fog

Ulanzi makes a diverse range of products, including wireless mics, lights, and tripods. Now, the company has launched a new portable fog machine designed for photo and video shoots.

Acclaimed landscape and timelapse photographer Michael Shainblum has shared an informative guide that explains how he uses long exposures to capture his incredible fog photos.

Photographer Joshua Singh became captivated with the way fog transforms San Francisco and now his portfolio heavily centers around the weather condition that defines the City by the Bay.

For photographers curious about using either film or digital to capture foggy landscape, Michael Shainblum has put together a video showing the behind-the-scenes of using both mediums with a telephoto lens.

Forests covered in a deep fog provide a great opportunity for landscape photographers as demonstrated by Michael Shainblum who ventured into the woods with a 35mm film camera and a spare roll of film.

Spanish-American Photographer and YouTuber Aows has published this 9.5-minute video that discusses a topic most photographers avoid: taking photos in bad weather conditions. Aows explains how he does it and why he thinks it's worth it.

The MicroFogger is a tiny handheld fog machine that lets you create fog on a small scale when your space and/or budget are limited.

A month ago I had never seen a lunar fog bow; now I have seen three. I got to see my first lunar fog bow on December 17th, and last night I got to see two more of these elusive phenomena. We had lots of fog around the city of Östersund and since it was the night of the full moon, I drove around chasing locations where I could see this beautiful phenomenon.

A little over a month ago, we shared some amazing drone photos of Hong Kong that truly captured the density of that megacity. Now, photographer Andy Yeung is back with the followup series Urban Fog: drone photos of Hong Kong shot at night as fog sweeps over the bustling metropolis.

Atmosphere Aerosol is a new aerosol spray for photographers and filmmakers that essentially serves as a fog machine that you can easily carry around in your camera bag.

When shooting in colder environments, one of the things that can plague your photography is condensation forming on your gear. Photographer Mark Peter Thorpe has a cheap and simple hack for avoiding this problem: heated hand warming packs.

Want to see an impressive example of what the new Dehaze slider in Photoshop and Lightroom can do? Check out the 1-minute video above by photographer Grant Friedman, who tested out the feature using a foggy and blown out RAW photo of Times Square on a rainy day.

That Dehaze feature that Adobe teased last month is now official for Photoshop's Adobe Camera RAW and Lightroom in a major new Creative Cloud update. The feature helps eliminate fog and haze from photos to create "startlingly clear images."

While I strongly prefer adding creative touches to my photos with physical tricks and effects -- such as using dry ice for fog -- sometimes I do need some digital manipulation done in Photoshop. Here is my technique for adding some fake fog to a photo in just 4 easy steps.

Here's a look at how I use dry ice in my photography. My goal with this article is simply to share my journey with this technique. In the images used as examples, no fog textures were used (unless noted) -- basically, if you see fog, that's how it was captured (minus the color work).

The city of Dubai in the United Arab Emirates is known for its impressive skyline, which features the world's tallest building. Every so often, the city will become blanketed with a thick layer of fog that opens the door to beautiful photos of skyscrapers rising above clouds.

Daniel Cheong is one photographer who's always on the lookout for this particular photo opportunity. Over the years, he has built up an impressive collection of shots showing skyscrapers poking through Dubai fog.

To get the perfect aerial drone shots of the Dom Tower of Utrecht, Dutch filmmakers Jelte Keur and Reinout van Schie had to wait a full 10 months for the perfect weather conditions to arrive. But once they did, the minute forty-five of footage they captured made it all worthwhile.

270 photographs and a total exposure time of two hours and fifteen minutes went into creating this stunning composite photograph of an Indonesian landscape complete with an erupting volcano, a steaming caldera, a meteor, copious amounts of fog and beautiful light trails created by cars traveling below the fog.

Stunning, breathtaking, Oh Em Gee, however you want to put it, the photos in this post are incredible to look at and incredibly difficult to capture. Not because it takes any crazy skills to properly photograph the Grand Canyon, but because the atmospheric conditions necessary to make these photos possible happens only about once per decade!

Last week, photographer Richard Gottardo decided to trek into the Rocky Mountains (not his first time by any means) for a couple of days because, as he puts it, "conditions looked right for some good fog." Two days in the mountains, 620 miles of driving and about 18 hours worth of shooting later, he returned with some gorgeous footage that he was kind enough to send our way.

In 2010, we featured photographer Simon Christen's stunning time-lapse of the San Francisco Bay Area, The Unseen Sea. Since then, however, we haven't seen any more of his work. That is, until he sent us the sequel.

When photographer Mark Meyer wakes up every morning in Alaska, the first thing he notices is the view through his room's windows. Over time, he began to notice that this view took on a wide range of appearances across different times and seasons (mostly cold weather). He then started capturing a casual series of photographs that show the abstract, minimalist views that appear due to the rain, snow, and fog. The project is called An Alaska Window.