Equipment

Photographers use all kinds of equipment to craft their art, from cameras and lenses to lights and accessories. We cover the latest news and information on the tools of the trade in the photography industry.
A person wearing a light pink outfit stands on a dark, sandy beach with patches of tall grass. In the background, there are dramatic, rugged mountains and a cloudy sky. The person looks to the side, with the landscape stretching out behind them.

Megapixels Aren’t All Equal But the iPhone’s Camera is Still Impressive

In a recent video about the iPhone 16 Pro, specifically its camera specifications and features, photography Tony Northrup of the popular YouTube channel Tony & Chelsea Northrup called the iPhone 16 Pro camera "disappointing and misleading," opening a complex can of worms concerning megapixels, resolution, image sensor designs, and image quality at large.

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Kodak Super 8 Camera Review: Does This Make Any Sense?

If I told you that Kodak just released a new camera that shoots Super 8 film but has a digital LCD, an SD card slot, and it costs $5,500, you’d probably be as confused as I was. But the Kodak Super 8 Camera has arrived and I’m going to try and make sense of it.

A woman with wavy blonde hair, wearing layered gold necklaces and matching earrings, is on the left side. On the right side, there is a black Olympus OM-D E-M10 Mark IV camera. The background features vibrant, colorful decorations.

Taylor Swift is a Micro Four Nerd

Billionaire Taylor Swift has overcome an affliction all too common for photographers: gear acquisition syndrome, or GAS. The pop superstar has been spotted out and about with boyfriend Travis Kelce, Super Bowl-winning tight end for the NFL's Kansas City Chiefs, with an Olympus E-M10 IV camera in hand.

A professional camera is mounted on a stabilizing gimbal, which is placed on a wooden surface. In the background is a wooden console with a television. The photo has overlapping text that reads "PetaPixel Reviews" in the lower right corner.

Zhiyun Weebill 3E Cinepeer Gimbal Review: A Great Starting Point for Content Creators

Gimbals have become an essential tool for filmmakers and content creators who demand smooth, professional-quality footage while on the move. With the Weebill 3E Cinepeer, Zhiyun continues its legacy of affordable, compact, and surprisingly useful stabilizers that offer high-end performance at a mid-range price. But how does it hold up in real-world scenarios?

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Hasselblad XCD 20-35mm f/3.2-4.5 Review: It’s Good and It Better Be

Most photographers probably don't think Hasselblad makes zoom lenses. In a sea of primes, the company makes the general-purpose 35-75mm lens and even the older H-mount system only has a couple. But Hasselblad has finally branched out into the wide-angle realm with a new 20-35mm f/3.2-4.5 zoom lens. It is very good -- and it better be with this asking price.

A person with a beard, wearing a red and black checkered shirt, leans over a wall and points to a Nikon camera placed on it. The text "PetaPixel Hands-On" is visible in the top left corner of the image.

Nikon 50mm f/1.4 Hands-On: Filling a Much-Needed Gap

Nikon makes some incredible prime lenses, from the illustrious 58mm f/.95 Noct to the 50mm f/1.2 S -- the latter of which is the more practical, yet is very expensive even though it is very good. Nikon also makes a full spread of f/1.8 and f/2 prime lenses across a wide range of focal lengths. What Nikon have curiously ignored are any f/1.4 primes, at least until recently.

A group of four camera lenses by Sirui are displayed against a dark background. The lenses are labeled with various specifications: 15mm, 35mm, 50mm, and 100mm. They feature a sleek black design with blue accents and white, orange text detailing their specs.

Venus Optics Unveils Slew of New Laowa Cinema Lenses

Although the IBC Expo 2024 is still more than a week away, Venus Optics has shared new details on various Laowa lenses, including an Ultima 12-120mm T4 8K S35 Broadcast Zoom lens, the Nanomorph LF 1.5x Anamorphic Series, Sword Macro lenses for full-frame cinema cameras, and the Nanomorph 60mm Macro 1.5x Anamorphic for Super35.