landscapephotographer

Death Valley National Park Landscape Photography

How to Leverage a Clear, Cloudless Sky in Your Landscape Photos

If the weather forecast shows clear skies and bright sunlight, it doesn't mean photographers should abandon their plans for a landscape shoot. Photographer Michael Shainblum has shared tips on how he leverages these weather conditions to come home with a successful set of photos.

Trees are poems

A Landscape Series Focused on Trees: ‘Trees are Poems’

Back when I started photographing nearly a decade ago, my main subject was nature and landscapes. Over the years I continued to broaden my motifs to cityscapes, architecture, abstracts, and street photography. I still love to do them all, but there is one theme that has continued to evolve with me over the years, and that is trees.

Canyonlands National Park in 1988

Photographing Canyonlands in 1988: Land of Standing Rocks

In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.

Photographing Fog on Both Film and Digital

For photographers curious about using either film or digital to capture foggy landscape, Michael Shainblum has put together a video showing the behind-the-scenes of using both mediums with a telephoto lens.

Dunes and Clouds: Photographing Symmetry in the Desert

In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.

8 Helpful Camera Hacks for Landscape Photography

Much of successful landscape photography depends on having the right location, composition, and light, but photographer Mark Denney has shared 8 camera tips and hacks that can further enhance the shooting process and benefit photographers of all levels of experience.

Moon Over Zabriskie Point, or: Seeing Photos in a New Light

In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.

A Photo that Took a Decade of Trying: Sunrise at Angel Arch

In 1991, near the end of some book projects that took me on some lengthy photographic journeys through the American West by car for two years, I came up with the idea of creating posters of some of my black and white images for a few of our western National Parks.

Photographing Waves: One of The Most Rewarding Subjects

Waves are some of the most rewarding subjects for photography that I know. For starters, if you miss one, another will be along very soon! Of course, they are also unpredictable and can be dangerous.