Reviews

Expert reviews of the latest digital cameras, lenses, lighting products, accessories, phones, photography-editing software, and more. PetaPixel tests state-of-the-art products in the photo industry and provides insights and recommendations for photographers to make informed purchasing decisions.

Tamron 70-180mm f/2.8 Hands On: The Ideal Fast Zoom For Sony?

After teasing an “in development” announcement late last year, Tamron’s all new 70-180mm f/2.8 for Sony E-mount is finally about to hit store shelves. With the release of this lens, Tamron will complete their “holy trinity” for Sony mirrorless.

The Fuji X100V: Falling In Love All Over Again

Every time Fuji releases a new camera I feel like this is the generation that will let me leave Canon behind. I had the same hopes and eventual disappointments with the XT2 and the XT3. Inevitably, I would realize full frame always beats out crop frame, that high ISOs and battery life can’t be matched, that Fuji was just not good enough to beat my Canons.

A Look at ‘The Decisive Moment’ by Henri Cartier-Bresson

A bible for photographers. That is how Robert Capa described The Decisive Moment by Henri Cartier-Bresson. After almost 70 years it was first published, this book has still a lot to say to photographers and especially to street and documentary photographers.

A Real-World Review of the Canon 1D X Mark III

As many of you know, I have been lucky enough to have a Canon EOS 1D X Mark III in my possession for more than a month now. People have been asking me to review this new top-of-the-line camera, but I really wanted to put it through its paces in order to do a fair review.

First Impressions: The Lumix S Pro 70-200mm f/2.8 OIS is a Solid Performer

Though it might seem less popular than other systems (probably due to marketing), the L Mount Alliance is producing some of the best full-frame lenses currently available. In this case, Panasonic Lumix worked in tandem with their buddies at Leica to release their second 70-200mm lens for full-frame systems: the Panasonic Lumix S Pro 70-200mm f/2.8 OIS.

8×10 Film vs 150MP Digital: Can 150 Megapixels Compete?

Over 8 years ago, we over at On Landscape performed a mammoth “Big Camera Comparison.” We compared medium format and large format film against various digital cameras including the then cutting edge Phase One IQ280, an 80MP CCD sensor which we used on a Linhof Techno, an Alpa, and a Cambo technical camera (we also tested a D800 and a 5D Mark II).

Shooting a Wedding with the Leica M9

My name is Tomer, and I've been a street photographer for the past 12 years. Over the years, I've done a lot of event photography, shooting weddings, couples, families, and more.

Hands On with the Fuji X-T4: Trying the IBIS, 240fps Slow Motion, and More

I didn't have a terribly long time with Fujifilm’s latest hybrid shooter before it was released—it was only about a week for what you see shot below—but thankfully, not too much has changed since the previous X-T3, and what has is obvious and easy to evaluate.

As Expected, the Sony 20mm f/1.8 G Looks Really Good

These days, it's probably more likely that you win the lottery than for Sony to make a bad lens. Their process over the last few years has been really dialed in, to the point where making a technically good piece of optics is their bread and butter.

Long Term Review: Two Years with the Laowa 25mm 2.5-5x Ultra Macro Lens

Two years ago, Venus Optics sent macro photographer Thomas Shahan their Laowa 25mm f/2.8 2.5-5X Ultra Macro lens for testing. Now, after two continuous years of real-world use and testing, he's finally gotten around to sharing his thoughts in a thoughtful review that will be a huge help to any extreme macro photographers who are considering this lens.

3 Weeks with the New Fujifilm X100V

Over three years ago, I tested out the Fuji X100F and was introduced to the pleasantries of carrying around a capable point and shoot. Today’s agenda is the fifth installment of Fujifilm’s X100 line of cameras: the Fuji X100V.

Film vs Digital: Shooting a Wedding in Fujifilm ACROS

On my last shift at the film lab in Bondi, I picked up one of the last rolls of Fujifilm ACROS film. It seemed poignant -- as my job at the shop was finishing, so too was the production of this film stock.

Astrophotographer Reviews the Google Pixel 4’s Astro Mode

Astrophotographer Ian Norman of Lonely Speck recently got his hands on a Google Pixel 4 XL for testing, so he took it out to Joshua Tree National Park to see how well the "Astrophotography Mode" on this smartphone compares to shooting with a "real" camera.

