Ryan Mense

Sigma's two newly introduced wide-angle lenses are going to impress a lot of people with their large apertures and reasonable prices.

Canon users don't expect an APS-C model camera to be the best that the company can offer, but the EOS R7 takes enough from its flagship cameras and offers it at a tempting price that makes it a compelling offering.

The Canon EOS R10 is tiny but mighty, sporting an advanced autofocus system, the ability to shoot 15 frames per second with its mechanical shutter, and a full-body APS-C experience.

The Nikon Z 800mm f/6.3 VR S is an anomaly: lens with this kind of focal length and aperture shouldn’t be so easy to use and inexpensive. So, what’s the catch?

Smartphone photography is taking dramatic leaps forward with every product cycle, but what often gets glossed over is the act of shooting. The ShiftCam SnapGrip is attempting to make mobile photography a richer experience.

The Ricoh WG-80 is an interesting prospect since it features a highly-durable construction that’s exceedingly waterproof and crushproof, plus it has the ability to optically zoom and shoot macro photos. On paper, there is a lot to like.

Every year, action camera companies come out with new and, often, incrementally improved models that fix a few things and keep the rest the same. Insta360’s One RS is a different kind of action camera that has swappable modules for future flexibility.

The year is 2022 and it’s apparently APS-C’s time to shine. With Canon showing off what they’ve cooked up and Fujifilm making a big announcement of their own, today Sony is bringing out three more wide-angle APS-C lens options: 10-20mm f/4 PZ, 15mm f/1.4, and 11mm f/1.8.

This Sigma 16-28mm DG DN Contemporary is the latest addition to the pile of really darn good lenses that don’t cost thousands of dollars.

APS-C cameras from other manufacturers have grown stagnant and unexciting, but the Canon EOS R7 aims to change that with more megapixels, faster continuous shooting, and better autofocus.

Canon's first APS-C mirrorless cameras are here, three and a half years after its first full-frame RF-mount option. After a brief time with what is effectively the Rebel replacement, there is a lot of camera here for $1,000 when it comes to the new Canon EOS R10.

DJI Minis used to be for those who want the best flight for the least amount of money. The DJI Mini 3 Pro is what happens when we pay a little extra.

Finally, six years after the original launched, Sony has updated its 24-70mm f/2.8 G Master lens. The original has lagged behind competitors for some time, but the long wait for a successor is finally over.

Autel Robotics’ new EVO Lite+ drone combines a 1-inch 20-megapixel sensor with a variable aperture to shoot detailed, rich images. The company might not be a household name like DJI, but the EVO Lite+ deserves your attention.

The Duovox Mate Pro night vision camera promises the ability to capture full-color photos and videos in near-complete darkness. It fulfills that promise as a fun, if limited, tool.

Over the course of several design tweaks, Platypod has made a name for itself as one of the go-to's for portable camera support. With the new Platypod eXtreme, the company has made an even more configurable and versatile product, albeit with the same old limitations.

Now 66 E-mount lenses in, Sony is reworking more of its popular focal lengths and modernizing them with the latest standards. The new Sony PZ 16-35mm f/4 G takes a classic and gives it new life.

Currently, the longest-reaching telephoto zoom lens in the Nikon Z-mount system, the Nikkor 100-400mm f/4.5-5.6 VR S faces a lot of eager potential customers who are going to balance its longer focal length with overall size and cost. I can’t say it will disappoint.

The full-frame Nikon Z 400mm f/2.8 TC VR S has many long-lens photographers excited about being the last piece of glass they’ll ever need to buy. With a built-in 1.4x teleconverter effectively replacing the need for a 500mm or 600mm f/4 and state-of-the-art optics from Nikon, there’s potential to be something truly special.

Sigma has sneakily been releasing a number of compact, wide-aperture lenses designed for mirrorless cameras. Already on the company's seventh addition to the “I” series, the new 20mm f/2 DG DN is now the widest of its kind yet.