PetaPixel

Canon’s DSLRs come with a variety of continuous shooting speeds, ranging from 2.5 frames per second on the 300D (AKA Digital Rebel/Kiss Digital) to a whopping 14 frames per second on the high-end 1D-X. If you want to get a taste of what these shutter speeds sound like on the actual cameras, check out the comparison video above by YouTube user dochero2005.
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After reading our previous article on how Decipher Forensics had managed to find and restore expired Snapchats on Android devices, a photographer named Nick got to thinking that he might be able to do the same thing on his jailbroken iPhone.

The idea was that, since these snaps were simply saved in a folder in the file system, he should be able to use an app such as iFile to browse to that folder and see, save or even e-mail them to himself. It turns out he can, and it only took Nick 10 minutes to figure out where “deleted” Snapchat videos were stored. Read more…

Slovenian industrial designer Elvis Halilović, who dubs himself “a passionate lensless photographer” is aiming to bring several sleek-looking wooden pinhole cameras to the  masses through a Kickstarter project that has already exceeded its financial goal by over $20,000.
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With the help of food stylist Charlotte Omnes, New York still life and food photographer Beth Galton put together an interesting series of photos that shows what prepared and packaged foods look like in cross section. Read more…

For now, if you want to get your child’s point of view on anything, the best approach is to mount a helmet cam to their noggin and hope they don’t mind — so far we’ve seen a few cute videos filmed this way. But in the near future, the best way to get your 2-year-old’s point of view may be by handing them a pair of Google Glass glasses.

That’s what developer Chris Angelini did when his 2-year-old came calling for juice. The results are pretty darn cute. Read more…

After two years of testing, renting, buying and selling just about every level of Nikon and Canon lenses and cameras, I have learned quite a bit about what works and what doesn’t. Pretty much you can’t go wrong with Canon or Nikon, and just about everything they make is top notch.
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Most people in today’s society have a mobile phone. Most mobile phones have cameras. Anyone and everyone has become an on-the-scene photojournalist, reporting on everything from major news events to the odd and crazy.

Some of these picture-worthy events take place on everyday flights. Shutter-happy passengers, snapping or even video recording the woman on the next aisle over acting unusual or a fellow passenger being disruptive. It’s undeniable that we are curious beings, and want to document and share events we witness. But not everyone is pleased citizen photojournalists.
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Here’s a question I get asked about 15 times a week: “How can I get the dust out of my lens?” The right answer is you don’t. All lenses have dust in them and it doesn’t affect the images at all 99% of the time. Even if you clean it all out, it will be back after you use the lens a few times.

There are occasionally times that large dust specs very near the rear element are visible in an image, though. There also is the very real issue of resale value; a dusty lens tends to bring a lower price than one without much dust. The right answer in these cases is “send it in for factory service, they’ll disassemble it and clean it.” Doing it yourself is risky.
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Yet another prize winning photographer has been accused of visual deception. Subsequently, Paul Hansen’s World Press Photo of the Year passed the forensic review that was set up hurriedly — by WPP — to address the scandal, but it has become clear that the image was substantially “improved” in post-production.
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