Do Professional Photographers Need a Mac Pro? No… Not Really

YouTuber Tyler Stalman recently got his hands on a review unit of both the Mac Pro and the Pro Display XDR, and while many tech YouTubers have reviewed these extreme (and extremely expensive) Apple products, he's the first we've seen who's evaluated them from the perspective of a professional photographer.

Back from the Drawing Board: Mitakon 85mm 1x-5x Macro Lens Redesigned

Late last year, macro photographers rejoiced at the announcement of a worthy competitor to the Canon MP-E 65mm f/2.8 1x-5x macro lens, which has been heralded as the best high-magnification macro lens since its release in 1999. The Mitakon 85mm f/2.8 1x-5x lens held a lot of promise, but it was immediately apparent that something was wrong.

Evaluating Peerspace, the Airbnb of Photo/Video Studio Spaces

If you're shooting often, it can be pretty easy to fall into a rut. Maybe that's just me, but when I feel like I have to shoot, which is often, it can be a challenge to force creativity. I don't have access to a studio all of the time, and even when I do that space doesn't necessarily get my creative juices flowing anymore. It's too familiar; feels too safe.

Panasonic S Pro 16-35mm f/4 Review: The S-Line’s Long-Awaited Wide Angle

In early November, Panasonic announced that they would be releasing a 16-35mm f/4. Ever since Panasonic released the S1 and S1R, people have been asking about a wide angle lens, especially with the availability of a high-res mode in both cameras (96MP in the S1, 187MP in the S1R) making them a great camera for landscape shooters.

Mirrorless 24-70mm Shootout: Which Lens Wins in Sharpness vs Expense?

It took a little while, but we finally have the "desert island" 24-70mm f/2.8 lens for every major full-frame mirrorless system on the market, with some lovely crossover as well thanks to the L-Mount Alliance and Sigma's continued support of E-mount. Though RF and Nikon Z are a bit on their own at present, E-Mount and L-Mount, which encompass a huge number of cameras, now have a lot of options.

I Worked with the Canon 1D X Mark III for Two Days

Last month, as a Canon Ambassador, I had the opportunity to try out the new DSLR flagship camera, the Canon 1D X Mark III, for 2 days. This is neither a technical review nor a test report. The video above will show you how I worked with the new camera.

Hands-On with the Sigma 24-70mm f/2.8 for E-Mount and L-Mount

Back in mid-2017, I was tasked with reviewing Sigma's first 24-70mm lens, the 24-70mm f/2.8 DG OS HSM IF Art lens, and I was extremely disappointed. You can read my whole review here, but in summary, I found it to be sadly inconsistent with its sharpness. Most notably, I found that edge sharpness was really quite bad.

$200 vs $4,000 Camera: Is Your Phone Good Enough for Travel Photography?

Sensor image quality has advanced so much over the last few years that phone manufacturers are boasting photographs that rival those from larger mirrorless and DSLR cameras. Some, like the Xiaomi Mi CC9 at 108 megapixels, quadruple the resolution of my best camera.

Review: A Landscape Perspective of the Tamron 17–28mm f/2.8 Di III

My main objective in this article isn’t to provide an in-depth review of the Tamron 17–28mm f/2.8 Di III lens, but I hope to offer the reader a few insights in terms of how the lens performs from a landscape photographer’s perspective as a photographer who usually prefers to shoot ultra-wide-angle.

16-Inch MacBook Pro vs Razer Blade 15 Studio: Photo Editing Shootout

Last month, we reached out to Razer to see if they would lend us a Razer Blade 15 Studio Edition for testing. With the 16-inch MacBook Pro just announced and on its way in as well, it seemed like the perfect time to see which top-of-the-line laptop would take the photo editing crown.

Using iPhone’s ‘Night Mode’ to Shoot 40 Days of Darkness in Russia’s North

For my latest photo essay "Forty Days Of Darkness," I bought the new iPhone 11 Pro and went to Russia's Murmansk, the biggest city in the Arctic circle. From December until January the sun never rises over Murmansk. With the iPhone camera (most of the time) set to "night mode," I shot life in the darkness there.

