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A close-up shot of the DJI Mini 3 Pro drone in flight, showing its front-facing camera, gimbal, and propellers. The background is a blurred, light brown landscape, highlighting the drone's details. The model name "MINI 3 PRO" is visible on one of its arms.

DJI Drone Ban Bill Passes House and Is Headed to the Senate

Although much of the political news this week has been on the much-anticipated Presidential Debate, which finally took place last night, there have been other happenings, including movement on the Countering CCP Drones Act, which would move to ban DJI drones in the United States.

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Zhiyun Weebill 3E Cinepeer Gimbal Review: A Great Starting Point for Content Creators

Gimbals have become an essential tool for filmmakers and content creators who demand smooth, professional-quality footage while on the move. With the Weebill 3E Cinepeer, Zhiyun continues its legacy of affordable, compact, and surprisingly useful stabilizers that offer high-end performance at a mid-range price. But how does it hold up in real-world scenarios?

Hasselblad XCD 20-35mm f/3.2-4.5 Review: It’s Good and It Better Be

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Most photographers probably don't think Hasselblad makes zoom lenses. In a sea of primes, the company makes the general-purpose 35-75mm lens and even the older H-mount system only has a couple. But Hasselblad has finally branched out into the wide-angle realm with a new 20-35mm f/3.2-4.5 zoom lens. It is very good -- and it better be with this asking price.

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Adobe Premiere Pro Gets Serious About Color Management and Editing

Timeline-based non-linear video editor Adobe Premiere Pro's lineage goes back to the original Premiere editor launched in 1991. Over that time, a lot has changed, not only about video capture and editing but also about what a "video editor" does. Premiere Pro is changing with the times in some significant ways.

Nikon 50mm f/1.4 Hands-On: Filling a Much-Needed Gap

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Nikon makes some incredible prime lenses, from the illustrious 58mm f/.95 Noct to the 50mm f/1.2 S -- the latter of which is the more practical, yet is very expensive even though it is very good. Nikon also makes a full spread of f/1.8 and f/2 prime lenses across a wide range of focal lengths. What Nikon have curiously ignored are any f/1.4 primes, at least until recently.