Universal Studios in Hollywood recently offered guests a photo op with a performer dressed very impressively as Megatron, one of the main baddies in Transformers. It turns out Megatron is not a fan of selfies.
Street photography is one of the most difficult forms of photography out there. Not only do you have to rapidly compose, frame, and approach strangers, but you have to do so with the risk of “injury.” They might injure you verbally (threaten to break your camera, give you a dirty look and call you a creep, or curse at you) or they might injure you physically (try to grab your camera, hit you, shove you, etc).
Here’s an interesting weekend photography project of moderate technical difficulty: the video above is a tutorial on how you can make a DIY coffee cup spy camera. The camera sees out of the cup’s base and has a shutter that’s triggered whenever you lift the cup and pretend to drink from it.
Here’s a short, inspiring video profile of Brooklyn-based street photographer Andre D. Wagner. We’re offered a glimpse into Wagner’s mind as he talks about his process for creating images, from how he approaches photographing people on sidewalks with a Leica 35mm film rangefinder to his love of making photos with his hands in his darkroom.
On his website, Wagner writes that his “love and true desire to capture his subject using traditional film is not solely based on the tangible textures and grains that’s visible in the final shot, but also the reality of shooting individuals from different backgrounds that are just as unpredictable as film can be.”
Canon shooters have a bit of 400mm excitement right now. The biggest news, of course, is the release of the 100-400mm f/4.5-5.6 IS II lens, replacing the original version that’s had a very long, successful run.
Not quite so much excitement was generated by the release of the 400mm f/4 DO IS II lens. It too replaces a long running lens, but one that has been considered more of a niche lens. (I’ll admit, though, it’s been one of my favorite niches. I used the 400mm DO a lot over the years.)
When Facebook agreed to acquire Instagram for $1 billion in cash and stock back in April 2012, the world balked at the price. Instagram was only a 17-month-old company at the time that had just launched on Android, and there was no income on the horizon.
Well, fast forward two years, and Facebook founder and CEO Mark Zuckerberg looks like a genius for making the deal: Instagram is estimated to be worth $35 billion now.
Guardian columnist Jonathan Jones is a master of sparking controversy in the world of photography. As you might remember, he’s the guy who keeps arguing that photography is not art… a year after calling it “the art of our time.”
His latest target is the above photograph showing Prince Harry shooting with a Fujifilm X100 during a trip to Lesotho in Africa. Jones argues that it’s “as arrogant as any colonial portrait.”
For many of his Instagram followers, Matt Black is a newcomer. He joined the photo-sharing app in December of 2013 to chart, through a series of gritty and deeply personal black-and-white photographs, the physical terrain of economic inequality in his native Central Valley of California, home to three of the five poorest metropolitan areas in the U.S.