A Comparison of All High Magnification Camera Lenses

For a long time, there weren’t many options for high magnification macro photography without resorting to solutions like lens coupling and reversals. The only lens on most photographer’s radar was the Canon MP-E 65mm f/2.8 1x-5x Macro. There were also other options, however, so let’s take a look at how the MP-E 65 compares to more modern and vintage lenses to put to 5:1 magnification and beyond – using a butterfly wing.

Apple MacBook Pro 16-Inch: A Film Director’s Perspective

For a several years now, I have been patiently waiting for a “new” MacBook Pro to arrive. There has been a lot of hype about new processors, increased screen size and resolution, improved
features and connectivity, even better battery life. Myself along with many industry colleagues, have been reaching out to Apple for some time to let them know what we need and why.

Fuji X-T3 vs Sony a6600: Comparing Autofocus, High ISO and More

If you can get past the lack of a full-frame sensor, the Fujifilm X-T3 and Sony a6600 are two of the most compelling and full-featured mirrorless cameras on the market today. So while everyone is arguing over full-frame mirrorless, The Slanted Lens decided to do a little APS-C shootout to see which of these cameras is the better performer.

Testing the Animal Detect Autofocus on the Panasonic G9

Panasonic recently released a major firmware update that adds Animal Detect autofocus to the Lumix G9. As a bird and wildlife photographer, the new feature had me really excited, but how well does it actually work? I took it out into the field to find out.

Ricoh GR III Street Photography Review: Long Live the King!

I’ve been shooting with the Ricoh GR III for the past few months and I can tell you it definitley lives up to the hype. It’s small, stealthy and produces amazing images but is this the ultimate street photography camera? My Ricoh GR III street photography review has the answer.

Testing the Canon RF 70-200mm f/2.8 Lens for 10 Days in California

The trinity is now complete. Since the release of the Canon EOS R about a year ago, the mirrorless camera is my go-to tool for shoots. Not least because of its size and weight, as well as the amazing lenses (RF 28-70mm f/2, RF 50mm f/1.2, and my RF 24-240mm f/4-6.3 expedition lens) the EOS R has benefits over its DSLR counterpart.

You Probably Don’t Care About the Leica SL2, and You’re Worse Off For It

Up until a few weeks ago, I had never used a Leica. I don't think I'd ever even held one or knew much about them other than the occasional story of an outlandishly expensive iteration on a camera previously on the market. I had preconceived notions about the kind of company Leica was, about their goals, and about their strategy. I expected very little, regardless of what they were going to show me.

Deep Fusion Demo: Trying Out Apple’s Computational Photography Tech

Apple has released iOS 13.2, debuting the 'Deep Fusion' computational photography tech that it showed off during the iPhone 11 keynote, and we decided to take it for a quick spin to see what all the fuss is about. Spoiler Alert: If you care about photography and own an iPhone 11, iPhone 11 Pro, or iPhone 11 Pro Max, update your phone ASAP.

Sony a7R IV Field Test: A Landscape Photographer’s Dream

Two weeks ago I unboxed the Sony a7R Mark IV mirrorless camera, the high resolution beast, and brought it with me for a field review in the mountains around Santa Clara in Northern California.

My Broken Godox Flash: A Tale of Bad Customer Service

Back in July, my Godox TT350O flash went wrong. I simply got an E9 message on the LCD and it wouldn’t work at all. It was annoying as I had enjoyed using Godox flashes and wireless transmitter up until then and had even recommended them to others.

I Tried Unsplash for Two Years, Here’s What I Learned

It is now exactly 2 years since I started uploading stock photos to Unsplash, the "slightly" controversial stock photo platform where everything is free for everyone. I thought this would be a good occasion to share what I've gained from my presence on Unsplash.

Fujinon XF 16-80mm f/4 R OIS WR: The Ultimate All-Around Lens for Fuji?

Back in July, Fujifilm announced a versatile new zoom lens for its X-Series cameras: the XF 16-80mm f/4 R OIS WR. This new, compact, and highly versatile lens ought to be a great addition to many photographers, and we got the chance to shoot with a pre-production version for a few days.