique. It wasn’t invented by me, but by a Bay Area photographer named Scott Jarvie. It's a pretty eye catching way to take portrait photos, and here's an introduction to how it's done.
I had a hard drive fail on me once. It was a total nightmare. I lost two years of digital photos and all of my music that i’d digitized. Never again.
Coffee is a wonderful thing. Early in the morning, there are few things that can put you at ease like a steaming cup of hot coffee warming your hands and firing up your brain. But have you ever wondered how those coffee advertisements manage to get the perfect shot of a coffee cup, steam and all? …
I know there are a few guides out there for home processing, some of which were instrumental in helping me get over my fears. All of these other guides seemed to be a little incomplete and that lack of detail made me wait longer than I should have before taking the plunge. In reality, it’s easy to do your film at home. Let me show you!
Want to shoot insanely cool Matrix-style "bullet time" footage at home? You can do so with a single rig built out of relatively cheap components.
Dublin, Ireland-based photographer Maciej Pietuszynski was doing a bit of spring cleaning recently when he decided to upgrade a plastic box he has been using to carry his camera and flash unit. His idea was to give the box an extra job as a makeshift softbox in addition to its storage/transportation/protection duties.
Wireless connectivity is one of the hot features in the camera world these days, and many (if not most) new cameras either have built-in wireless connectivity or an optional wireless adapter that provides the feature. Unfortunately, the wireless adapters are often quite pricey, especially for higher-end cameras.
A high-quality time-lapse is a beautiful thing. From the aurora borealis over Norway to the thriving metropolis that is San Diego, we've featured many a gorgeous photographic fast-forward through time, each of them put together by photographers that knew how to pull the most out of the time-lapse medium.
Freelensing is a relatively inexpensive way of getting the similarly unique effect of an expensive tilt-shift lens, where the focus plane is thrown out of whack with the added bonus of natural light leaks. No, this isnt anything new, and the look that an expensive tilt-shift lens gives has been around for a while, but I wanted to share with you my experience with it and how I did it.
Mark Vargo is a big time cinematographer who has worked on too many well-known movies to list. He's credited as a second unit director of photography on everything from Deep Impact and The Green Mile to Rise of the Planet of the Apes and Ted. In other words, knows what he's doing, and now he's chosen to share some of that knowledge with his fellow photographers and videographers.
In addition to taking beautiful fashion photos, Serbian born photographer Elena Jasic also occasionally uploads a tutorial or two to her YouTube channel. One that has gotten some attention lately is this simple video that offers one way to dodge and burn non-destructively in Photoshop.
Ever see those pictures where the stars streak across the sky in a big arc? Or maybe the whole sky looked like it was spinning? What you saw was star trails. The streaks were light left behind on the sensor or film from the star as it traveled across the sky in front of an open camera shutter. In fact, what are being recorded are stationary stars and the rotation of the earth as it spins past them. For me, the images seem to have a certain magic or mystery about them.
Older Sigma lenses that were designed for Canon EOS film cameras often don't work correctly when mounted onto a new EOS digital SLR, even though the newer bodies still use Canon's EF mount. If you're an owner of such a lens, you might have heard that you can send it in to Sigma's service center for them to rechip it in order to make it compatible again.
More and more photographers are attempting to build their own DIY lightboxes these days as they look for ways to easily digitize their film at home using a digital camera. However, a common problem that plagues these lightboxes is vignetting -- lighting is uneven and shadows form gradients near the edges of the surface.
Here's a step-by-step tutorial on how you can make a pretty nice flash diffuser for your macro setup for just a little time and a little money.
Canadian astronaut Chris Hadfield has been serving as one of the International Space Station's resident photographers. Every day he posts beautiful photographs showing what our planet looks like from orbit to his Twitter account, @cmdr_hadfield.
After posting a before-and-after of a concert photo she had taken and edited in Lightroom, photographer Kohl Murdock received several requests to post a tutorial on how exactly she edited it.
Over the course of your comings and goings on the internet, you've probably spotted at least a few of those mind-bending GIFs that loop perspectives rather than a snippet of time.
Typical photography exists around the visible spectrum (think of the rainbow), but cameras are also able to pick up other wavelengths of radiation. Ultraviolet radiation, as the name suggests, comes after the violet section of the visible spectrum so is not visible to our eyes. However, some animals (birds, for example) are able to see UV.
Cameras today have many extra functions that are often buried in menus and forgotten. Last year, I bought the Canon 5D Mark III and, after a few months, realized that there were some interesting features I had never played with. After figuring out that there was a way to do in-camera double exposures, I immediately started experimenting. At first it was very hit and miss. (I still hadn’t read the manual.)
There are many niches in photography, but one we don't talk about often is taking product photos. Even though these types of shots don't fall under the professional umbrella -- we're not talking professional product photography, just product shots for an online store -- almost everyone at one time or another has had to sell something on eBay or (not for the faint of heart) Craigslist.
The Nikon Coolscan 9000ED scanner is an excellent scanner. The included holders are of a very good standard and many extremely useful and high quality optional holders are available. None of them, however, are cheap.
Here's something you might want to read and bookmark for future reference. Photographer Robert Thomas has written up an in-depth article explaining what the different Photoshop blending modes are and how they actually work: …
Ultraviolet fluorescence is a mechanism in which UV radiation excites chemicals in an object and causes them to release visible light. There are many household objects which fluoresce, such as some washing detergents (anything that ‘makes your whites whiter), soda water (it contains a chemical called quinine which makes it taste bitter, and also causes the fluorescence), the dyes found in highlighters, the bacteria found on the face (which cause spots and acne), bodily fluids (including …
