Meike’s New 50mm f/0.95 APS-C Lens Costs Just $250
Meike is making a name for itself as the king of low-cost lenses. Its new 50mm f/0.95 lens is fast, comes in five camera mount options, and costs only $250.
Meike is making a name for itself as the king of low-cost lenses. Its new 50mm f/0.95 lens is fast, comes in five camera mount options, and costs only $250.
Meike has announced a super-affordable autofocus-equipped lens for Sony full-frame E-mount cameras: the 85mm f/1.8 STM. The company says the autofocus is fully supported by multiple Alpha cameras and even several APS-C E-mount cameras.
The Viltrox AF 13mm f/1.4 STM lens slots neatly into an existing range of Viltrox primes for APS-C cameras, a focal length that is notably absent from Fujifilm directly. The 13mm, which is equivalent to 20mm on 35mm full-frame, is fairly wide and works well for landscapes or architecture, especially for the low price of $429.
Dzofilm has announced three T2.1 Vespid Cyber cinema prime lenses that are designed to connect directly with the new DJI RS 3 Pro LiDAR autofocus system. The 35mm, 50mm, and 75mm lenses have a unique data interface function to output focusing and aperture data to the gimbal.
Venus Optics has announced the Laowa 90mm f/2.8 2x Ultra Macro APO for Canon RF, Nikon Z, Sony E, and Leica L mount full-frame cameras.
Sony has announced three new lenses that have been designed with the hybrid photographer/videographer in mind: the 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.
Fujifilm has updated its lens roadmap to include three new lenses -- a large-diameter mid-telephoto prime lens, a standard macro lens, and an ultra-wide-angle prime lens -- bringing brings the company's total count of produced and planned optics to 42.
Kipon has announced the third-generation Ibelux 40mm f/0.85 APS-C lens that it claims features a new lens coating that removes flare and purple fringing. Rated as one of the fastest lenses in the world, the 40mm f/0.85 Mark III is designed with art and portrait photographers in mind.
Tokina has announced the SZ 33mm f/1.2 lens for Fujifilm X and Sony APS-C E-mount. The manual-focus lens is designed to be affordable yet provide what the company calls "superb bokeh" to both photographers and videographers.
Panasonic has announced the large-aperture ultra-wide Lumix G Leica DG Summilux 9mm f/1.7 ASPH for Micro Four Thirds (MFT). The lens is manufactured under Leica's standards which the company says makes it suitable for both pros and high-end amateurs.
The Cosina Voigtlander APO-Lanthar 50mm f/2 Aspherical that was originally released for Sony E-Mount cameras (and later released for Leica M-mount) is being made available for Nikon Z-Mount cameras in May.
MS Optics has added the Sonnetair 50mm f/1.3 to its lens catalog and like most of its lens designs, it has an old-school 60s vibe that screams a vintage look and buttery bokeh.
Venus Optics has announced a new "red ring" version of its Laowa 15mm lens. Called the 15mm f/4.5R Zero-D Shift lens, it more than doubles the number of aperture blades of the "blue ring" version but doesn't raise the price.
Nikon has announced the Nikkor 800mm f/6.3 VR S super-telephoto lens for its Z-mount cameras. While still a hefty lens, it is 48% lighter and 16% shorter than its F-mount counterpart thanks in part to the use of a Phase Fresnel (PF) front element.
Samyang has announced the second generation 35mm f/1.4 FE autofocus lens for both full-frame and crop sensor Sony E-mount cameras. With its launch, Samyang says that the major angles of 50mm and 35mm in its f/1.4 lineup have been updated.
Sigma has announced the 20mm f/2 DG DN lens, its seventh and widest optic in the all-metal I Series of compact primes. The lens will be available for both Sony E-Mount and Leica L-Mount.
If you have been searching for an ultra-wide lens for the Pentax system recently, you likely will come across the $1,400 Pentax-D FA 21mm f/2.4 lens announced late last year. Whether or not you should buy it depends on how much you like Pentax.
Nikon has announced the 400mm f/2.8 TC VR S for full-frame mirrorless Z-mount cameras. This company describes this $14,000 lens as a high-performance super-telephoto prime that is designed to work seamlessly with the new Nikon Z9.
Nikon has announced the 28-75mm f/2.8 for full-frame Z-mount cameras, what it claims is a lightweight and versatile optic for all types of photographers. The company also announced it is developing an 800mm f/6.3 VR S super-telephoto prime lens.
Zhong Yi Optics has announced the Mitakon Speedmaster 90mm f/1.5 manual focus portrait lens for full-frame Leica M, Canon RF, Sony FE, and Nikon Z mounts.
Nikon has announced the new Nikkor Z 28mm f/2.8 lens for its Z-mount. Designed for both crop-sensor APS-C and full-frame mirrorless cameras, the lens promises to be fast as well as small and compact.
Panasonic has announced a new large-aperture wide prime lens, the Lumix S 35mm f/1.8. This is the fourth of four promised lenses in the f/1.8 fixed focal series that also features an 85mm, 50mm, and 24mm, all announced in the last year.
Photographers really love wide-angle lenses. Photographers also really love fast apertures. What happens when you combine these two together? You get the Laowa Argus 35mm f/0.95 FF.
One of my favorite ways to create more interesting photos is to get closer to the subject and fill the frame, eliminating or reducing background distractions.
Sigma has expanded its series of primes categorized under its I-series line with the 90mm f/2.8 DG DN and the 24mm f/2 DG DN lenses. Both will be available in Sony E-mount and Leica L-mount.
Panasonic has officially announced the Lumix S 24mm f/1.8 for full-frame L-mount cameras, the third of four f/1.8 prime lenses promised by the company.
Panasonic will soon release a new wide-angle fast prime lens according to a new report. If true, it would be the third in a set of four f/1.8 prime lenses the company originally revealed last fall.
Yongnuo has announced the YN 85mm f/1.8R DF DSM mirrorless lens for Canon RF mount. The company claims that while the lens boasts a small and lightweight body, it does not skimp out on quality performance.
A decade into the E-mount camera system and Sony has become well-versed at making 50mm lenses for mirrorless bodies. The company's latest effort, the 50mm f/1.2 G Master, is the most ambitious as well as the most satisfying.
Russian camera manufacturer Zenit has announced the release of four new manual full-frame prime lenses that they first revealed last year: the Zenitar 35mm f/2, 50mm f/1.5, 58mm f/1.9, and 60mm f/2.8 Macro.