The Sony Alpha 1 is really impressive on paper. What it can do has taken the industry by storm and the expectations of this camera are just as high as its $6,500 price. Clearly, it has been the focus of a lot of hype. So, does it live up to those expectations?
As another year of taking photos rolls on, having enough storage is yet another thing on every photographer's checklist. Thanks to the cloud, we can have another layer of security and enjoy the convenience of accessing our photos anywhere as long as we have an Internet connection.
Samsung prefers to keep its best camera features for its top flagships, and that’s why the Galaxy S21+ and Galaxy S21 have more in common with each other than the Galaxy S21 Ultra.
One of the attractions of Sony mirrorless cameras is the availability of a wide assortment of lenses, from Sony and other manufacturers. But that can be hazardous to your wallet.
Photographer Mathieu Stern was browsing a flea market when he came across a Zenit Fotosnaiper, a Soviet-era camera rig that looks and feels more like a rifle. Stern jumped at the opportunity to have a copy of his own and to go hands-on with the camera.
The Galaxy S21 Ultra is Samsung’s bet for early 2021, boasting a new 108-megapixel main camera, and both 3x and 10x optical zoom cameras, along with many other top features.
When Apple debuted the M1 system on a chip (SOC), it released three computers equipped with the same CPU/GPU/RAM combo: the M1 MacBook Air, the M1 MacBook Pro, and the M1 Mac mini. It might seem like this makes for three redundant options, but after reviewing the MacBook Pro and spending a month with the new Mac mini, I can confidently say that the Mac mini is the best choice for the majority of photographers. To explain why, I need to turn to economics.
Many photographers have had the same reaction that I did upon hearing about yet another new social media app hitting the radar: a yawn and a roll of the eyes. We have seen countless apps and image-sharing sites emerge with fanfare and then fail to gain traction in the crowded sphere of social media, and we feel pressed to carve out time for the platforms that we already use.
My favorite "walking around" and landscape focal length is 35mm equivalent. I have some 24mm lenses which approximate that field of view on my APS-C camera. One is the Tamron 24mm f/2.8. But despite its great resolution, it is slow to focus and pretty large. So after being very pleased with my Sigma 45mm Contemporary, I decided to give their new 24mm version a try. I'm glad I did.
When Apple unveiled the Pro Display XDR in June of 2019, I'll admit that I drank the cool-aid in big refreshing gulps. From design to execution, I had every reason to believe that this monitor would change the creative landscape, bringing reference displays in a price range attainable by mere mortals. But one year and 7 months later, as I sit staring at my very own review unit, I've had to temper my enthusiasm with a small dose of reality.
I have to say that I absolutely love when Fujifilm gives me a project. I tend to make some of my best work when I am under a deadline. And of course, I’m incredibly honored that I am one of the few that they trusted with this beast pre-launch.
To kick off 2021, Fujifilm announced two new X-Series lenses and a new X-Series body. One of those lenses is the XF 27mm f/2.8 R WR pancake lens, an update to the current 27mm.
When Fujifilm announced the X-S10 near the end of 2020, many thought that it might be the end of the X-T30/X-E3 line. With the announcement of the new X-E4, Fuji not only continues the compact rangefinder-style design, they also make it a very competitive camera.
In the age of digital photography, your monitor is as important as the camera you shoot with or the lenses you use. But as more high-end options hit the market every year, the line between "worth it" and "overkill" is starting to blur. Dell's new 32-inch 4K HDR PremierColor mini-LED monitor, an elite display by any standard, is helping to draw that line a little bit clearer.
Let’s talk about the most interesting and hardest lens to master: the ultra wide angle. This is a fantastic lens that lets you share unique perspectives of almost any subject by cramming a whole lot of environment in a single frame. If you are in the market for one of these, follow on as I compare two of the best on the market.
After testing the RF mount 50mm f/1.8, Photographer Alex Barrera didn't think it had the "pop" that other Canon RF lenses had shown. To see if it was just in his head, he decided to pit it directly against that lens's predecessor: the EF 50mm f/1.8.
If someone were to ask you what type of camera is best for street photography, what would your answer be? In the early 2000s, when digital street photography was only for hipsters, your answer would probably be some kind of stylish rangefinder, and, if you had an extra kidney to sell, maybe even a Leica M. That all changed when Ricoh introduced the Ricoh GR in 2013 (and before that the GR Digital series in 2005).
