For several decades, there were two big names -- both of which happened to be German -- in the 35mm camera world that stood like skyscrapers among all companies. You’ve undoubtedly heard of both of them: Carl Zeiss and Leitz Camera, more commonly known as Zeiss and Leica.
Medium format cameras have long been cherished by photographers for their ability to produce images with exceptional detail, rich tones, and a unique aesthetic that’s difficult to replicate in smaller formats. While these cameras were historically the tools of professional studios and well-funded enthusiasts, the growing interest in film photography has created a vibrant market for medium format options that cater to a range of budgets. This guide is here to help you navigate the world of budget-friendly medium-format film cameras and find the perfect model to match your creative ambitions without breaking the bank.
Leica M-mount cameras and lenses are legendary for their precision craftsmanship and stunning image quality. But let’s face it -- Leica glass can be intimidatingly expensive. If you’re dreaming of getting the most out of your Leica setup -- whether it be digital or analog -- without spending a small fortune, you’re in the right place. The truth is that these days, you needn’t buy the most expensive glass to get incredible results; most major manufacturers are making lenses that are, at minimum, good. Many of them are making excellent optics, including those relatively new to the scene.
The resurgence of film photography in recent years has breathed new life into the world of analog cameras and for many, the 35mm format remains the gold standard. Its perfect balance of image quality, convenience, and affordability makes it a favorite among both newcomers and seasoned photographers.
During the tumultuous years of World War II, communication between American soldiers overseas and their loved ones back home was not just a matter of personal comfort but a crucial element in maintaining morale on the front lines.
Photography is an art and science deeply rooted in the manipulation of light. From the earliest days of the camera obscura to the digital age, photographers have sought to control exposure—the amount of light that reaches the camera sensor or film—to create compelling images. Central to this control are the variables of aperture, shutter speed, and ISO (no, ISO does not actually change the sensitivity but nevertheless plays an integral role in exposure choices).
In recent years, Venus Optics has developed a reputation for crafting innovative and unique optics, making a name for itself by producing lenses that often push the boundaries of engineering. I’d go so far as to say Venus Optics has become one of, if not the most exciting manufacturers on the market.
A couple of weeks ago, Leica announced the Leica LUX camera app, the legendary German company’s first smartphone app for taking photos. While the company has produced its FOTOS app for many years, this is its first dedicated to smartphone photography.
As a huge nerd for the history of photography, I've spent a lot of time reading about and studying products of the past. And there have been a lot, to say the least.
As many of us, including myself, prepare to travel this summer, we -- as photographers -- tend to carry a lot of lithium batteries for our photography gear. After all, we aren’t going to check our precious and pricey cameras, lenses, and other equipment. Naturally, batteries are a necessary component of any photographer’s kit, whether they be camera batteries, lithium-ion AA or AAA batteries, or something else.
A tripod head is one of the most important pieces of equipment a photographer can own. Most photographers start with cheap, shoddily built tripods with integrated heads, sometimes bought as part of a kit. While they don’t know it, these tripods aren’t worth their weight in plastic, which is a fancy way of saying they’re worthless.
While most of the attention in the photography world is focused on full-frame and APS-C products -- hardly surprising since those are what most companies focus on -- Micro Four Thirds is still one of the best systems on the market.
Last fall, Fujifilm unveiled its newest medium format camera, the Fujifilm GFX 100 II along with its first tilt-shift lenses and a new fast prime: the Fujifilm GF 55mm f/1.7 R WR.
I’m not just a camera history nerd, I’m also a huge fan of weird things in general. Weird and unique technology is especially fascinating, and I’m sure many readers here share the same sentiment.
My first digital ILC (interchangeable lens camera) was the Nikon D40, which I purchased during my senior year of high school in late 2007. That camera was followed by the Canon T2i (550D), which I bought in 2010, primarily because of Canon’s significantly more advanced video features; I have always been an active filmmaker as well as a photographer. Like most people, my first two lenses for each of these cameras were the kit 18-55mm zoom and a cheap nifty-fifty prime lens, so the cost of switching systems wasn’t exactly high.
I have always admired Sigma. It wasn’t regarded in the same league as it is today for its lenses until the Art series came out, but Sigma’s digital cameras have always been singular in design and purpose. The family-owned company has never been afraid to try something new, and honestly, that’s something we need to see a lot more of in the photography world.
One of the best things I’ve purchased as a photographer (and videographer) was an editing console. I own probably eight at this point, all with their own purposes and advantages.
Merriam-Webster defines “retro” as “fashionably nostalgic or old-fashioned.” With the rise in popularity of shooting on film over the past few years and the extraordinary success of instant cameras among the general populace, I think it is fair to say that retro cameras are likewise lusted after by many.
I write about a lot of things here at PetaPixel -- reviews, guides, technical articles, opinion pieces -- but one of my favorite topics to write about is the history of photography. As an avid user and collector of vintage cameras and lenses, I have passionately absorbed as much knowledge about their history as possible over many years. Like studying world history, there is much value in understanding where we came from and what got to us where we are now.
We don’t often extensively cover video gear here at PetaPixel, but we thought it might be helpful to cover some of the best hybrid cameras out there -- those cameras geared toward both photographers and videographers.
The compact camera, also known colloquially as the point-and-shoot camera, has been a staple of the photography world for over a century. Perhaps the first mass-market compact camera was introduced in 1900 by Eastman Kodak, costing a mere one dollar (about $36 today).
Photographic printing was once a widespread and vital art form in itself. While there were (and are) various techniques for producing prints from film, the most common in the film era was the use of light-sensitive paper and an enlarger -- the paper would be exposed to a film negative or positive transparency (slide film) via the enlarger in a darkroom, or a digital exposure unit such a minilab machine, which you used to find in just about every drugstore.
Cameras all have a pretty solid set of features and design elements that appeal to a wide range of users. But, for the most part, pretty much all of them lack a set of features that would make them all a lot more powerful and enjoyable to use.
The Meyer Optik Görlitz 35mm f/2.8 Trioplan II is a unique lens that performs its best when the bokeh is specifically integrated into a shot and not just a coincidence of the defocus area. That means it's not for everyone, but it has its place.
Film is back, and with its booming popularity, there are a lot of options to try. These are our top picks for the best 35mm film you can find today for a range of use cases.
I've been using the Panasonic GH6 for a few months so we could provide a long-term review for what was once a hotly-anticipated successor to the very popular GH5.
Venus Optics has introduced yet another unique lens to the market: the Laowa Argus 25mm f/0.95 APO for Micro Four Thirds. As a long-time user of the Micro Four Thirds system, I jumped at the opportunity to test drive this lens after I heard “0.95” and “APO” in the same sentence.
Once a staple of photography for the general populace, disposable (or “single-use”) cameras have become something of a niche -- most people who never stopped shooting film or those younger audiences who are coming to it for the first time choose to use an affordable SLR or point and shoot camera. The image quality is quite superior and a single roll of film is less expensive (though typically not by much) than a disposable camera.
Photoshop and Lightroom are mainstays in most photographers’ workflows for a reason. While other options abound, no other set of programs matches the popularity and widespread adoption of Adobe’s signature photography software. But while Photoshop’s manipulation capabilities and Lightroom’s processing and editing power are certainly robust, both offer even more power beyond the software itself in the form of plugins.
If you’re a photographer, you’re likely familiar with memory cards. They’re what our photographs are stored on -- removable flash media that we insert into a slot (or slots) in our camera, take photos, and then (sometimes) remove and insert into a card reader or card slot on our computer.