Elinchrom has partnered up with Light & Motion to announce the new Elinchrom ELM8: a battery-powered continuous LED light for photo and video shooters that they're calling "the most versatile continuous LED light on the market."
LEE filters has released a useful accessory for landscape photographers who want more versatility out of their filter system. The new LEE100 Tandem Adapter lets you stack two LEE100 filter holders on top of each other and rotate them independently, so you can really dial in your exposure in-camera.
When Iranian photographer Alireza Rostami's first computer from 20 years ago died, he decided to give it new life and a new purpose by turning it into a camera.
Andrew of husband and wife photography team Denae and Andrew recently partnered up with KEH to test out 10 of the best-selling vintage 50mm lenses on the used market. From old Nikon and Canon glass, to Minolta, Pentax and even a Contax lens, all of these can be had for under $100, and Andrew wanted to find out which of the 10 performed best.
Over the past several months, there have been some rumblings in the rumor mill that Nikon is planning to release an APS-C Z-Mount camera dubbed the Z3 by rumor sites. Now, a new design patent filed in Japan seems to show exactly that: an APS-C Z-Mount camera with no built-in EVF.
Back in the Sony SLT days, the company included an incredibly useful feature into the a99 Mark II called the Custom Focus Limiter. It allowed you to limit your autofocus to any distance range you wanted, and by golly, we wish it were still a thing.
With the release of the 61MP a7R IV, Sony officially raised the resolution bar, eclipsing Canon's 50MP 5DS and 5DS R DSLRs. But according to a new report, Canon may soon reclaim that crown and re-enter the "spec wars" in a big way.
After teasing releasing teasers for the YN200 pocket flash and YN560-TX radio transmitter last month, Yongnuo officially revealed the Godox AD200 clone and the TTL and HSS compatible transmitter this week, hoping to reclaim a bit of the budget gear market that Godox has all but taken over.
The quality of a camera's shutter sound probably isn't high on the list of what any photographer considers when looking to buy a new body, but Lensrentals has just published a tongue-in-cheek review/comparison of shutter sounds anyway.
Lensbaby has launched new Canon RF and Nikon Z mount versions of a number of its popular creative effect lenses.
Nikon has announced the new NIKKOR Z 85mm f/1.8 S, a fast prime portrait lens for its full-frame Z Series mirrorless cameras.
RED CEO Jarred Land took to the reduser.net forum this past weekend to drop a major teaser about the company's next cinema camera—a small form-factor camera called the Komodo that is "not larger than 4 inches in any dimension" and may feature Canon's RF mount.
Fujifilm has published a "notice" (read: service advisory) informing users of its new 100MP mirrorless medium format GFX 100 that they may have a faulty shutter button. Fortunately, Fuji claims only "a very small percentage" of cameras are affected, and they'll fix those cameras for free.
Sony has just unveiled the RX100 Mark VII, and the latest iteration of their popular, powerful point-and-shoot camera is a veritable speed demon. Thanks to a new sensor, the RX100 VII can shoot at 20fps with no blackout and full AF/AE, can perform 90fps bursts with AF/AE locked, and promises Sony a9 level autofocus performance.
If you own the $5,000 Leica Q2 full-frame compact camera, you may want to be careful when shooting in the Continuous Super Speed drive mode. There's a bug that's leaving photographers with unreadable files.
Twenty years. They have gone by fast. I can remember the first time I saw a camera with a screen on the back of it at a sporting venue, and now a camera without one is considered vintage. However, the look of modern cameras is only the tip of the iceberg when it comes to changes.
When it was first announced, the RED Hydrogen One smartphone promised to be a game changer for photo and video pros; when it arrived, it fell far short of that mark. Now, RED's founder is speaking out about what happened with the Hydrogen One, and sharing what's next for the Hydrogen product line.
If you’re wondering why someone who loves Sigma cameras and gets called the ‘Foveon Wizard’ by his peers is writing about the Panasonic Lumix S1R, I need to take you back to 2007.
