December 2012

French photographer Fabrice Fouillet is interested in churches built after World War II. Specifically, he's fascinated with how many of the buildings created in the 50s, 60s, and 70s deviated from architectural traditions built up over the centuries, and instead took on fresh new looks and radically different styles. Fouillet has traveled across Europe and the world in search of these churches, which were looked down upon when they were built but praised for their looks now. His project is titled Corpus Christi.

What's it like to shoot on the front lines of battle as a military photojournalist? This 15-minute documentary by filmmaker Hannah Hill will tell you. Here's the video's description:

This is a documentary about Staff Sgt. Ryan Crane, a United States Air Force photojournalist, who has deployed to Afghanistan twice. He shares his experiences as a photojournalist in a combat environment as well as the mental and physical toll it takes on him.

Crane is based out of O’Fallon, Illinois, and has served as a combat cameraman for a Special Forces, photographing the war with a DSLR and an M4.

Earlier today, Adobe officially launched Lightroom 4.3 and Camera Raw 7.3, an update that brings support for Apple Retina Displays (and other HiDPI high-res screens) to Lightroom. The news comes just a couple of days after Photoshop received its own HiDPI compatibility update.

If you haven't heard of the photo sharing app Snapchat yet then you probably will soon. The app -- which blew up earlier this year and is about to secure a boatload of venture capital -- is built around an incredibly simple concept: you don't always want to share photos on a permanent basis.

With Snapchat you can share a photo with a friend just like you would with any other sharing app, but instead of that person now having your photo forever, the photo comes with a "self-destruct" time limit à la Mission Impossible.

Here's a step-by-step tutorial on how to create a photograph of you holding yourself up. I hope it will give you a good idea of how I create this type of image so that you can create a similar image yourself! Obviously, this is not the only way to create this type of image, but it is the way I have found most believable, as the connection between the two subjects actually occurs in real life. Enjoy!

Ever since Facebook acquired Instagram for a ridiculous sum of money earlier this year, people have been expecting the social media goliath to ruin it in one way or another. That's because while the small team behind Instagram may have been happy with just the fame part of fame and fortune, a company like Facebook is used to getting both.

Admittedly, so far the downsides of the acquisition have been few and far between. Instagram is growing like gangbusters and it seems Facebook is trying to stay hands off when it comes to its handling of the service. Really the only downside has been the removal of Twitter integration. But, of course, the meddling has to start sometime, and according to Business Insider that moment isn't far off.

When the engineering students and staff of King's College in London gathered together to take a faculty portrait, the photographer used an old camera that panned from left to right in order to capture an extremely long panorama of the entire group in one frame. It worked a bit like the panorama features on modern smartphones: start the exposure on one side of the frame, and then gradually sweep the camera across the scene while everyone in the frame stays as still as possible.

Astrophotography enthusiast Don Marcotte wanted to find out whether the Canon 6D or Canon 5D Mark III was more suitable for his area of photography, so he pitted the two cameras against one another in a few noise tests at his local camera store. He simply shot long exposures without any light (the cap was on) in order to see how much noise would show up in the frame.

In yet another business move no doubt influenced by the rise of the all-mighty smartphone camera, a "source familiar with the plan" has told Reuters that Panasonic aims to sell camera and battery manufacturer Sanyo to a Japanese equity fund by the end of March.

German photographer Jakob Wagner is a master of nighttime cityscape photography. For his series titled Nightscapes, traveled to various countries all over the world, shooting gorgeous images of urban environments that are teeming with points of light from buildings and cars.

The New York Post sparked a firestorm of controversy last week after publishing a photo of a man about to be struck by a subway train. People around the world were outraged that a photographer decided to photograph what had occurred, that he had sold (or, in the photographer's words, licensed) the photo to a newspaper, and that the paper decided to publish it with a sensationalist front page story.

About this time last year, a startup named Satarii released the original Swivl: a nifty little motion tracking dock for your smartphone. Meant for shooting video and video conferencing, the dock would follow your every move by keeping a remote tracking marker in frame.

At the time we speculated that if the Swivl was successful, Satarii would probably go on to manufacture something compatible with larger cameras. We also mentioned that, paired with a remote shutter release, the Swivl could become a useful tool for still photographers. Not that we're taking credit or anything, but it seems Satarii were listening; this week the company announced two new, beefier, tablet- and DSLR-compatible Swivls.

Canon broke new ground in its lens-making this year by bringing image stabilization to non-L wide-angle prime lenses (the widest IS prime was previously the 100mm f/2.8 IS L). There are now three: lenses at the stabilized-wide-angle party: a 24mm and 28mm, announced in February, and a 35mm that was announced just last month.

According to new rumors, Canon will continue to spread its IS technology to non-L and non-telephoto primes next year. One that's on the way is a replacement to the popular 50mm f/1.4.

