Opinion

A black Pentax K-1 Mark II DSLR camera with a large lens is displayed on a plain white background. The camera features a textured grip and several control buttons and dials.

What the Curious Case of the Pentax K-1 Tells Us About Photography (and Photographers)

Despite being ahead of its time, the Pentax K-1 (and its Mark II upgrade) was a camera system that promised so much yet appears to have run out of road. Born seemingly from an R&D department whose chains had been freed, the engineers went wild, strayed off-script, and produced a camera full of innovation. Fast forward to 2024, and a lack of lens support paired with no upgraded models in over six years leaves Pentax owners in an unwanted state of limbo where even the most loyal customers are now compelled to look elsewhere.

A sequence showing the phases of a solar eclipse against a twilight sky. The progression moves from crescent-shaped phases to totality at the center. Snow-capped mountains are visible at the bottom against the horizon.

Pixelmator Pro’s ‘Smart Deband’ Saved One of My Favorite Photos

Like many photographers, I'm entrenched in a specific editing workflow. I use Adobe Lightroom Classic for the basics -- and even some of the more advanced edits -- and Photoshop for the rest. It works for me, and I'm not keen to jump through any hoops to change my process. However, Pixelmator Pro features a tool that made me pivot last week when I tried to make a print at home over the Thanksgiving holiday: Smart Deband.

Close-up of a camera's sensor and lens mount with the label "E-mount," showing a metallic circular opening and electronic contacts. The camera body has a textured black finish and visible buttons.

Sony Reusing an Image Sensor in the a1 II Is Not That Weird

A lot of the conversation surrounding Sony's new flagship camera, the a1 II, concerns the camera's image sensor. The 50-megapixel backside-illuminated stacked sensor is the same as the one featured in the original a1 which released in 2021. While some describe the reused sensor as disappointing, it is normal for Sony to use the same sensor across multiple iterations of the same camera series.

Two digital cameras are floating against a dynamic background of yellow and orange light streaks. The larger camera is positioned to the left, while a smaller version is on the right. Both cameras have visible lens mounts.

Sony Has the Problem Every Competitor Wants: Its Flagship Was Too Good to Follow

The Sony a1 II has arrived, and it is a fantastic flagship camera. However, while its predecessor was leaps and bounds ahead of the competition, the mirrorless flagship camera race is much closer in 2024 than it was in 2021, and it has left the a1 II in a somewhat awkward position -- it feels like the middle child in a camera series that only actually has two models.

An abstract image depicting a red and white letter "A" logo partially submerged in the ocean, surrounded by several shark fins with Apple logos. The sky is cloudy, creating a dramatic atmosphere.

Apple Smells Blood in the Water

In just the last year and a half, Apple launched Final Cut on iPad and Final Cut Camera, updated Final Cut Pro to a new version for the first time in 13 years, and moved to purchase Pixelmator. As Adobe's public perception continues to struggle, Apple is making moves to take advantage.

Close-up view of a Sony Alpha 9 camera body, showcasing the E-mount connection in the center. The camera is black, with textured grips and visible branding at the top. The camera is displayed against a dark background.

The Sony a7S Series Can Be Saved By Sony’s Global Shutter Sensor

The Sony a7S series is the oft-forgotten member of the Alpha lineup, languishing in the shadows of its siblings and never quite finding a place to shine. However, while some think the series should -- or at least will -- be left in the past, perhaps the Sony a9 III shows that there's instead a path to a bright future for a hypothetical a7S IV.

The image shows two logos: Adobe Photoshop (Ps) on the left and Adobe Illustrator (AI) on the right, with a "not equal" symbol (≠) between them. The background is a swirling, abstract design with shades of green, blue, and black.

AI Empowers Fake Photos and Disinformation in Ways Photoshop Never Could

Since digital image editing tools like Adobe Photoshop hit the scene in the late 1980s, there have been heightened concerns about whether photos can be trusted. This long-time worry has become an increasingly common refrain among artificial intelligence's most ardent defenders, but it doesn't serve as a sound defense against criticisms of AI.

Black and white photo of a modern building with the Adobe logo prominently displayed on its facade. The building has large, square windows and the sleek design typical of corporate architecture. The Adobe logo consists of a stylized 'A' and the word "Adobe".

I Hope Adobe Can Overcome Some Photographers’ Vitriol

This week, PetaPixel published a podcast where the entire premise was simply posing questions provided by photographers to Adobe. But just the act of publicizing those answers immediately turned some viewers off, showing a huge number need to see action, not words -- if anything at all will work at this point.

A person with a beard and wearing a red plaid shirt holds up a gray Google smartphone, showing its back with the Google "G" logo. The blurred background features colorful, abstract shapes. The image includes text: "PetaPixel Hands-On.

Google’s Pixel 9 Pro May Have Finally Made AI Useful

We have been extremely skeptical of AI tools, especially as they relate to photography. But today during the launch of the Pixel 9 Pro, Google said its latest round of Gemini-powered AI would be actually helpful and after seeing some of what it can do, we might agree.

A man riding a bike in the air.

A Two-Week Bike Expedition in Kyrgyzstan with the Canon R5 Mark II

My history with the Canon mirrorless series started in late 2018 with the launch of the EOS R. Since then, I have switched from the EF to the RF mount, and for the past four years, I have worked intensively with two EOS R5 cameras. They have been loyal companions during my projects, and I have completed hundreds of photo and video shoots with them. When I became aware that Canon was launching a successor, I couldn't wait to get my hands on a sample.