A lot has been said about the quality of the images coming out of the 61MP Sony a7R IV, but most of the first impressions we've seen are based on JPEGs. Now, thanks to Jared Polin of Fro Knows Photo, you can get take a close look at full-res RAW files captured with Sony's new camera and see how they hold up.
The folks over at popular tech channel Linus Tech Tips recently did something fun. They combined your standard Amateur vs Pro photography challenge with the Pro Gear vs Smartphone trope to answer a different kind of question: Can a rote amateur with an expensive camera beat a professional who's using only a smartphone?
I've been involved with The Wild West Days in Viroqua, Wisconsin since 2008. I've been doing photography for most of that time as well, but as-of 2017, officially as Hickok Country Photography.
Yesterday, pen tablet maker Wacom revealed the Cintiq 22: a large new addition to the brand's more affordable non-Pro Cintiq lineup that might just put a 22-inch pen display in reach of budding and budget-conscious photographers.
If you live in the United States, you may be surprised to hear that you'll pay a premium to buy the latest Sony FE mount lens. As pointed out in a recent report by Sony Alpha Rumors, the new Sony FE 35mm f/1.8 lens is selling for about 19% less in Canada than it is in the US, which has the photo community wondering if the latest round of Trump tariffs are to blame.
The $10,000 Fujifilm GFX 100 102-megapixel medium format camera hit store shelves recently after its unveiling back in May 2019. If you're curious about what shooting with 102 megapixels is like, Louis Ferreira of Fuji Addict has an eye-opening crop for you.
If you’re going to get serious about shooting all the time, the best camera you can buy yourself is a quality compact. High-end DSLRs and interchangeable lens mirrorless cameras can be intimidating to shoot with for the everyday photos, not to mention an unnecessarily heavy load to carry. A compact is a camera you can take everywhere that will distinguish you from other "phonetographers" in both improved control and image quality.
When Sony announced the 61MP a7R IV this week, both presenters were quick to say that the camera's full-frame sensor "rivaled medium format" thanks to its combination of resolution and dynamic range. But was that engineering truth, or marketing speak? Photographer Matt Granger decided to find out.
We've known for several months now that Canon was working on IBIS for its full-frame mirrorless EOS-R system, but a recent patent and a new rumor indicates that this tech might make its way into Canon's DSLRs as well... and soon.
In honor of the 50th anniversary of the moon landing—which took place on July 20th, 1969—Hasselblad has announced that it will make a Special Edition matte black version of its 907x camera body and CFV II 50c digital back with a commemorative “On the Moon Since 1969” plate on the side.
In addition to a new, lightweight 50mm lens for its medium format cameras, Fujifilm also announced a versatile new zoom lens for its X-Series mirrorless cameras. The new XF 16-80mm f/4 R OIS WR is a stabilized zoom lens that is well suited for a wide range of styles and genres.
Earlier today, Fujifilm unveiled its lightest, smallest medium format lens yet. The GF 50mm f/3.5 R LM WR expands the lineup of lenses available for the GFX series mirrorless medium format cameras, adding an incredibly portable, almost pancake-style 50mm that weighs only 335g (11.8 oz.).
Amazon discounted a wide range of camera gear for Prime Day this week, but some photographers scored what may be the best deals of their lives. Thanks to a pricing error, many people were able to purchase high-end camera gear, some items worth as much as $13,000, for just around $100.
How much of a difference can an extra 19MP and a newly-designed really make? Apparently, quite a bit, as you can see in this quick side-by-side comparison of JPEGs shot on the 42MP Sony a7R III and the newly released 61MP Sony a7R IV.
As expected based on the teaser from earlier this week, DJI has officially announced a new, lighter-weight version of its 3-axis Ronin-S gimbal. The new model is called the Ronin-SC (the C stands for "compact"), and it's being hailed as a "single-handed stabilizer for mirrorless cameras."
A few weeks ago, Sony asked me if I wanted to do a quick test run with the (at that time) unannounced Sony a7R IV. I was pleasantly surprised as I (and I am sure many others) expected the a7S III to come out first. I agreed and was excited to be one of the first in the world to test the new camera.
