PetaPixel

One-Light Tutorial: How Small Adjustments to Light Position Can Drastically Affects Your Portraits

Whether it’s by necessity or personal decision, sometimes we’re left shooting an image with only a single-light setup. But just because you only have one light, that doesn’t mean you can’t toss in some variety and spice up your image appropriately.

Here to highlight that fact is photographer Joel Grimes, who created the above video to show how experimenting with just a single light can produce some impeccable results.

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Rhino’s Odd 360º Helmet Mount Lets You Capture a 2nd-Person Point of View Without the 2nd Person

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The accessories available for GoPro cameras are as diverse as the adventures people take them on. But while most at least opt for subtlety, Rhino accessories makes its presence known, both in name and aesthetics.

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Inspiration: John Cleese on How to Be Creative

Legendary writer and actor John Cleese is known more for his sense of humor than almost any other attribute. But as he demonstrates brilliantly in the above video, he also has an inspirational outlook and deep interest in the subject of creativity.

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external Why We Take Pictures —The Huffington Post

“Why do you take pictures?” It’s a loaded question that I get asked all the time and there’s definitely more than one answer. My first camera was a purple Le Clic that my parents gave me on my 12th birthday. I dangled it from my wrist like a tiny box that held all of my prized possessions and secrets. That’s what a camera was for me – a diary of sorts that captured everything from my bare feet in the grass to my sister’s favorite toy sitting on her bed to my mother’s briefcase in its usual spot in the dining room. I took pictures because I loved it and at the time it was that simple.

 
Oct 20, 2014 · ∞ Permalink · No Comments »

Moving ‘Touchable Memories’ Project Makes Photos Tangible for People Without Vision

Spanish creative agency Lola recently started a moving 3D printer project titled Touchable Memories. The goal: to let those who are blind or nearly blind ‘see’ some of their most cherished photographs once more.

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This Experimental, Single Pixel Digital Camera Takes Color Pictures

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A single pixel color digital camera sounds an awful lot like a camera that captures a single bright red, green or blue dot, but when scientist Ben Greer set out to build his own single pixel camera, that’s not what he was creating at all.

No, by moving a little autmatic arm in front of the sensor, scanning the scene multiple times, and then getting into a bit of math, he built something that can take actual pictures. Read more…

external The Story Behind Lumix LX100: Great Lens, Compact Body —Panasonic

Panasonic continues its insightful peek into the development of the anticipated Lumix LX100 with interviews from the creators. This week we hear from Hiroaki Suzuki, part of the optical team, on the LX100’s portability and uncompromising performance.

 
Oct 20, 2014 · ∞ Permalink · No Comments »

How I Got The Shot: Blood Moon at Antelope Island

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All too often, people ask me to put my camera down and join the party. I get that stink eye on many occasions when I plop myself in the corner of a campsite, drag my cooler within reaching distance, and point my camera towards the night sky. Friends wouldn’t notice at first, but then start to realize that they were missing someone around the fire ring. “Where did Nick go?” I could hear people snarkily asking, like I was off doing something more interesting than they were.

Don’t get me wrong, I love a good laugh around the fire pit but when you’re camping and the sky is screaming at you, it’s time to leave those revolving conversations and break out the camera gear. Read more…

Iconic Magnum Photographer René Burri Passed Away Today at Age 81

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The world of photography has lost an icon. Press agency Phaidon is reporting that, after a long battle with cancer, Magnum photographer René Burri passed away earlier today at the age of 81. Read more…

external Heaven’s Gain by Justin Maxon —burn.

Over the last 3 years, I’ve collected stories of families where justice was not served after the murder of a loved one. This project is a deep investigation into the emotional, physical and spiritual landscape that transpires from unresolved trauma. The photographic representation is a series of family portraits of people seeking justice, which are paired with an image from the murder scene captured around the time of day the crime was committed.

 
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