Youtuber Matt Granger has published an 18-minute Nikon 50mm shootout that pits the Nikkor Z 50mm f/1.8 against the 50mm f/1.2 and the 58mm f/0.95 Noct. As Granger says, every system needs a great 50mm lens, so which of these is the best?
Earlier this month, Sigma announced three new lenses for Sony E and Panasonic/Leica L Mount cameras: The Sigma 35mm f/2, 65mm f/2, and 24mm f/3.5. These lenses, while bearing the “Contemporary” badge, are part of a new “I series” category.
Clubhouse is a new social media app that may be of interest to photographers of all levels. Here's a photographer's look at the new social service.
The Canon 65mm f/0.75 is a rare lens that was designed for X-Ray imaging, and it's one of the fastest lenses ever made. Photographer and weird lens tester Mathieu Stern got his hands on one and decided to see what using the lens is like for both photos and videos.
On January 15th, 2008, Steve Jobs pulled a MacBook Air out of a manila envelope and changed laptop computers forever. Blink and you might have missed it: the instant when an entire industry shifted to accommodate a new breed of device that made more sense to more people. And last month, Apple had the audacity to do it again.
Moment, most well known for its accessories for iPhone, has published a detailed 32-minute video where the image quality differences between shooting JPEG and ProRAW are compared on the new iPhone 12 Pro Max.
Earlier today, Apple officially released Apple ProRAW via iOS 14.3. This new hybrid image format claims to give you the best of both worlds: AI-powered computational photography on the one hand, and the flexibility of a 12-bit RAW file on the other. But does it deliver the goods? In a word: yes.
When Dell decided to bring back the XPS 17, I was skeptical. Most 17-inch laptops fail to give you enough performance to justify the drop in portability; what you end up with is either too big, not powerful enough, or both. That's what makes the XPS 17 so special. This is a 17-inch laptop built with creative professionals in mind.
Photographer Benj Haisch has published a 13-minute review of the TTArtisan 50mm f/1.4 APSH lens, a $369 rangefinder optic that he believes performs much better than anticipated when compared to a lens that costs nearly twelve times as much.
I've had the Nikon Z6 II in my possession for the past three weeks and have been able to put the camera to use photographing birds, and I'd like to share my thoughts on the experience.
I took the Nikon Z 14-24mm f/2.8 S out to see how it performed taking astrophotography and nightscape photos with a Nikon Z6. I’ve compiled notes and comparison images to help those out who are looking at purchasing this lens for astrophotography and nightscape photos.
There are two big leaps you can make in your photo editing workflow. The first is moving from a mouse-and-keyboard setup to a pen tablet like the Wacom Intuos Pro—almost everybody does that at some point. But if you really want to kick your experience up to another level, there's one more step you can take: you can buy yourself a high-resolution pen display.
Over at Halide HQ, we’ve been busily working away on a very deep, technical analysis of what’s new in iPhone 12 cameras this year. All four of ’em. On Friday, we got our hands on the final iPhones in this year’s line-up, the iPhone 12 mini and the iPhone 12 Pro Max.
Ricoh is not a brand uppermost in the minds of most photographers on the market for a new mirrorless camera. Sony, Fuji, and Panasonic seem to have dominated market visibility, if not the actual market, for high-end mirrorless cameras systems for the past five or so years, with late-comers Canikon gaining traction with their most recent offerings.
Youtuber and photographer Dustin Abbot has published his "definitive review" of the Sony a7C camera where he sought to determine if it was better or worse than the a7 III. In this lengthy 29-minute video, Abbott covers the IBIS, shutter and burst mode, focus system, and sensor performance.
Photographer João Burini has published a review of the Laowa Venus 50mm f/2.8 2x Ultra Macro APO for micro four thirds after a long time shooting with the lens. He has captured a large number of beautiful images of insects, and calls the lens "the best macro option in micro four thirds."
Canon Ambassador Irene Rudnyk has posted a review of the recently-announced Canon RF 50mm f/1.8 where she compares it to the old EF version from a build-quality perspective as well as shows the quality of the images she was able to produce with it.
