
Pinsta Instant Camera: An Analog Micro Darkroom and Negative Enlarger
Pinsta Instant Camera is a new pinhole camera that can shoot directly onto positive 4x5 inch photographic paper where it develops internally, eliminating the need for a darkroom.
Pinsta Instant Camera is a new pinhole camera that can shoot directly onto positive 4x5 inch photographic paper where it develops internally, eliminating the need for a darkroom.
Film photography retailer Analogue Wonderland has announced the launch of its very own women-led processing lab, aptly named the Analogue WonderLab.
It’s 6:30PM on the 4th of July in Boston and I had just gotten off work—one of those poor souls whose job doesn’t care about national holidays. What’s worse is that all of my plans fell through; my roomies are at a private event on Google’s rooftop, the cute gal I’m dating is visiting family in Pittsburg, and all of my climber bum friends are up in New Hampshire making the most of a 4 day weekend.
Using an 8x10 camera requires patience, attention to detail and a whole lot of steps in between. But don't worry if you've never done it before: here to walk you, step-by-step, through the entire rewarding workflow is Tim Layton of Black and White Fine Art.
As Bill Cosby can attest, Kids Say the Darndest Things. To see what kids would say when given a piece of technology from a bit before their time, TheFineBros YouTube channel handed a handful of kids a 35mm film point-and-shoot camera and started recording.
The results are... well... you judge for yourself.
The Impossible Project CEO Creed O’Hanlon dropped quite the statement and statistic in an article on the resurgence of Polaroids by The Guardian.
"Teens," O'Hanlon said, "[are] turning their backs on digital for something more tangible." A fact he says is backed up by explosive growth in their sales to the 18-25 year old demographic.
In their ongoing effort to keep film fun and interesting, Lomography has announced the new Lomography LomoChrome Turquoise XR 100–400 film stock. Designed to be developed in the standard C–41 process, the film stock will come in both 35mm and 120 varieties, with an initial batch of 5,000 being prepared for pre-order.
Inspired by Steve McCurry’s “The Last Roll of Kodachrome,” four Tokyo-based photographers took to the streets with only a single roll of 120 film and a Hasselblad to capture what it would be like to shoot the very last roll of film in existence.
To pay homage to the return of beloved instant film, Mercedes-Benz has created a four and a half minute mini-documentary that takes an inside look at the inspiration behind bringing it back, the machinery used to make it, and even a look at how the analogue sorcery works.
There are only four places left in the world that are capable of producing color film for both cinema and photography, and one of those is asking for your help to properly rise from the ashes and help secure "100 more years of analog film."
Online content studio Rubber Republic recently created something called #PictureBelfast, a photography-based viral campaign designed to showcase their city on behalf of Tourism Ireland.
But this isn't just a set of pretty pictures -- it's an interactive challenge that wants to see if you can tell the difference between a film photograph, and a filtered wannabe taken with a smartphone.
We’ve shared some pretty awesome DIY cameras with you in the past, and today we've run across one of the most impressive to date.
A 6x17 panorama film camera, it was hand-built out of wood and 18-gauge steel by Instructables user mattthegamer463. And you're welcome to build one yourself or just stare wide-eyed at his.
Kodak recently issued an official statement confirming the discontinuation of yet another film stock: the much-loved, fine grain, chromogenic black & white film BW400CN.
Just last week we shared the news that a number of top filmmakers were helping to save Kodak motion picture film, pushing through a deal between the noted film manufacturer and studios.
While initial reports stated Quentin Tarantino, Christopher Nolan, Judd Apatow and J.J. Abrams are all dropping some names and heartfelt thoughts on the matter, a letter to Kodak from iconic director Martin Scorsese recently poured some serious gasoline on the film-love fire.
In terms of marketshare, it’s rather obvious digital photography has the upper hand. Whether it’s convenience or other reasons, digital seems to make sense for many for its flexibility across the board. But, despite vast advantages of a digital workflow, there are those still dedicated to analogue photography.
In an attempt to understand why it is some photographers are dedicated to film, wedding photographer and filmmaker Amrit Vatsa took a look into the art form that is analogue photography.
Lomography released yet another unique type of film emulsion. Or rather, it’s managed to repackage an existing emulsion, converting it for use in 35mm cameras.
In the world of analogue photography, the larger you go in format, the more time, discipline and resources it typically takes to capture and develop your photographs. And while the age-old technique of developing film takes due diligence no matter the format, large format photography in particular has a certain quality to the process that makes it stand out from the rest.
Digital cameras naturally present us with a number of advantages, among them the oft-overlooked inclusion of detailed information about how (and often where) the photographs we captured, otherwise known as metadata.
Analog shooters don’t have this luxury. We usually resort to either forgoing it completely, scratching down notes with whatever pen and paper we have handy, or utilizing an application created for this purpose. That's where a new notebook designed by Ilott Vintage comes in.
Earlier this year, renowned Cape Town photography store Orms developed their last roll of slide film through the E6 process. To bring the era of a legendary process to a proper close, Hero AV brought together a short documentary depicting three photographers who were asked to shoot the last of the slide film that would be developed at the lab.
Today, Google has officially announced Analog Efex Pro II, the latest update to its Nik Collection line-up. Striving to “pay homage to the classical, vintage, and alternative processing techniques that photographers used so many years ago,” this update includes a plethora of new features and fixes, further refining the program and taking it to the next level.
As Instagram goes to show, people love to give their mobile photos that extra bit of pop, to make them stand out from the rest and give them an aesthetic true to photography past. To do so, they rely on various applications, most notably VSCO Cam, which claims to be the “standard” among mobile photography applications. However, as of today, there’s a new contender: Litely.
Two months after being in Sochi to cover the 2014 Winter Olympics, photographer Guy Rhodes is sharing some of the images he captured there. But they’re not just any images. They’re analog images. 4x5 images, to be exact.
Using 34 sheets of Tri-X and a Crown Graphic 4x5 camera, Rhodes describes capturing the games with such a beast (while also shooting digital) as, "among the top experiences [in his] life."
For those of you who, like me, enjoy shooting film on occasion but keep a predominately digital workflow, German company Reflecta has a new 35mm film scanner on the way that will blow away almost any other consumer-level scanner you're going to find.
Noticing the successful efforts of both Lomography and The Impossible Project, inventor Bob Crowley has been inspired to take his own dive into the niche market of the re-creation of discontinued analog films. He and his team at New55 FILM have created a Kickstarter in hopes of funding the start up of 4x5 instant film production.
After his first successful Kickstarter, Jerome Daksiewicz is back at it again. This time around he's working to create a neat collection of screen-printed posters based on the boxes and containers of film stocks past and present.
At a time when digital production workflows are becoming more and more ubiquitous within Hollywood, the news of a director utilizing an analogue workflow on a big production always seems to strike a chord with those who appreciate the aesthetic and feel of film.
Thankfully, for those of you who do enjoy such news (myself included), two major directors are choosing film over even the highest-of-res digital for their upcoming (and already released) blockbusters.