Back in June, graffiti artist Sofles was featured in a hyperlapse that showed him making his way around an abandoned building and creating various impressive tags at super speed. That video was received very well, so naturally, if one graffiti artist is good, four would be four times better right?
If you're already of the opinion that Instagram has infiltrated too much of your life, we suggest you stay away from London for a little bit, because Brazilian artist Bruno Ribeiro is bringing the familiar filtered frames into the real world with his project Real Life Instagram.
Over a half a billion Apple iOS and Android systems have been sold, which means that there are now an unprecedented number of cameras in the world. This monumental increase in smartphone cameras has allowed for the dramatic increase of photos uploaded to social media sites.
I’m often overwhelmed by the fact that I can upload photos to Facebook, Instagram, Tumblr, Flickr, 500px, VSCOcam, Artflakes, Snapchat, Google+, Twitter, Pinterest, EyeEM, and on, and on, and on. Through such apps, a half billion photos are uploaded to the Internet each day. The sheer scale and accelerated growth of mobile photography and social media integration, which I’ll call the new photography, has quickly changed photography in just a few short years.
French photographer Julien Coquentin's series Please Draw Me a Wall is a curious combination of street art and photography. By having his subjects (sometimes himself) interact with wall art as if it were real, he creates fantasy worlds using only a few props and drawings that some call art and others defacement.
Swiss photographer Fabian Oefner recently gave this short 10-minute talk at TEDx Warwick …
Certainly there's ample artistic precedent for including a dead animal or two in a still-life. Old Master paintings are rife with images of freshly killed ducks, bunnies and fish awaiting a trip to the dinner table.
Photographer (and certified taxidermist) Kimberly Witham slyly subverts that tradition with "Domestic Arrangements," a series of still-life photographs that combine modern kitchenware and other items of domestic life with birds, squirrels and other animals retrieved from the roadside. All items come from within a short radius around Witham's New Jersey home.
Spanish visual artist Sergio Albiac is offering the world a chance to meld with the universe in an innovative project that combines portraiture with images from the Hubble space telescope.
Albiac calls his "Stardust" project "an experiment in generative portraiture."
Voted "The Most Brilliant Artist of the Netherlands" in 2009, Dutch artist Diet Wiegman is a master of his craft. But of all the amazing creations he has to his name, his work with light and shadow is most breathtaking. Using garbage, pieces of glass and other rubble, he creates a sculpture that, with the help of a light source, projects a beautiful image onto a wall.
Elaborately staged tableaus have become a staple of fine-art photography and something of their own medium -- the artistry of a Gary Salter or Annabel Mehran image is as much in the building of the scene as the actual photography.
Photographer John William Keedy has had to deal with an anxiety disorder for some nine years now. Never feeling like he quite fit in, and at times so nervous around crowds that he would only go to the grocery store when he was certain it was empty, he's intimately familiar with the type of neurotic behavior a condition like his can encourage.
His photo series It's Hardly Noticeable is an exploration of these neurotic, obsessive and strange behaviors that manifest as part of anxiety-based mental disorders.
A state-funded museum in Paris is drawing widespread criticism for a new exhibit of photos that show sympathetic portrayals of Palestinian suicide bombers.
A pair of British artists has won the Deutsche Borse Photography Prize for a work that combines war images with text. It is the first time the prestigious photography prize -- described as the "biggest" and "most prestigious" photo prize in Europe -- has been awarded to a pair of artists.
(I won’t lie to you, I have no sources I can cite for the positions I intend to take in this post. These are simply my opinions from having lived on this planet. And, of course, you know what they say about opinions…)
I think we can all agree that photography is an art form. (At least I hope we can, because that’s one of the central premises with which I’m working.) But what, then, is art? Why do we aspire to make it in the first place?
What you see above is a "map" of Paris created by collaging thousands of photographs shot in the city. It's just one of the amazing pieces in Japanese photographer Sohei Nishino's Diorama Map project. The series contains maps of many of the world's most famous cities, and all of them are photographed and collaged by hand.
“I don’t know what the hell I’m going to do,” Chuck Close told an NPR interviewer when Polaroid stopped making instant film in 2008. He wasn’t the only artist attached to the medium.
