Canon Ambassador Irene Rudnyk has posted a review of the recently-announced Canon RF 50mm f/1.8 where she compares it to the old EF version from a build-quality perspective as well as shows the quality of the images she was able to produce with it.
We recently shared a review of the iPhone 12 Pro Max from Marques Brownlee who showed that in his testing, the larger sensor and stabilizer did not contribute to noticeably better images. However, the results from other reviews don't necessarily agree.
The Leica Q2 Monochrom is really good. I liked using it, I think it takes great photos, and I think people who buy it will be incredibly happy. It's just not the M10 Monochrom, and I need to stop expecting it to be.
Photographer and YouTuber Jay P Morgan from The Slanted Lens has published this 6.5-minute video review of the Tamron 70-300mm f/4.5-6.3 telephoto zoom lens for Sony E-Mount. In summary, Morgan says that it "did all the things I really needed it to."
Photographer Alex Barrera has published a 10-minute video where he compares both of Canon's RF 85mm lenses: the 85mm f/2 Macro IS STM and the 85mm f/1.2 L USM. In it, he alleges that "one of these lenses is not a true 85mm."
After a little over a year of owning the Sony FE 35mm f/1.8, I think it’s time to write a review. This will be no way a technical review but based more on actual usability and real-world use.
Wedding photographer Taylor Jackson has published his thoughts on the upcoming Nikon Z6 II camera in this 14.5-minute video. After photographing a wedding, Jackson claims that the Z6 II is the camera wedding photographers have been waiting for from Nikon.
As a landscape and travel photographer, I often carry around an ultra-wide-angle 14mm lens and the Tamron 28-75mm f/2.8. Last week I was able to test the latest addition to the Tamron series for full-frame mirrorless cameras: the 70-300mm f/4.5-6.3 Di III RXD. And I think I've found the perfect addition to my usual 2-lens kit.
Wedding and event photographer Taylor Jackson has been shooting with the original Nikon Z6 pretty much since it came to market. So when the Nikon Z6 II came out promising improved autofocus, TWO image processors, better video, and a battery grip, he jumped on it.
Fujifilm is considered by many to be the champion of the APS-C sensor space. Heavyweights like the X-T4 and the X-Pro3 dominate the ring with first-class features – for an equally heavyweight price. So, what is available to someone with a more modest budget who still wants to get in the ring?
I have been so excited about this Hasselblad 907X camera. In this hands on review of the Hasselblad 907x and CFV II 50C we show you an image quality test, discuss the ergonomics and try it out on our Hasselblad 500cm with some vintage lenses. Check it out to see what we got!
It has been a while since we talked about Sony A-mount. The A99 II felt like the last hurrah for the format when it was announced, and seeing continued support in any way probably wasn't necessary from Sony, who has clearly moved on to the E-mount. The LA-EA 5 adapter, though, shows that despite not needing to, they still care about A-mount users.
Sam Hurd recently published a video review of the PIXII Rangefinder: a rear-LCD-less, smartphone-connected, M-mount rangefinder developed by PIXII, an upstart camera manufacturer. And while his introductory statement that it is the "worst camera I have ever owned" does more to get the click than convey his actual opinion, it doesn't look like the PIXII is a camera you should be picking up just yet despite some extremely promising design choices.
UV photography has many obstacles. Ultraviolet light, or light from 200nm – 400nm in wavelength, is notoriously difficult to image with normal camera equipment. A normal digital camera will record images in the visible light spectrum, or 400nm – 700nm in wavelength. To unlock sensitivity to those shorter wavelengths, a camera has to be physically modified to allow passage of light below 400nm.
The summer 2020 release of the Canon EOS R5 made one thing clear - Canon has decided to set the photographic standard for this decade. Without a doubt, the EOS R5 is the top image maker of 2020 and could potentially go unmatched in the camera world for another few years.
Is there a good variable ND filter out there? Today, we’re going to take a look at variable ND filters. We compare Peter McKinnon’s Polar Pro, B&W, Syrp, and Tiffen variable ND Filters. Let’s see if those pricey Peter McKinnon filters are worth it compared to some of the less expensive options.
