At a media event in New York City last week, I spent several hours with the new Fujifilm X-T5, and I came away with some interesting first impressions. The camera is a lot better, but not necessarily because of the specs.
The EOS R6 Mark II surprised me. Historically, Canon's "6" series has been a stepping stone camera that, at least to me, lacked an identity of its own. That changes with the R6 II, which now punches way above its weight.
Film isn’t dead yet. That’s the obvious message behind Leica digging up its roots and reimagining its storied M6 rangefinder film camera from 1984 and releasing a brand new variant in 2022.
There has been a lot of talk about AI generated images and visual art. One of the projects that I found most impressive was DALL-E 2. This is a new AI system that can create realistic images and art from a description in natural language.
Westcott recently released its third version of the popular specialist tool, the Eyelighter. If you happen to be a working headshot or portrait photographer, there is no way you haven’t seen it, thought about buying it, or even had it in your shopping cart at some point.
Samsung has revealed the credit card-sized T7 Shield SSD that promises plug-and-play functionality on Mac, PC, and Android devices. It is also Samsung's most durable portable SSD to date and is designed for travelers and outdoor content creators.
Photographers Long Nguyen and Garth Milan recently got their hands on the new Canon EOS R3 and put it through its paces capturing motocross. The two share their thoughts on how Canon's latest fits in their profession.
Leica has finally officially revealed the M11 Rangefinder, letting us finally put all the rumors of what we may or may not expect to rest. Now that it's here, what has five years of development given us?
In all my years in photography, I don’t think any camera has had as much buzz leading up to its release as the Nikon Z9. There were many reasons for that, both good and bad, but now that the camera’s here, does it live up to the hype? After one week of using it, I think so.
Last year I got my hands on a weird little controller console called the TourBox that would end up being an invaluable part of my editing workflow. I reviewed the original TourBox controller, with its assortment of buttons, dials, and scroll wheels, and loved how it allowed me to map certain shortcuts and functions in Final Cut Pro X, Lightroom, and Photoshop to save a lot of time while editing.
In a new update, Adobe is greatly increasing the masking capabilities of its Lightroom applications as well as Adobe Camera RAW. While it is not as powerful as what is found in full-fledged Photoshop, you will find yourself wondering how you ever lived without it.
After months of teasing, Canon finally let me get my hands onto a pre-production EOS R3 for a few days, during which time I tried every test I could think of.
As a Canon Ambassador, I had the opportunity to work extensively with a pre-production version of the new Canon EOS R3. This article isn’t a test report, but rather, a report on my experiences with the camera, and an account of how it compares to my current EOS R5.
Crazy. Ambitious. Innovative. While those may not be the first three words that come to mind when you hear about the iPhone 12 Pro Max and Profoto Pro-11, they are precisely what I think this pairing comes down to.
The LargeSense LS911 is definitely a camera that is not for everyone. It is well-suited to individuals who want to thoroughly explore large format photography or who already have experience working with large format camera systems. Either way, the venture depends on having a large budget.
The Canon EOS R3 has been one of the most discussed cameras of the year, but until this point, it appeared to only exist on paper, in renders, and in the minds of Canon engineers -- but not anymore. In a video published by Gordon Laing, he shows that the camera is indeed real and not just vaporware.
After the release of the Sony 12-24mm f/2.8 G Master lens, I thought that that was it: Sony finally released my dream lens. But on a call with Sony a few weeks ago I was told that "something was coming, and it had my name on it."
Pentax recently provided me with the new Pentax K-3 III and an 11-18mm lens. It is a pre-production model and the firmware is not final yet. This means that quite a few things don't work yet or don't work as they should.
Photographer Mathieu Stern was browsing a flea market when he came across a Zenit Fotosnaiper, a Soviet-era camera rig that looks and feels more like a rifle. Stern jumped at the opportunity to have a copy of his own and to go hands-on with the camera.
The image embargo for the Sony A1 lifted today and as such the first batch of reviews has been published. The camera found its way mainly into the hands of YouTubers, who have pretty unanimously lauded praise on Sony's new flagship.
I have to say that I absolutely love when Fujifilm gives me a project. I tend to make some of my best work when I am under a deadline. And of course, I’m incredibly honored that I am one of the few that they trusted with this beast pre-launch.
To kick off 2021, Fujifilm announced two new X-Series lenses and a new X-Series body. One of those lenses is the XF 27mm f/2.8 R WR pancake lens, an update to the current 27mm.
When Fujifilm announced the X-S10 near the end of 2020, many thought that it might be the end of the X-T30/X-E3 line. With the announcement of the new X-E4, Fuji not only continues the compact rangefinder-style design, they also make it a very competitive camera.
Earlier this month, Sigma announced three new lenses for Sony E and Panasonic/Leica L Mount cameras: The Sigma 35mm f/2, 65mm f/2, and 24mm f/3.5. These lenses, while bearing the “Contemporary” badge, are part of a new “I series” category.
Tokyo-based journalist Albert Siegel has published one of the first hands-on previews of Pentax's new APS-C flagship DSLR, the K-3 Mark III. His 6-minute video above provides a closer look at a camera that's set to be officially launched sometime in early 2021.
I've had the Nikon Z6 II in my possession for the past three weeks and have been able to put the camera to use photographing birds, and I'd like to share my thoughts on the experience.
After a little over a year of owning the Sony FE 35mm f/1.8, I think it’s time to write a review. This will be no way a technical review but based more on actual usability and real-world use.
When I started freelancing as a professional photographer, I knew I had to put together a printed portfolio. Unfortunately, I found it very hard to find useful resources on the Internet on how to actually do this. As I had some experience in bookbinding I managed to bind my first book by myself, but after three books I realized that in this stage of my career, I needed to have something a little more flexible.
As a landscape and travel photographer, I often carry around an ultra-wide-angle 14mm lens and the Tamron 28-75mm f/2.8. Last week I was able to test the latest addition to the Tamron series for full-frame mirrorless cameras: the 70-300mm f/4.5-6.3 Di III RXD. And I think I've found the perfect addition to my usual 2-lens kit.
I've always tried to create visual content with the highest possible quality and resolution, paying a lot of attention to detail and composition. In the beginning of my career that meant using large and medium formats, but lately, one of my favorite cameras is quite the opposite.