From most angles, it looks like a bunch of lights flickering at random. But stand in just the right spot, and you’ll perceive moving bodies. Jim Campbell’s installation for Light Show – a new exhibition at the Hayward Gallery in London – is a powerful antidote to the high-tech obsession with performance, the endless competition to pack more megapixels into a smaller screen or sensor. It also provides fresh insight into human vision.
Opened in 1949, the George Eastman House in Rochester, New York is the world's oldest museum dedicated to photography. It's world renowned for its collection of more than 400,000 photos and negatives dating back to when the medium was first invented.
If you would like to check out some of the museum's photos but can't make the trip out to Rochester, there's now a sleek new way for you to browse the imagery. The museum announced this week that it has become the first photo museum to join the Google Art Project.
I'm Google is an interesting Tumblr blog started in 2011 by Baltimore-based artist Dina Kelberman. It's a running blog collage comprising Google Image Search photographs and YouTube videos. Kelberman writes that the content is compiled into a "long stream-of-consciousness": as you scroll down through the seemingly-never-ending flow of imagery, you'll notice that the sections of similar images flow seamlessly from one to another based on form, composition, color, and theme.
This strange looking vintage camera was created by Guangzhou Art Academy student Hu Shaoming, who spent four months disassembling two cameras from the 1930s and 1940s and rebuilding them with a zipper that reveals the inner mechanical components.
William Eggleston didn’t invent color photography, but his landmark 1976 exhibition at the Museum of Modern Art gave it dignity, and began the four-decade process of acceptance by curators and collectors as an art form to rival oil painting.
Shot in 1970, “Untitled (Memphis)” – shown above – was one of the 75 photos in the show, and also featured on the cover of the catalogue. Now it’s included in a retrospective of Eggleston’s early work at the Metropolitan.
Who owns public art illegally placed onto private buildings? That's a question that came up recently after a famous Banksy work in London was ripped out of the side of a building, shipped across the Atlantic, and put up for auction with an estimated final price of over half a million dollars.
Los Angeles-based musician Paz Dylan recently pulled a pretty funny prank on the Grammy Museum in LA. He made a series of informational wall display pieces featuring strange descriptions and photographs of himself eating tacos, and then hung them up on the walls of the museum next to the real pieces. That's pretty clever, but get this: no one noticed, and the pieces stayed up for a month.
The photograph above is a piece he made for the "Wall of Fame."
If you think about it, any digital photograph is simply a finite collection of pixels, with each one showing a specific color. There are also only a finite number of colors each pixel on a display can be. Thus, there are only a finite number of photographs that could possibly exist. An unfathomably large number, but finite nonetheless.
That's the basic idea behind artist Jeffrey Thompson's Every Possible Photograph project. Thompson has created an installation that, given enough time, will generate every possible photograph by stepping through every possible combination of pixels.
Since 2007, Jen Bekman’s 20×200 has become one of the leaders in the …
For their project "Museum Anatomy," Chiang Mai, Thailand-based artists Chadwick Gray and Laura Spector recreated and photographed old paintings from around the world on a human body instead of a canvas.
Check out this unique necklace created by artist Ashley Gilreath last year. Called "I Am Who They Were," the piece is designed to represent Gilreath's memories of climbing up the stairway in her grandparents' house -- a stairway lined with family photographs.
Getting your work copied, ripped off and/or stolen is a sad reality in the digital age. In fact, earlier this year we shared a website dedicated to ousting copycats and were shocked at how much copyright infringement was really out there. But where finding your work on another "photographer's" website would be startling enough, how would you feel if you found it while browsing a major art show?
Every few months, it seems, a fine art photograph is sold at auction for an astronomical price and then takes its place among the world's most expensive photos. The price tags are large, but pale in comparison to the hundreds of millions of dollar shelled out for the world's priciest paintings.
Here's a photo project so profound that it might make you weep (you might also cry for other reasons). Artist Will Vincent has a project titled "Two Thousand, One Hundred and Ninety One." His artist statement is a single sentence: "Every day for six years I took a photo of myself with the lense cap on."
The National Gallery in London, the world’s 4th most visited art museum, is currently holding its first major exhibition …