For a new marketing campaign titled “Inspired Light,” Infiniti invited Canadian professional light painting photographer Patrick Rochon to Dubai to transform three of its cars into “moving light painting brushes.”
eBay and Craigslist are two services photographers often turn to if they’re trying to buy or sell some used camera gear. It looks like Facebook may be gunning for a piece of that pie.
The company is testing a new feature that’s allowing some users to sell goods in Facebook groups with an official new “Sell Something” feature. The new post type creates a simple for sale listing that’s reminiscent of what you might see on Craigslist.
Hello. My name’s Tom. After two years of tinkering around with DSLR photography, I believe that I may have passed an important milestone and successfully made the transition from amateur to enthusiast. I am by no means great, but I am aware of how great I’m not, which I’m told is a significant step.
Canon will be launching a new high megapixel DSLR sometime in 2015. The camera will reportedly offer a resolution of somewhere around 50 megapixels, and the body shape will not be of the EOS-1 style with a built-in vertical grip.
Here’s a term that most of you have probably experienced before, but some of you may never have heard before. It’s called “focus breathing” (or simply “breathing“), and it refers to the shift in angle of view that often occurs when you focus a lens. If you’ve ever carefully composed a shot, refocused, and then discovered that your composition changed, you’ve been a victim of focus breathing.
In the video above, photographer Matt Granger offers an explanation of the term and a demonstration of its effects using the “holy trinity” of Nikon zoom lenses. “Even the crème de la crème do have focus breathing issues,” he says.
(H/T Imaging Resource)
In 1937, the photographer Edward Weston wrote Ansel Adams a letter noting that he had recently “got a beautiful negative of a fresh corpse.” Adams wrote back expressing his enthusiasm, saying, “It was swell to hear from you—and I look forward to the picture of the corpse. My only regret is that the identity of said corpse is not our Laguna Beach colleague.” The “colleague” Adams referred to was William Mortensen, one of the most popular and otherwise respected photographers of the 1930s, whose artistic techniques and grotesque, erotic subject matter saw him banished from “official” histories of the art form. For Adams, Mortensen was enemy number one; he was known to describe him as “the anti-Christ.
Beware… some of Mortensen’s is a bit NSFW.