The video above is a creative stop-motion video that uses water drops as the “lens” through which the animation is seen. It was created without any computer-generated trickery: 2,000 individual photographs of different water drops were shot and combined to create the video.
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Over the course of your comings and goings on the internet, you’ve probably spotted at least a few of those mind-bending GIFs that loop perspectives rather than a snippet of time.
Well, it turns out that making them yourself isn’t that difficult, just as long as you have a 3D camera and some time at your disposal. And in the how-to video above, The Creators Project enlists the help of half the Mr. GIF team, Mark Portillo, to show you just how easy it is.
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Stop motion animation was already being used in the late 1890′s as a way to make objects in films move by “magic,” but full stop-motion animated films like the ones of today didn’t come to be until around 1910. When they did, one of the great pioneers of the technique was Russian photographer and entomologist Wladyslaw Starewicz. Read more…
An interesting new video-based interface technology developed in Hong Kong promises to make stop-motion animation more accessible to beginners, while making it that much easier for the pros as well.
It doesn’t have an official name, but when used in combination with traditional techniques, the new interface could help take your stop-motion animation to the next level. Read more…
The idea behind stop-motion videos is pretty simple: snap a lot of photographs in rapid succession and then string together all the images afterward to animate them. There was a time when the dominant photographic processes weren’t fast enough to create any meaningful kind of animation. Does that mean we’ll never see a stop-motion animation created using tintypes? Nope. The video above is one example of a stop-motion video created with a super old photographic process: the dry plate tintype.
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San Diego-based light-painting photographer Darren Pearson has a knack for drawing elaborate illustrations in mid-air using light. He frequently draws skeletons into his long-exposure photos, and recently created a series of photos showing a skateboarding skeleton.
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Back in July, we shared a series of creative animated GIFs and a music video that show space-lapses over great distances in San Francisco. The creators Kevin Parry and Andrea Nesbitt have just published the video above that teaches how you can do the same thing with your camera.
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Jordan Drake of Canadian camera shop The Camera Store just published this great hands-on field test of the Canon EOS M. Even if you don’t have 10 minutes to watch the entire review, you’ve got to check out the two short stop-motion animations that start at about 21s and 7m50s. They’re a hilarious (and accurate) sketches that poke fun at how “the Canon EOS M is a little bit late to the mirrorless party” and how the camera has a pretty shoddy autofocus system.
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When his wife Osher became pregnant with their first child, photographer Tomer Grencel had the idea of documenting the pregnancy through a stop-motion video. Over the next 9 months, he snapped 1000 photographs at different points and with different creative concepts. After his daughter Emma entered the world, he spent a month combining the images into a single stop-motion animation that tells the story of Emma’s journey from the womb into the world..
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3D light painting can be done by using a 2D image rather than a single point of light. In the past, we’ve shared creative examples of iPads being used in this way to light paint everything from ghostly figures to creative animations.
The video above, created for the recent launch of McLaren’s new P12 super car, takes this screen-based 3D light painting concept to the next level.
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