The newest, best cameras coming on the market use a new kind of memory card called CFexpress Type B. They’re fast, but they’re new, so users don’t really have an impression of which ones might be better to buy. This review shows tests from the better of the ones available and presents the results so that readers can use the factors most important to them to choose the best card for themselves.
The Peak Design Travel Tripod. Let's just get it out there: it's $600 for the carbon fiber model. That’s a lot of money. You can buy less expensive tripods that are objectively better at a lot of things that this tripod does. The main selling point is that it's light and packs up tiny, so it’s less of a burden to use when you’re traveling.
A while back, Fujifilm announced that they were working on a 33mm f/1 lens. Recently it was announced that they had scrapped that lens to work on a 50mm f/1, which would result in a more compact lens. With a super-fast 56mm f/1.2 already in the Fuji lens lineup, will a 50mm f/1 be different enough? We were lucky enough to get a sample 50mm f/1 to test out for a short while.
I was one of the lucky ones who got their hands on the Canon EOS R5 early in August of 2020. The camera arrived in the morning, just before my flight to the Lofoten Islands. Here's a summary of my experience climbing to 7 summits in 7 days with Canon's new flagship mirrorless camera.
Photographer Mathieu Stern recently had a chance to spend a week with the TTArtisan 50mm f/0.95 lens, and he decided to stick it on his Sony a7 III to see what shooting video at f/0.95 is like.
Over the past few months, pre-production copies of the new Laowa 50mm 2:1 F/2.8 Super Macro Lens for Micro Four Thirds (MFT or M4/3) had been going around among some M4/3 macro photographers.
When I first saw an ad about the TourBox, two thoughts came to mind. “Look, another console promising to change the way you edit” and “this looks weird”.
Ring flashes have always been among my favorite lighting tools. They can be used as effective key lights in certain situations, but I more often use them as front fills, as part of a multiple light setup.
The Fujifilm X-Pro3 is Fuji’s flagship stills-orientated body aimed at street and documentary photographers. And while it mostly follows the rangefinder style body of the previous bodies, the X-Pro3 features some significant design changes that will affect the way you use it.
Very few photography brands can sustain a legacy full of history. Meyer Optik Görlitz has brought back a 100-year-old design with modern quality construction that renders a vintage unique style that endures artistic at this modern age.
Given all of the overheating controversy and the intense focus on the camera's 8K and 4K video capabilities, you'd be forgiven for forgetting that the Canon EOS R5 is also a stills camera. But Gordon Laing at Cameralabs didn't forget, and he's reviewed this camera specifically for stills photographers.
Wildlife photographer Steve Perry of Backcountry Gallery has just completed a massive review of the Nikon D6. And after using the camera in Theodore Roosevelt National Park, Badlands National Park, Custer State Park, and Yellowstone National Park, he has some thoughts on whether or not wildlife photographers should consider buying Nikon's flagship DSLR.
Yesterday, Sony finally revealed the long-awaited and much-anticipated Sony a7S III. So far, the initial reviews are extremely positive, with only a few complaints between them. But don't take our word for it! We've put together a round-up that covers some of the best hands-on previews that we've seen so far.
When it comes time to up their photo editing game, most photographers reach for a pen tablet like Wacom's Intuos Pro series. But what about pen displays? Wacom, XP-Pen, and Huion all offer displays that let you draw and edit right on the screen without sacrificing any of the features you get from a tablet. They're typically used by artists, but we wanted to know: are they worth it for photo editing?
First of all, many thanks to Pentax, who provided me with this lens exclusively and as a super-early-bird pre-tester, but this report was not sponsored in any way. I use the Pentax K1 in my daily work as a freelancer in my advertising agency, mainly commercially for portrait, product and reportage jobs.
I'd never have thought that a trivial accessory like a humble camera battery charger could get me excited. But ISDT NP2 managed to do just that. What can I say? My life is rock-and-roll, champagne, and caviar.
I had a chance to test a very rare lens: the Zuiko Auto-T 180mm f/2 ED-IF, an Olympus super-telephoto lens from the early 80s. Back then, the OM-system bodies that Olympus had were OM-3 and OM-4. Olympus had a very nice line up of Zuiko lenses for those cameras and other OM-system bodies. The one lineup they did not have was pro-grade fast telephoto lenses.
Living in the NYC area means you’re living around one of the greatest cities in the world -- a city that now I’ve personally seen fall to its knees twice. Once on September 11th. And now during COVID-19.
