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A silver, rectangular digital camera body without a lens is shown on a grey surface, featuring a prominent grip and a large circular lens mount in the center.

The HeBF Grip for the Beautiful Sigma BF Camera Is Available to Order Now

The stylish new Sigma BF has proven very popular with photographers, quickly selling out in Japan ahead of its release this week. Some of those photographers may be keen to add a grip to the BF, ensuring a bit more purchase when using larger and heavier L-Mount lenses. That's where Helium Design Lab's HeBF grip comes in.

8 Pro Tips to Elevate Your Nature Photography Instantly

A sea turtle swims near a coral reef underwater with sunlight streaming down; beside it, a mother bear and her two cubs stand by the edge of a forested riverbank.

Adobe Lightroom Ambassador Melissa Findley is a photographer with a deep interest in travel, adventure, landscape, and lifestyle photography. Her passion for visual storytelling has taken her across the globe, leading to significant projects with major brands and non-profit organizations. The acclaimed Australian-born photographer shares her invaluable insights with PetaPixel, offering tips to elevate the nature photography skills of enthusiasts at every level.

Left: A fluffy emperor penguin chick stands beside an adult. Right: Many adult emperor penguins huddle closely together, their bodies dusted with frost, to stay warm in the cold.

Wildlife Filmmaker Explains What It’s Like Filming Penguins in -50° Weather

National Geographic's new three-part documentary, Secrets of the Penguins, premiered last Sunday and enchanted viewers with, as its name suggests, incredible footage of penguins. The series, produced by James Cameron and led by Nat Geo Explorer and award-winning filmmaker Bertie Gregory required an incredible 274 days of filming in extreme environments. The three-person overwintering crew included wildlife filmmaker Helen Hobin, who spoke with PetaPixel about the experience.

Sony 50-150mm f/2 GM Review: Magnificence at a Hefty Price

A large white Sony G Master telephoto camera lens mounted on a tripod, attached to a camera body, with a blue background and "PetaPixel Reviews" text overlay.

The Sony FE 50-150mm f/2 G Master lens is the first of its kind, not only for Sony but any lens manufacturer. It's exciting for photographers whenever a company breaks new ground with a lens. In the case of the 50-150mm f/2, the excitement is taken up a notch (or two) because the lens is phenomenal.

A black Schneider-Kreuznach x LK Samyang camera lens is displayed on a clear stand next to a sign announcing the AF 14-24mm F2.8 FE lens, developed with Schneider-Kreuznach, and coming in 2025.

Samyang’s New 14-24mm f/2.8 is a Collab with Schneider-Kreuznach

While it was teased at CP+ earlier this year, Samyang today announced the AF 14-24mm f/2.8 FE made in collaboration with Schneider-Kreuznach. The company says the lens combines Schneider-Kreuznach's renowned optical expertise with LK Samyang’s advanced technology in a lens with "exceptional performance."

A person in a white shirt stands outdoors, looking off-frame with hands raised thoughtfully. The background features modern architecture. Text on the image reads "CP+ Camera & Photo Imaging Show 2025" with a colorful logo.

Japan’s 2025 CP+ Camera Show Got Even Bigger

Japan's CP+ show is the last remaining major international photography exposition, taking the mantle from Photokina after it shuttered in 2020. While the show appeared larger in scale this year than in previous years, the organization behind it confirmed that the 2025 show grew yet again.

A helicopter hovers low above a snowy landscape, stirring up a cloud of snow. A polar bear is visible on the ground amidst the blowing snow.

The Disturbing Double Standard for Polar Bear ‘Protection’ in Svalbard

There have been increasingly absurd regulations being imposed on visitors to Svalbard in recent years, particularly surrounding the protection of polar bears. One of the most contentious of these mandates is the requirement to maintain a minimum distance of 500 meters from a polar bear (about five American football fields), no matter the circumstance.