I recently arrived at what I think is a worthwhile insight into the lenses I use. The material that follows should become instantly obvious once read, but the several photographers I discussed this with all commented that they had never thought of the matter that way and that it was worth some thought. Those comments inspired me to share my viewpoint here.
During a live presentation in New York City this morning, Sony revealed its latest full-frame mirrorless camera, breaking new ground in this ever-more crowded market with the Sony a7R IV: the world's first 61MP full-frame camera, with a burst speed of up to 10fps, and a reported 15 stops of dynamic range.
I had everything I could ever need, all the dream gear. Broncolor lighting, the latest professional Canon cameras and all the faster canon lenses. I had the latest Apple laptop, tethering equipment, software, c-stands, tripods, light modifiers, Polaroid cameras, all the gear I could have ever dreamed of.
Lomography is making some major waves in the photo world today by unveiling the first brand new color negative emulsion to be released in half a decade. They're calling it LomoChrome Metropolis, and ironically enough, the "color" it emphasizes the most is... black.
I'm Back, the company behind the popular Digital Back for old 35mm SLRs, is... well... back. And this time they're funding an affordable digital back that seeks to breathe new life into old medium format cameras from Hasselblad, Bronica, Pentax, Mamiya and more.
Tired of buying a new set of filters or working with step-up/step-down rings for each lens with a different filter diameter? Aurora Aperture unveiled a groundbreaking new filter system today called the Aperture Adapter Mount Format (AMF) that fixes that hassle for mirrorless camera shooters.
Roger Cicala at LensRentals is on a quest. A quest to MTF everything that moves... or in this case zooms. After putting off zoom lens comparisons as long as possible, Roger finally bit the bullet and published his 70-200mm f/2.8 MTF chart comparison.
It seems the folks at DJI are preparing to release a new, even lighter weight Ronin gimbal for mirrorless cameras. Shown off on a new teaser page, as well as a blueprint video posted to the brand's Twitter, the new gimbal looks to be a lighter, more compact version of the current Ronin-S.
Given how much more it costs to buy an f/1.4 prime compared to an f/1.8, beginners in particular often ask if the upgrade is worth it. Build quality and optical quality being equal, is the difference in light gathering capability and depth of field noticeable? Can you really tell?
After sharing a brief preview of their newest 27-inch, 2560 x 1440 resolution PhotoVue SW270C monitor at NAB 2019 earlier this year, BenQ has finally released the affordable photo editing monitor to the world.
Much has been made of the tiny new Sigma fp, officially the world's smallest full-frame mirrorless camera as of this writing. But just how small is this thing compared to the competition from Sony, Nikon, Canon and fellow L-Mount Alliance member Panasonic?
Chris Niccolls and Jordan Drake of DPReviewTV recently took the new Nikon Eye Autofocus firmware for a spin to see how it performs in the real world. But rather than comparing it directly to Sony and Canon, they wanted to put the firmware through its paces all on its own using both the more affordable Nikon Z6 and the high-res Nikon Z7.
Chinese lens maker Venus Optics is bringing two of its ultra-wide angle lenses to Canon and Nikon's full-frame mirrorless systems. The Laowa 15mm f/2 Zero-D, which is now available for both the Canon RF and Nikon Z mounts, and the Laowa 10-18mm f/4.5-5.6 Zoom, which will only be released for the Nikon Z system.
Peak Design's new game-changing Travel Tripod has been a smash hit on Kickstarter. Since being announced on May 21st, it has already raised over $8.4 million from over 19,000 backers, and there's still 7 days to go.
We'll start with the conclusion. DxOMark has dubbed Nikon's NIKKOR Z 24-70mm f/2.8 S lens "the new benchmark for 24-70mm lenses." The lens' overall score of 36 makes it the best 24-70mm f/2.8 lens DxOMark has ever tested, and the 5th best zoom lens overall. Not too shabby.
Overshadowed slightly by the release of the pocket-sized Sigma fp full-frame mirrorless camera, last night, Sigma also announced three lenses we knew were coming. The full-frame Sigma 14-24mm f/2.8, 35mm f/1.2, and 45mm f/2.8 DG DN lenses designed for the L-mount and Sony E-mount.