Sirui has announced the expansion of two new autofocus lenses for its budget-friendly f/1.2 Sniper series. The addition of the $399 16mm wide-angle and 75mm telephoto lenses for the APS-C system complements existing 23mm, 33mm, and 56mm lenses, offering creatives a much more comprehensive set of tools to capture whatever life throws at them.
Zhongyi Optic's latest lens is the Chuichi Kogaku Speedmaster 20mm f/0.95, an ultra-fast, manual focus, mirrorless lens designed for Nikon, Canon, Sony, and Fujifilm APS-C cameras that suspiciously shares a lot in common with its 20mm T1.0 Mitakon lens.
Megadap has announced its third generation Sony E-mount lens to Nikon Z-mount camera autofocus adapter, the ETZ21 Pro. It retains the super-thin design but ditches the USB port and can now be updated through the attached Nikon camera instead.
Venus Optics had a big hit with the original Laowa 24mm f/14 probe lens. What first garnered snickers and jokes, proved to be a unique video lens and the peri-probe lens with a 90-degree rotating end soon followed. Now Laowa has some serious competition from a company with a name I struggle to pronounce.
7Artisans has announced a new 24mm f/1.4 wide-angle prime lens for six APS-C camera mounts that is extremely cheap, but it doesn't have autofocus.
Following up on its 28mm f/13 macro probe lens from 2022, AstrHori has announced a new 18mm f/8 2x Macro Probe Lens designed for APS-C cameras and available in Sony E, Nikon Z, Fujifilm X, Canon RF, Canon EF, and Micro Four Thirds.
Meike has announced a new Sony E-mount to Nikon Z-mount autofocus adapter that allows photographers to use their Sony lenses on Nikon's new mirrorless camera bodies.
Pergear has announced a 14mm f/2.8 manual focus ultra-wide rectilinear lens for full-frame Sony, Nikon, Canon, and Leica mirrorless cameras.
The Meyer Optik Görlitz 35mm f/2.8 Trioplan II is a unique lens that performs its best when the bokeh is specifically integrated into a shot and not just a coincidence of the defocus area. That means it's not for everyone, but it has its place.
Irix has announced a second version of its 150mm T3.0 cinema lens called the 150mm T3.0 Tele. It doesn't replace the previous version, but makes it more usable for a wider audience by improving the focus and aperture range and removing the macro designation.
This lightweight and compact 18mm f/8 shift lens from AstrHori allows photographers plus or minus 6mm of panning shift and a rotation of 360 degrees to better capture cramped spaces or vast landscapes.
AstrHori has announced a new 12mm f/2.8 fisheye lens for full-frame mirrorless cameras. The $256 optic is available for Nikon Z, Sony E, Leica L, Fujifilm GFX, and Canon RF mounts.
AstrHori has announced an 85mm f/1.8 portrait lens for Sony E-mount full-frame cameras that promises high-end results for an extremely low cost of entry.
TTArtisan has announced that its 50mm f/1.4 Tilt lens which was originally released for Sony E and Leica L-mounts two months ago is now available for Fujifilm X, Canon RF, and Nikon Z mounts.
Meike has announced a new 25mm f/0.95 manual focus lens for multiple APS-C camera mounts. The $370 optic is currently available for Sony E mount, with the promise of Fujifilm X, Canon EOS M and RF, and Micro Four Thirds coming next month.
Pergear has announced a new $129 35mm f/1.4 full-frame manual focus lens for Sony E, Canon RF, Nikon Z, and Leica L mounts.
Fotodiox has released the first commercially available lens adapter for Fujica GL69 bayonet lenses for just about every current mirrorless camera mount on the market.
Meike has announced a new 35mm f/0.95 large aperture lens for six different camera mounts: five APS-C and Micro Four Thirds. While fully manual, it boasts solid image quality and a relatively affordable price.
Tokina has announced the atx-m 11-18mm f/2.8 E, its first super-wide-angle zoom lens designed exclusively for mirrorless and promises full compatibility with Sony E-Mount APS-C cameras.
Sigma has announced two new primes that bolster its lineup of wide-angle options for full-frame Sony E-mount and Leica L-Mount cameras: the 24mm f/1.4 DG DN Art and the 20mm f/1.4 DG DN Art.
TTArtisan has announced a new 50mm f/2 full-frame manual focus lens. Though not the fastest “nifty fifty” in the company arsenal, the standard focal length lens has a natural viewing angle and the company says it has a fast enough aperture to provide high performance in low light.
Sony has announced a firmware update that brings additional professional cinema camera features to the Sony FX3 including additional log shooting modes, LUT importing, and timecode sync.
Venus Optics has announced the 12-24mm f/5.6 compact zoom lens for full-frame cameras. The $650 fixed-aperture, manual focus lens is available for Canon RF, Sony E, Nikon Z, and Leica M mounts.
Meike is making a name for itself as the king of low-cost lenses. Its new 50mm f/0.95 lens is fast, comes in five camera mount options, and costs only $250.
Venus Optics has announced the Laowa 90mm f/2.8 2x Ultra Macro APO for Canon RF, Nikon Z, Sony E, and Leica L mount full-frame cameras.
Megadap has announced its second-generation Sony E to Nikon Z autofocus adapter, the ETZ21, which it says solves a lot of the performance and compatibility issues that existed with the original adapter.
Finally, six years after the original launched, Sony has updated its 24-70mm f/2.8 G Master lens. The original has lagged behind competitors for some time, but the long wait for a successor is finally over.
The Benro Aureole, originally announced in January, is officially launching on Kickstarter. The company says it is the first detachable, multi-function system that allows photographers to both adapt lenses and also use filters.
Venus Optics has announced the Laowa 20mm f/4 Zero-D Shift lens that provides a plus or minus 11mm shift on full-frame cameras and gives architectural photographers the ability to have more control over perspective.
Samyang has announced the second generation 35mm f/1.4 FE autofocus lens for both full-frame and crop sensor Sony E-mount cameras. With its launch, Samyang says that the major angles of 50mm and 35mm in its f/1.4 lineup have been updated.