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After the release of the Sony 12-24mm f/2.8 G Master lens, I thought that that was it: Sony finally released my dream lens. But on a call with Sony a few weeks ago I was told that "something was coming, and it had my name on it."

Pentax recently provided me with the new Pentax K-3 III and an 11-18mm lens. It is a pre-production model and the firmware is not final yet. This means that quite a few things don't work yet or don't work as they should.

Photographer Mathieu Stern was browsing a flea market when he came across a Zenit Fotosnaiper, a Soviet-era camera rig that looks and feels more like a rifle. Stern jumped at the opportunity to have a copy of his own and to go hands-on with the camera.

To kick off 2021, Fujifilm announced two new X-Series lenses and a new X-Series body. One of those lenses is the XF 27mm f/2.8 R WR pancake lens, an update to the current 27mm.

Earlier this month, Sigma announced three new lenses for Sony E and Panasonic/Leica L Mount cameras: The Sigma 35mm f/2, 65mm f/2, and 24mm f/3.5. These lenses, while bearing the “Contemporary” badge, are part of a new “I series” category.

I've had the Nikon Z6 II in my possession for the past three weeks and have been able to put the camera to use photographing birds, and I'd like to share my thoughts on the experience.

After a little over a year of owning the Sony FE 35mm f/1.8, I think it’s time to write a review. This will be no way a technical review but based more on actual usability and real-world use.

When I started freelancing as a professional photographer, I knew I had to put together a printed portfolio. Unfortunately, I found it very hard to find useful resources on the Internet on how to actually do this. As I had some experience in bookbinding I managed to bind my first book by myself, but after three books I realized that in this stage of my career, I needed to have something a little more flexible.

As a landscape and travel photographer, I often carry around an ultra-wide-angle 14mm lens and the Tamron 28-75mm f/2.8. Last week I was able to test the latest addition to the Tamron series for full-frame mirrorless cameras: the 70-300mm f/4.5-6.3 Di III RXD. And I think I've found the perfect addition to my usual 2-lens kit.

I've always tried to create visual content with the highest possible quality and resolution, paying a lot of attention to detail and composition. In the beginning of my career that meant using large and medium formats, but lately, one of my favorite cameras is quite the opposite.

I was one of the lucky ones who got their hands on the Canon EOS R5 early in August of 2020. The camera arrived in the morning, just before my flight to the Lofoten Islands. Here's a summary of my experience climbing to 7 summits in 7 days with Canon's new flagship mirrorless camera.

Photographer Mathieu Stern recently had a chance to spend a week with the TTArtisan 50mm f/0.95 lens, and he decided to stick it on his Sony a7 III to see what shooting video at f/0.95 is like.

Ring flashes have always been among my favorite lighting tools. They can be used as effective key lights in certain situations, but I more often use them as front fills, as part of a multiple light setup.

The Fujifilm X-Pro3 is Fuji’s flagship stills-orientated body aimed at street and documentary photographers. And while it mostly follows the rangefinder style body of the previous bodies, the X-Pro3 features some significant design changes that will affect the way you use it.

Very few photography brands can sustain a legacy full of history. Meyer Optik Görlitz has brought back a 100-year-old design with modern quality construction that renders a vintage unique style that endures artistic at this modern age.

Yesterday, Sony finally revealed the long-awaited and much-anticipated Sony a7S III. So far, the initial reviews are extremely positive, with only a few complaints between them. But don't take our word for it! We've put together a round-up that covers some of the best hands-on previews that we've seen so far.

Living in the NYC area means you’re living around one of the greatest cities in the world -- a city that now I’ve personally seen fall to its knees twice. Once on September 11th. And now during COVID-19.

The Leica SL2 replaces the SL typ 601 and represents the very best performance and image quality that Leica can produce. It’s the flagship. While maintaining iconic colours and shooting experience, this camera is one of the best pieces of equipment I have ever had the pleasure of using.

One of the features that Canon mentioned in passing when it revealed the EOS R5 and R6 was the addition of Animal Eye AF. Combined with the new and improved Dual Pixel CMOS AF II, the feature should work pretty well, but now we have our first real-world tests that actually show it in action.

I am a Canon Ambassador and I had the chance to test the new Canon EOS R5 (pre-production model) that we have all been anticipating for such a long time. This is not a review of the camera, but I wanted to share some of the most important settings and show you some real-life samples I was able to shoot that week.

Everyone that knows me knows that I love shooting with extreme wide-angle lenses. When I had just gotten the original a7 and no native (fast) wide-angle lenses were available yet, I was always shooting with the Samyang 14mm.

Earlier this week, Apple released the latest iteration of the 13-inch MacBook Pro. And while the update came with some very welcome additions, many felt that it was a half-step: a refresh rather than a redesign, like we saw with the 16-inch MacBook Pro earlier this year. Now that we have one in hand, we tend to agree.

After teasing an “in development” announcement late last year, Tamron’s all new 70-180mm f/2.8 for Sony E-mount is finally about to hit store shelves. With the release of this lens, Tamron will complete their “holy trinity” for Sony mirrorless.

I didn't have a terribly long time with Fujifilm’s latest hybrid shooter before it was released—it was only about a week for what you see shot below—but thankfully, not too much has changed since the previous X-T3, and what has is obvious and easy to evaluate.

I went into my hands-on with the Olympus OM-D E-M1 Mark III with no expectations. For me, it had been many years since I had used an Olympus (aside from an afternoon borrowing from a friend who had an older PEN camera about five years ago, the last time I shot with Olympus was with the E5 and E3).

Indian wedding photographer Ankita Asthana recently traveled to Rome for a shoot and brought along the $8,000 Nikon NIKKOR Z 58mm f/0.95 S Noct lens to test out. She shares her thoughts and a behind-the-scenes look at the shoot in this 7-minute video.

Last month, as a Canon Ambassador, I had the opportunity to try out the new DSLR flagship camera, the Canon 1D X Mark III, for 2 days. This is neither a technical review nor a test report. The video above will show you how I worked with the new camera.

Back in mid-2017, I was tasked with reviewing Sigma's first 24-70mm lens, the 24-70mm f/2.8 DG OS HSM IF Art lens, and I was extremely disappointed. You can read my whole review here, but in summary, I found it to be sadly inconsistent with its sharpness. Most notably, I found that edge sharpness was really quite bad.

The trinity is now complete. Since the release of the Canon EOS R about a year ago, the mirrorless camera is my go-to tool for shoots. Not least because of its size and weight, as well as the amazing lenses (RF 28-70mm f/2, RF 50mm f/1.2, and my RF 24-240mm f/4-6.3 expedition lens) the EOS R has benefits over its DSLR counterpart.

Up until a few weeks ago, I had never used a Leica. I don't think I'd ever even held one or knew much about them other than the occasional story of an outlandishly expensive iteration on a camera previously on the market. I had preconceived notions about the kind of company Leica was, about their goals, and about their strategy. I expected very little, regardless of what they were going to show me.