Search Results for: magic lantern raw

The time-lapse above by photographer Colin Legg does a great job of showing off the power of Magic Lantern RAW video while capturing a cool astronomical phenomenon at the same time.

A couple of days ago, to the delight of many a 7D user, we heard that Magic Lantern was working on bringing RAW video goodness to the semi-pro model. And now, only four days later to be exact, we have our first RAW video sample shot with the aging prosumer camera.

For some filmmakers, the arrival of the Magic Lantern RAW video recording ability has become a godsend. With increased sharpness and a remarkable improvement in dynamic range, it's quickly become a much talked about topic.

But how does the RAW footage fare when it comes to bumping up ISO in those low-light situations?

The Magic Lantern team deserve some sort of award ... or a ribbon ... or at the very least a hug. That's because, lately, they've been making ground-breaking RAW video announcements almost weekly. From the very beginning of the story -- when they discovered a RAW DNG output in live view -- to the breakthrough when they began pulling in that stream at 24fps and full 1080p HD, it's been nothing but good news out of the Magic Lantern camp.

But get ready, because the celebration is only just beginning. Before now, taking advantage of Magic Lantern's RAW video capability would have required you to have a 5D Mark III or II, but EOSHD forum user Julian Huijbregts has demonstrated that the same is now possible out of Canon's 5-Year-Old $500 50D!

A couple of weeks ago, the Magic Lantern team announced that they had discovered a RAW DNG Live View output on the 5D Mark II and Mark III. At the time, they could only get 14 frames per second for only 28 frames before the camera needed to buffer, but the team was confident that they could eventually increase the speed to 24p and pull a true RAW video feed out of the camera.

In what may very well be the most exciting Magic Lantern development ever, the team has discovered a RAW DNG output in live view on the 5D Mark II and 5D Mark III. What this means is that, in the near future, 5D Mark II and III owners may be able to record crystal clear 2K RAW video that blows H.264 output out of the water and then some.

Unofficial RAW video functionality could be coming to a Nikon DSLR near you in the not-too-distant future. The Nikon hacker community appears to be making progress in using the live view feature of cameras to obtain RAW footage from the sensor.

Lest you think that smartphones have the mobile gaming market all but wrapped up, the folks at Magic Lantern have decided to shake things up a little bit. In the spirit of the old Kodak DSLR that came equipped with Pong, ML's pravdomil has added the ability to play a stripped down version of the old 1980s brick breaker-style game "Arkanoid" on the Canon 7D.

Ever since the Magic Lantern folks unlocked the ability to shoot RAW video on the 5D Mark III (and, subsequently, a few more cameras after that) the DSLR world has been buzzing with excitement. The added dynamic range and detail seem make RAW video the easy choice over H.264 in any situation.

But is that really the case? In the video above, Learning DSLR Video's Dave Dugdale explains the pros and cons of Magic Lantern RAW over H.264, and when it might be better to just stick with the standard format.

Yesterday, we shared the groundbreaking news that Magic Lantern's a1ex had managed to squeeze 3 more stops of dynamic range out of Canon's 5D Mark III and 7D by using a new feature dubbed Dual ISO. Today, we have a comparison that shows what RAW video shot on the 5D Mark III looks like taken both with and without the Dual ISO feature enabled.

All of the updates coming out of Magic Lantern's camp recently have been RAW video related. And while there has been news enough on that front to keep us excited, we were happy to see something new coming from the ML team today.

In the past month and a half, Magic Lantern has seemingly made the impossible possible by bringing high definition RAW video to several Canon cameras and turning the cinema camera world upside down. With how fast these most recent updates have come out, it's easy to forget how much work has gone into Magic Lantern over the years.

A1ex from Magic Lantern's main development team wanted to remind us, and so he created this video representation of the work that the team has had put in to go from humble beginnings to the hack's current level of awesomeness.

Given the recent leaps Magic Lantern has been making regarding mind-blowing RAW video capabilities for both old and new Canon cameras, there are probably a lot of Canon owners out there who are thinking of giving the custom firmware a try for the first time.

