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Two Canon mirrorless camera bodies are displayed side by side against a black background with red splatter. The cameras are shown without lenses, revealing their sensors.

Is the Canon C50 the R5 C Successor People Have Been Waiting For?

Canon unveiled the EOS C50 this morning and the new RF mount-equipped full-frame cinema camera, Canon's smallest and lightest Cinema EOS series camera to date, seems like it could be the awaited successor to the Canon EOS R5 C hybrid camera. But is it? Let's see how the two cameras face off.

Front view of a Canon EOS cinema camera body without a lens, displaying the sensor and mount, against a dynamic red and black abstract background.

Canon C400 Will Get Open Gate Recording Via Firmware Update

Canon is adding multiple new features to the R5 C, C400, C80, and C70 to bring those cameras more in line with the capabilities of the newly-announced C50. The most notable is open gate recording coming to the C400, but the updates also brings several other features to the four cameras including expanded view options, support fro CineServo lenses, better focus peaking, and more.

A Canon RF 85mm F1.4 L lens in black, standing vertically against a plain white background. The lens features a red ring near the top and clearly marked focus and aperture settings.

Canon Adds the 85mm f/1.4L VCM to Its Hybrid Lens Series

Canon has announced the 85mm f/1.4L VCM lens, which is the fifth in its hybrid prime lens series. It joins the 20mm f/1.4L, the 24mm f/1.4L, 35mm f/1.4L, and 50mm f/1.4L, all of which share the same physical dimensions to make using them on rigs for video simpler.

A boat with lights reflecting on calm blue water is anchored near a forested shoreline at dusk, with mountains visible in the distance under a cloudy sky.

Film Photography in 2025 Is Bluer and Less Saturated

As film popularity has surged in recent years, ushering in a renaissance of sorts for the medium that was nearly killed by digital photography in the early 21st century, modern analog photographers have been increasingly flocking toward black-and-white film.

How Lomography Brings 19th-Century Optics to Photographers in 2025

A young woman with vibrant purple hair, wearing a blue patterned dress, poses with her hands near her head on a bustling, colorful city street with blurred people and lights in the background.

Lomography announced a new line of Petzval lenses in July. The five prime lenses range from 27mm to 135mm and, in some cases, deliver all-new lenses built by recalculating Joseph Petzval's original designs for his iconic 19th-century portrait lenses. Here's how Lomography's engineers brought a nearly 200-year-old optical design back to life in 2025.

A woman with long dark hair wearing a white blouse smiles brightly in soft, golden sunlight, with an out-of-focus natural background.

Stop Making Digital Look Like Film

I shoot digital. I don’t do film, and I have never touched a film camera. I have never spent hours in a darkroom waiting for a print to appear under red light. My photography career began entirely digital, and I have grown to appreciate the possibilities it offers. Every modern camera provides clarity, precision, and control that film could never fully deliver. Every detail, every color, every expression is there, ready to tell the story as it happened.

Nick Ut Speaks Out After Netflix Buys Doc Challenging ‘Napalm Girl’ Photo Credit

Children run down a road, appearing distressed, with soldiers walking behind them. A central child, without clothing, is crying. The background is a dark smoke-filled sky, conveying a sense of urgency and fear.

Photographer Nick Ut was honored last night at Visa pour l'Image, the International Festival of Photojournalism, in France. The honor came just days after the news broke that Netflix acquired The Stringer, the explosive documentary that alleges Ut did not capture "The Terror of War," one of the most famous photos in history. Ut received a lengthy ovation and further defended himself against the documentary's allegations.