We recently shared a review of the iPhone 12 Pro Max from Marques Brownlee who showed that in his testing, the larger sensor and stabilizer did not contribute to noticeably better images. However, the results from other reviews don't necessarily agree.
The Leica Q2 Monochrom is really good. I liked using it, I think it takes great photos, and I think people who buy it will be incredibly happy. It's just not the M10 Monochrom, and I need to stop expecting it to be.
Photographer and YouTuber Jay P Morgan from The Slanted Lens has published this 6.5-minute video review of the Tamron 70-300mm f/4.5-6.3 telephoto zoom lens for Sony E-Mount. In summary, Morgan says that it "did all the things I really needed it to."
Photographer Alex Barrera has published a 10-minute video where he compares both of Canon's RF 85mm lenses: the 85mm f/2 Macro IS STM and the 85mm f/1.2 L USM. In it, he alleges that "one of these lenses is not a true 85mm."
After a little over a year of owning the Sony FE 35mm f/1.8, I think it’s time to write a review. This will be no way a technical review but based more on actual usability and real-world use.
Wedding photographer Taylor Jackson has published his thoughts on the upcoming Nikon Z6 II camera in this 14.5-minute video. After photographing a wedding, Jackson claims that the Z6 II is the camera wedding photographers have been waiting for from Nikon.
As a landscape and travel photographer, I often carry around an ultra-wide-angle 14mm lens and the Tamron 28-75mm f/2.8. Last week I was able to test the latest addition to the Tamron series for full-frame mirrorless cameras: the 70-300mm f/4.5-6.3 Di III RXD. And I think I've found the perfect addition to my usual 2-lens kit.
Wedding and event photographer Taylor Jackson has been shooting with the original Nikon Z6 pretty much since it came to market. So when the Nikon Z6 II came out promising improved autofocus, TWO image processors, better video, and a battery grip, he jumped on it.
Fujifilm is considered by many to be the champion of the APS-C sensor space. Heavyweights like the X-T4 and the X-Pro3 dominate the ring with first-class features – for an equally heavyweight price. So, what is available to someone with a more modest budget who still wants to get in the ring?
I have been so excited about this Hasselblad 907X camera. In this hands on review of the Hasselblad 907x and CFV II 50C we show you an image quality test, discuss the ergonomics and try it out on our Hasselblad 500cm with some vintage lenses. Check it out to see what we got!
It has been a while since we talked about Sony A-mount. The A99 II felt like the last hurrah for the format when it was announced, and seeing continued support in any way probably wasn't necessary from Sony, who has clearly moved on to the E-mount. The LA-EA 5 adapter, though, shows that despite not needing to, they still care about A-mount users.
Sam Hurd recently published a video review of the PIXII Rangefinder: a rear-LCD-less, smartphone-connected, M-mount rangefinder developed by PIXII, an upstart camera manufacturer. And while his introductory statement that it is the "worst camera I have ever owned" does more to get the click than convey his actual opinion, it doesn't look like the PIXII is a camera you should be picking up just yet despite some extremely promising design choices.
UV photography has many obstacles. Ultraviolet light, or light from 200nm – 400nm in wavelength, is notoriously difficult to image with normal camera equipment. A normal digital camera will record images in the visible light spectrum, or 400nm – 700nm in wavelength. To unlock sensitivity to those shorter wavelengths, a camera has to be physically modified to allow passage of light below 400nm.
The summer 2020 release of the Canon EOS R5 made one thing clear - Canon has decided to set the photographic standard for this decade. Without a doubt, the EOS R5 is the top image maker of 2020 and could potentially go unmatched in the camera world for another few years.
Is there a good variable ND filter out there? Today, we’re going to take a look at variable ND filters. We compare Peter McKinnon’s Polar Pro, B&W, Syrp, and Tiffen variable ND Filters. Let’s see if those pricey Peter McKinnon filters are worth it compared to some of the less expensive options.
The newest, best cameras coming on the market use a new kind of memory card called CFexpress Type B. They’re fast, but they’re new, so users don’t really have an impression of which ones might be better to buy. This review shows tests from the better of the ones available and presents the results so that readers can use the factors most important to them to choose the best card for themselves.