If the book Frankenstein were written about the subject of photography, then French photographer Grégoire Cheneau would be Victor Frankenstein and his Altered States portraits would be Frankenstein's monster(s). Upon first glance, many of the portraits seem to be harshly-lit shots of ordinary -- albeit strange looking -- people. Upon closer inspection, however, you start noticing that there's something off about them.

The megapixel war is heating up again in the high-end DSLR market, with the 36MP Nikon D800 leading the …

This isn't a biggie as far as camera issues go, but there are a few photographers reporting some strange discoloration on sections of their Canon 5D Mark III that makes the camera look like it's a lot older and more beat up than it actually is.

Check out this unique necklace created by artist Ashley Gilreath last year. Called "I Am Who They Were," the piece is designed to represent Gilreath's memories of climbing up the stairway in her grandparents' house -- a stairway lined with family photographs.

We've written about photographer James Balog's documentary film Chasing Ice a couple of times in the past. His team spent years shooting time-lapse photographs of glaciers around the world using solar-powered Nikon DSLRs, which allows changes over a long period of time to be seen in just seconds or minutes.

One particular scene in the movie shows an epic event: the largest iceberg breakup ever caught on camera.

Canadian photographer François Brunelle is fascinated with the human face and the question of whether everyone has a doppelganger somewhere on Earth that looks exactly like them. For years now, he has been working on a project called I'm Not a Look-Alike!, which features portraits of people who look like identical twins but aren't actually related at all. Brunelle looks for subjects whose faces are so similar that their close friends might have trouble telling them apart.

Flickr is the latest photo sharing service to shift its mobile offering to become more like Instagram. Just two days after Twitter launched photo filters for its mobile app, Flickr has updated its official iPhone app with the same feature.

Well-known boxing photographer Al Bello says he was assaulted by boxer Manny Pacquiao's team as he was photographing the fallen boxer after Pacquiao was knocked out by Juan Manuel Marquez this past Saturday.

Billy Rowlinson is a photographer based in London. He was an official photographer at the London 2012 Olympics this past summer at the age of 18. Visit his website here.

PetaPixel: Can you tell us a little about yourself and your background?

Billy Rowlinson: I'm Billy Rowlinson, I was born and currently live in London, United Kingdom. I turned 19 in October and I'm currently on a gap year before hopefully going to study Film Production at university.

If you're looking to make money from your photography, it's important to have the correct legal forms signed by the correct people, whether it's releases by models that pose for you or contracts with gallery owners who will sell your work. To get you started in figuring out what your contract needs to say, legal contract service Docracy offers samples of some of the most common and important legal forms that photographers use.

Photo enthusiast Tyler Casson shot the above photographs by visiting the same spot on the edge of Lake Springfield in Illinois over the course of one year and snapping a photograph using his iPhone. The project is titled "The Four Seasons of the Bush."

National Geographic photographer and filmmakers do some pretty crazy stuff and use some pretty crazy gear in order to capture the perfect shot. They're the type of people who see a large shark and, instead of fleeing the scene, think to themselves, "we should attach a camera to that thing." And then they actually do it.

Mounting cameras on sharks is risky business, though, and the video above shows just how dangerous it can be. In it, marine biologist Greg Marshall tells of his first attempt at deploying his camera onto the back of a large shark back in 1992. It didn't go according to plan.

The Economist has published an article on photographic film's "transition from the mass market to the artisanal," writing that the future is bleak for film as we know it:

Consumers and professionals ditched film first. Then health-care services, which used it for X-rays, shifted to digital scans. The final blow came with the film industry's switch to digital projection. IHS iSuppli [...] estimates filmmakers consumed 2.5m miles [...] of film each year for the distribution of prints at its height. That was just a few years ago. By 2012 this plunged by two-thirds. In 2015 it will be next to nothing.

Over the last couple of months, a political skirmish between Japan and China over the ownership of a set of islands has caused anti-Japanese protests all across China, affecting many of the Japanese manufacturing facilities. Some companies -- most notably Panasonic and Canon -- were forced to shut down operations and evacuate their premises as a result of the violent protests. Things got so bad that Chinese photographers had to camouflage their Japanese-brand cameras with red tape and Chinese flags.

Despite the political atmosphere in the world's most populous nation, Canon has China squarely in its sights as it plans its next moves for international expansion.

To "raise awareness of the social and economic challenges the city of Detroit," website Detroiturbex explores and photographs abandoned buildings and places in and around the city. One of its recent projects focuses on Lewis Cass Technical High School, which had its building devastated by a major fire in 2007 (the building was subsequently demolished).

Did you know that some of the most famous master painters from centuries past may have actually used camera "technology" to aid them in creating their masterpieces? According to the hotly debated Hockney-Falco thesis, some well-known artists likely used rudimentary camera obscura rooms as a tool -- essentially "tracing" parts of their work.

Getting your work copied, ripped off and/or stolen is a sad reality in the digital age. In fact, earlier this year we shared a website dedicated to ousting copycats and were shocked at how much copyright infringement was really out there. But where finding your work on another "photographer's" website would be startling enough, how would you feel if you found it while browsing a major art show?