However, before you go installing one of the nightly builds (the unstable ones that can actually do RAW video), we would suggest installing the current stable build and getting to know the ins and outs of Magic Lantern first. With that in mind, here's a quick tutorial put together by Dave Dugdale from Learning DSLR Video that walks you through the steps of installing Magic Lantern for the first time.

Sometimes, the right shot requires a beautifully minimalistic approach that subtly tugs on the heart strings... other times, you throw the freaking kitchen sink at it and come out with something that defies adjectives. The video above falls into the latter category.

When the Canon 50D camera made its debut in August 2008, video capture wasn't one of the listed features available to buyers. Today, that's a different story, thanks to the Magic Lantern RAW hack that has brought video recording to the now 5-year-old camera.

Light painting has become a popular technique in the age of digital photography. If you have always wondered how to do light painting photography yourself, you've come to the right place.

Colonial history overflows with commodities. From the early 1800s, wool generated extraordinary wealth for squatters and pastoralists and substantial investment in the Australian colonies. In the 1850s, gold motivated tens of thousands of people to work the earth or service the diggings. Coal, copper, tin, wheat, barley, and cotton all assumed importance at different times.

Macro photography in the field is not always easy or comfortable, often requiring long hours outdoors in the heat. So now more than ever, I’m seeing the benefits of lightweight lenses and bodies.

As we know, wide angle lenses show a larger field of view and therefore make things appear smaller and further away than they are. Which contradicts the concept of macro photography, where we want our subject to be projected onto the sensor at a magnification ratio of at least 1.0x. So how can we combine a wide angle perspective and macro macro-capabilities?

As a true fan of the wildlife documentary genre, I have been itching to create my own short wildlife video project ever since I started doing wildlife photography. That being said, and despite having some previous experience with videography and video editing, producing a high-quality wildlife video always seemed like a too difficult task for a single person with a non-existent budget and some pretty basic gear, and so I never pushed myself into trying it.

I know this topic is covered here and there and everywhere: in school and online, in workshops and lectures, on street corner posters and graffiti under freeway overpasses… However, one way or another this topic seems to either elude a lot of photographers entirely or perhaps they ignore it knowingly. Either way, after continually seeing tight headshots done with lenses possessing an obviously incorrect focal length, my personal OCD has reached a boiling point and I decided to finally do this little post complete with a demonstration.

Israeli director Vania Heymann has created a new music video that brings famous artists to life in their album cover photos. Shown above, it's a video for the beatboxed song "Mayokero" by Israeli artist Roy Kafri. Rather than Kafri beatboxing, however, we're treated with the wonderfully bizarre sight of the album covers making the music.

Time-lapse photographer Ole C. Salomonsen specializes in the northern lights. But before you skip over this post because you've seen about a billion more aurora time-lapses this month, we suggest you click play and give Ole's work a shot.

They say that the DSLR’s better days are behind it, but it’s still the choice for most working pros. Rapid advances on point and shoots, ILCs (mirrorless interchangeable lens cameras) and smart phones have left the DSLR looking like the camera of yesteryear, so here are a few features we think every DSLR should have now.

It’s not motion blur, it’s Iceland spar! Every year, I can’t think of anything I want for Christmas. So this …

Good or bad, photography as a medium is closely tied to the technological heritage of our cameras. As a result, technological developments often influence the type of gear we use and the type of photographs we take.

With that in mind, here are some areas of innovation that are likely to create even more change in the way we take pictures and the way manufacturers design cameras in the future.

Photographer Eric Hines has always wanted to travel to Iceland. So naturally, when the opportunity came up, he jumped at it. Seventeen days, four thousand miles driving and a lot of shutter actuations later, the gorgeous time-lapse above serves as proof that he made the trip.

When cutting edge technology translates into RAW video, 14fps burst capabilities and smartphone megapixel counts in the 40's, it's easy to take it for granted and forget where digital photography started.

So here's a little reminder of what digital photography looked like a couple of decades ago in the form of a Canon ad that boasts the capabilities of its still video systems, the digital camera before digital cameras.

Canon recently announced an exciting firmware update for its professional grade cinema camera: the EOS-1D C. But even though the fact that the 1D C can now shoot 25fps 4K is exciting, it's not improvements or bug fixes that have people talking, it's the fact that Canon is requiring that you go to an authorized service center to get the new firmware installed.