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A woman stands on a rocky cliff edge, holding a camera to her face to photograph the river valley below.

Upgrade or Start Fresh With These Camera Kit Picks for Every Type of Photographer

Whether you're just starting out and building the kit for the photographer you want to become or upgrading your current setup to take your photography to the next level, buying used can help you save on the gear you need while giving you more flexibility in building your system. From wildlife and travel to portraits, sports, and fine art, here are some of the best camera and lens combinations to consider when building your next kit.

A close-up view of a medium format camera body with a lens cap labeled "X SYSTEM" and a wooden handgrip attached to the side.

8 Ways Hasselblad Can Make the 907x CFV 100C Way Better

Hasselblad cameras' excellence comes from decades of engineering, and that results in a polished product built with the best of the best in mind. Everything is good: the grip and body are built to last, the optical quality is better than Leica.

A triptych showing a yellow leaf on water, an orange WANDRD bag on a rock, and a waterfall surrounded by autumn foliage.

What’s in My Camera Bag for Photographing Fall Color

What's in my camera bag for fall color? Here's the gear I use for autumn landscapes, wildlife, macro photography, and video. Hopefully, seeing what I bring along will inspire you to add something useful to your own kit or approach your fall color photography a little differently this autumn.

Three circular camera lens filters in orange, red, and blue are arranged in a row against a plain white background, with the text "EMANATE," "EMBER," and "EVOKE" printed on their respective frames.

PolarPro’s Latest Lens Filters Color Way Outside the Lines

PolarPro is nothing if not insistent that capturing a look in-camera is better than using digital filters and editing to achieve the desired results. This means the company sometimes launches filters that seem more puzzling than practical. The latest filters to fit that mold are the colorful Radial Gradient Filters.

Never-Before-Seen Cellphone Footage Shows the Terror Underground During the Chilean Mining Disaster

A split-screen view shows a hand holding an Azumi T101 mobile phone on the left and a dark, blurry night sky with several glowing lights on the right.

In 2010, the world watched as 33 miners were trapped half a mile beneath the surface of the Earth in Chile's Atacama Desert for 69 days. These miners faced complete darkness, immense stress, and a never-ending expectation of death. Their experiences and how the rest of the world experienced the event are on full display in a new three-part National Geographic series, Chilean Mine Rescue: Race Against Time.

A triptych showing a tennis player from above, two grizzly bears splashing in water, and a portrait of a young boy.

15 Photos to Inspire You to Enter the Sony World Photography Awards 2027

The Sony World Photography Awards 2027 remain open for entry, and the World Photography Organization today announced the judges for this year's competition, the 20th edition of the Sony World Photography Awards. As part of the announcement, the Sony World Photography Awards shared 15 photos already entered into this year's competition, and they are fantastic.

Nikon Z5 IIC Review: Smaller, Prettier, and Mostly Capable

A silver and black Nikon Z mirrorless camera body sits on a weathered wooden stump, with a PetaPixel Reviews logo in the corner.

Upon its release in 2025, the Nikon Z5 II ($1,849) immediately became one of PetaPixel’s go-to recommendations for an entry-level full-frame camera. It is surprisingly full-featured and capable, which led to a price increase over the original Z5. Now we have the Z5 IIC ($1,399), a more affordable, smaller version of the Z5 II with nice looks but a glaring omission: no electronic viewfinder.

Photographing Tigers: Portraits of Big Cats Unlike Any Before

A split-screen image showing a white tiger yawning on the left and a close-up portrait of an orange tiger on the right.

By some strange turn of fate, I found myself sitting on a camera case, face-to-face with a 500-pound tiger from less than a foot away. I could feel his breath on my skin, and more than once, that same breath fogged the front element of my lens as I photographed him.