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Fujifilm X100VI hands on

Fujifilm X100VI Hands-On: It’s Nearly Everything We Wanted

I'm gonna let you in on a dirty little secret of mine: I never liked the original Fujifilm X100. When it first came out, I was -like many others- enamored by the beautiful styling, but the operation of the camera just never gelled with me. The rather boring -- in my opinion -- 35mm lens didn't help things either. It wasn't until I played with the newly designed X100V that I had my aha moment, and realized the appeal of this camera.

Hands-on With the New Samsung Galaxy S24 Devices and AI Features

Another year means another trio of Samsung flagship smartphones. This time, the Galaxy S24 lineup is headlined by the AI-driven Galaxy S24 Ultra. The Galaxy S24+ and Galaxy S24 are also getting the AI treatment, but after spending some time with all three, it’s obvious where the primary focus lies, especially as it relates to mobile photography.

Why Global Shutter Matters

Using the Sony a9 III for Concerts as Dave Matthews Band’s Photographer

Like most photographers, I’ve never reviewed a piece of gear before. Also like most photographers, I tend to voraciously read reviews each time I consider upgrading. Many of these reviews parse through micro-level analysis of pixel detail, noise levels, and test charts but to me fail to answer the simple question: “will this help me get the shot?”

Sony a9 III Hands-On: Finally, An Actual Game-Changer

This week, Sony announced the a9 III featuring the world's first full-frame 24-megapixel sensor to feature a global shutter in a interchangeable lens mirrorless camera. There have only been a few times in my reviewing career where I would, in all seriousness, call something an actual game-changer. This is certainly one of those moments.

Panasonic G9 II hands-on review

Panasonic G9 II Hands-On: It’s Made for Photographers, But is it Really?

The original Panasonic G9 was quite a revolutionary camera. Built around a modern and intimidatingly professional-looking body, the G9 featured blazing-fast burst rates, an exceptionally good EVF, and motion-compensated multi-shot mode. However, it has been seven years since the G9 launch -- a long time to wait for a successor.

Sony a7C II and aC7R First Impressions Review

Sony a7C II and a7CR Hands-On: Entry-Level No Longer

The original Sony a7C was very much an entry-level camera. I really liked the minimalistic styling; a strong departure from the boxy DSLR look of the other Alpha cameras, and it was easy to navigate, but suffered from what many entry-level cameras suffer from: a lack of manual control dials, and a bargain basement viewfinder. But now we've got an upgrade. Or rather, upgrades.

Adobe Firefly Review

Adobe Firefly is Way Behind: Is the Commitment to Ethics to Blame?

Last week, Adobe made waves by announcing the beta release of its new text-to-image generative artificial intelligence (AI) model, Firefly. Adobe says its new platform wasn't built using stolen images, but rather, as Adobe boasts, Firefly has been trained using Adobe Stock images, openly licensed content, and public domain content.

Testing the Apexel 200X LED Lens: A Microscope for Your Phone

I received a request from Apexel to review a phone accessory that connects to microscopes, telescopes, or binoculars. I replied to inform them that I had none of those pieces of equipment but I might be interested in reviewing a macro or microscope attachment to mobile phones.

Using the AstrHori 18mm f/8 Low-Cost Shift Lens

Low-cost lenses started appearing in the market in the last twenty years or so, with prices coming down steadily. When I saw another inexpensive lens in an article a couple of months ago, it grabbed my attention not with its price but with its core feature. It was a shift lens. An 18mm, fixed-aperture at f/8, shift lens at $119 was worth trying.

Canon R6 Mark II Review

Canon R6 Mark II Review: A Well-Rounded Upgrade

Canon’s EOS R6 Mark II is a major yet, in some ways, a subtle upgrade over the original R6. The new R6 Mark II is faster and more capable than the R6 in most regards, and it addresses several of the limitations found in the original model.

SuperMonkey

Hands-On with the Sigma 60-600mm f/4.5-6.3 Sports Lens: Lots to Like

The Sigma 60-600mm for Sony E-Mount is a versatile, compelling, and unique lens with a mindblowing 10x optical zoom range. As with any all-in-one lens, it’s not without its compromises, and the $2000 price puts it up against Sony’s native FE 200–600mm f/5.6–6.3 G OSS, even though the Sigma has a more versatile zoom range.

Westcott Eyelighter 3 Review: A Solid Portable Curved Reflector

Westcott recently released its third version of the popular specialist tool, the Eyelighter. If you happen to be a working headshot or portrait photographer, there is no way you haven’t seen it, thought about buying it, or even had it in your shopping cart at some point.

Thoughts on the Nikon Z9 by Someone Who Has Used Every Nikon DSLR

In all my years in photography, I don’t think any camera has had as much buzz leading up to its release as the Nikon Z9. There were many reasons for that, both good and bad, but now that the camera’s here, does it live up to the hype? After one week of using it, I think so.

Review of the TourBox Elite: My Favorite Editing Tool is Now Wireless

Last year I got my hands on a weird little controller console called the TourBox that would end up being an invaluable part of my editing workflow. I reviewed the original TourBox controller, with its assortment of buttons, dials, and scroll wheels, and loved how it allowed me to map certain shortcuts and functions in Final Cut Pro X, Lightroom, and Photoshop to save a lot of time while editing.

Hands-On with Lightroom’s Powerful New Masking System

In a new update, Adobe is greatly increasing the masking capabilities of its Lightroom applications as well as Adobe Camera RAW. While it is not as powerful as what is found in full-fledged Photoshop, you will find yourself wondering how you ever lived without it.

Shooting with the Canon EOS R3 for a Full Week

As a Canon Ambassador, I had the opportunity to work extensively with a pre-production version of the new Canon EOS R3. This article isn’t a test report, but rather, a report on my experiences with the camera, and an account of how it compares to my current EOS R5.