We Are Nature is an awesome portrait project by photographer Christoffer Relander of Raseborg, Finland. He used a Nikon D700 for in-camera multiple exposures and then made small contrast and tone adjustments in post for his surreal portraits.
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For his surreal series titled “Beibeees”, artist Alberto Seveso blended photos of women with smoke-like photographs of ink in water. To recreate this kind of look, try shooting smoke or ink against a pure white background and then use the cloudy formations as a layer mask on a portrait.
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Montreal-based photographer Benoit Paillé‘s Alternative Landscapes project features photos of various outdoor locations lit with a glowing square. The images aren’t Photoshopped: Paillé actually suspends a 1×1 meter cube for the beautiful illumination seen in his images.
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The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.
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Photographer David Nemcsik of Budapest, Hungary has a beautiful project titled the “Levitation Project” that features surreal images of people floating in midair in a lying up down position. The subjects are Nemcsik’s friends, and the locations were picked by asking them this simple question: “where were you in your last dream?”.
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Here’s a tutorial by photographer Stephen Davies on how you can create a pseudo double exposure photograph using a couple simple steps in Photoshop.
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Last month we shared a long exposure photograph by NASA astronaut Don Pettit that showed star trails and city trails in the same frame. Turns out the photo was just one of many long exposure images shot by Pettit so far during Expedition 31. The photograph above shows star trails, an aurora, and flashes of lightning splattered all across the surface of the Earth.
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For his project Flying Houses, photographer Laurent Chehere photographed various buildings and then Photoshopped them to transform them into surreal UP-style floating houses.
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For his project titled Perspe, Italian photographer Gustav Willeit created imaginary locations by mirroring landscape photographs and then adding in non-symmetrical elements into the images.
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At first glance, photographer Timothy Pakron’s “Silver Print” series of portraits might look like ink paintings or some kind of CG art. They’re actually photographs created by hand painting developer onto photo paper in the darkroom instead of immersing the paper entirely in the solution. Pakron writes,
By using the familiarity of the face as the template, my process involves hand painting the developer in the darkroom, intentionally revealing specific, desired aspects of the face in the negative. Doing so creates a stark negative space that gives the portrait a lucidity. Instead of creating a realistic, straight from film portrait, I am more interested in exploring how the original image can be brought to the surface in alternative ways. The portraits embody their own unique strangeness.