Only 7 months after releasing the first Razer Blade 15 Studio Edition, the PC maker turned around and released an update. Aesthetically, it's almost identical to its predecessor; but under the hood, you're getting even more horsepower... and that's saying something.
If you’re a film geek like me, these numbers should look familiar, 5203, 5207, 5217, and 5219. These are the film stocks Kodak Motion Picture offers to film directors and cinematographers. Since 2014, Quentin Tarantino, Martin Scorcese, and J.J. Abrams partnered with former Kodak CEO Jeff Clarke, to spearhead an effort in protecting the use of celluloid in the motion picture industry.
The non-photographers might want to skip this article as it is a fairly detailed Tamron 70-180mm f/2.8 Di III VXD vs Canon EF 70-200mm f/2.8L IS II USM lens review for Sony E-mount cameras.
I am a Canon Ambassador and I had the chance to test the new Canon EOS R5 (pre-production model) that we have all been anticipating for such a long time. This is not a review of the camera, but I wanted to share some of the most important settings and show you some real-life samples I was able to shoot that week.
When Apple announced the new, more powerful GPU configuration for the 16-inch MacBook Pro, we reached out to ask about performance. How did it compare to the previous top-of-the line model that we tested in December? Apple's response: test it out for yourself.
Wildlife photographers who shoot with Sony have been limited when it comes to lens choice. The Sony 100-400mm GM was released in early 2017, but the price ($2,500) was out of reach for many. Last year, Sony released the 200-600mm G, which was a bit more budget friendly ($2,000) but is a pretty large lens to carry around on wildlife hikes.
Ask any retoucher what one item they couldn't live without, and they will probably point to their photo editing tablet. Swapping your mouse for a pen tablet can make a huge difference for your workflow, but is it really worth spending $380 on the Wacom Intuos Pro that everyone seems to be using? Are there any affordable alternatives? I'm glad you asked!
I like the Microsoft Surface Book 3. In fact, I like it a lot. The build quality is great, and the design is both useful and pretty much unique right now. But it's also flawed... critically flawed by the selfsame design that makes it a unique product, which is why I can't recommend it to most working photographers.
Since the announcement of the new Nikon D6, it’s been a long wait till the camera was available in the market. Here in Singapore, we finally received the first batch, and I was very fortunate to be invited by Nikon Singapore to have a hand-on experience with the new camera.
Last year when the iPhone 11 Pro came out with three lenses, we heard a lot of chatter from photographers about how the iPhone photos looked so good that no one would want to hire a pro photographer anymore. Most of this was just people joking around. We saw a few shoots where people used iPhones to see if they would be a viable option.
Tamron has been on a roll the last 2 years with E-Mount lenses. After introducing a holy trinity of fast zooms and 3 compact primes with 1:2 macro abilities, the company has announced its newest E-Mount lens: the 28-200mm f/2.8-5.6.
For those that have followed my work for a while, you’ll know that I love to show a sense of depth to my images. Sure we can all shoot wide-open (f/2.8 for example) to get that shallow depth of field, but nothing beats the depth of showing not only a separation between subject and background, but a foreground element to your image too.
The new 13-inch MacBook Pro is a confusing proposition from Apple. We called it a "half update" in our first impressions, and I stand by that. But it's also an important update that gives photographers and video editors a lot more performance bang for their buck—as long as they're willing to spend $1,800 or more. Let's dive in.
These are my thoughts on the Nikon D780 after shooting a 9-hour wedding with one in London in February of 2020. I had it for 3 days, so this isn’t an exhaustive technical review; I’m not going to dissect it or pixel peep, just report on my impressions as a full-time wedding photographer who normally uses a couple of D750s.
Earlier this week, Apple released the latest iteration of the 13-inch MacBook Pro. And while the update came with some very welcome additions, many felt that it was a half-step: a refresh rather than a redesign, like we saw with the 16-inch MacBook Pro earlier this year. Now that we have one in hand, we tend to agree.
I love drones, but I don't love the stereotypes, stigmas, attention, and negativity that comes with them. I've been flying since the Phantom 4, so I got into it right as the wild west of drone flying was coming to an end, and restrictions and regulations were being rolled out.