TIME released this behind-the-scenes video showing a recently photo shoot of actor Benedict Cumberbatch for the cover of the magazine. Cumberbatch will appear in the upcoming film “The Imitation Game” as Alan Turing, the renowned British mathematician, codebreaker, and computer science pioneer.
Photographer Stefan Litster created this “photo adventure” video showing how he shoots portraits on the street with a Tachihara 4×5 large format camera and some Fuji instant film.
The 10 minute video is part informative, sharing tidbits about this photographic workflow, and part inspiration, showing off how simple interactions and the instant-gratification of instant film can better help you connect with your subjects and give an experience rather than just a simple image.
Photographer Chuck Baker is a self-proclaimed “camera and darkroom equipment hoarder” who can’t bear to get rid of gear even when it no longer works. Having a large number of enlargers in his collection, Baker recently decided to upcycle one of them by turning it into a working camera.
The large format camera you see about is what resulted from the project.
One of the big selling points of each new iPhone since 2007 has been improved camera quality. If new rumors are to be believed, we may not have seen the biggest quality jump yet.
The latest word on the street is that next year’s iPhone may boast “the biggest camera jump ever.”
A couple years ago, I read a story about a Washington wedding photographer that was threatened with a $300,000 lawsuit by an ex-client. The story then seemed to drop out of sight. Sometime thereafter, I decided to put on my investigative reporter mustache and do some sleuthing. Was the threat real? Did a lawsuit actually get filed? If so, what was the result?
Lately, I have been seeing lots of memes and writings for photographers that try to justify the rates we charge to potential clients who seemingly do not understand what they are paying for or what the value of our work really is… from Cost of Doing Business (CODB) calculators to detailed lists of lenses to tediously explaining how long it takes to set up a shoot and pack all the gear.
And to the layperson (or non-pro photographer) that may seem right, but I think that it misses the point totally. The point is that it is the value of the image that we are charging for. Not the amount of gear we own, and not how long it took to master an off camera flash.
Because no one, especially not your client, cares.
Photographer Lukas Funk recently sent his Fuji X100S to Fujifilm for repairs in Europe due to a minor issue. When he got the fixed camera back, the internal storage held this behind-the-scenes test photo captured by a technician.
In addition to a large number of Fuji-branded memory cards used for testing, we see a sheet of peel-off replacement faux-leather strips. Anyone know which part of the camera they’re for?
To get the perfect aerial drone shots of the Dom Tower of Utrecht, Dutch filmmakers Jelte Keur and Reinout van Schie had to wait a full 10 months for the perfect weather conditions to arrive. But once they did, the minute forty-five of footage they captured made it all worthwhile. Read more…
Perfect Timing on the Right Side of the Tracks —NYTimes | Lens
How does a photographer drawn to intimate, personal moments capture 700 miles of elevated infrastructure for cars, trucks and trains in New York City?
“I didn’t want my photographs to just be of people crossing intersections,” said Krisanne Johnson.
But there was good news for Ms. Johnson, a Brooklyn-based photographer who was awarded the 2013 Design Trust for Public Space Photo Urbanism Fellowship. She discovered that these intersections were really all about people after all. It was just a matter of arriving at the right part of the tracks at the right time.