I want to start this off by saying two things: one, this isn't a review or hands-on impressions as I have not used the computer (PetaPixel's hands-on coverage is forthcoming) and two, I am an Apple power user and have been since I was indoctrinated in high school.
Photography can be an expensive pursuit, and the cost of things (and the pressure to buy them all, buy them new, and buy them now) can get in the way of putting that money in better places.
Yesterday, I was at the Children's Hospital of Philadelphia shooting for Flashes of Hope, a wonderful non-profit organization that gets photographers like myself to volunteer their time and create portraits of kids who are literally fighting for their lives. These portraits are given to the families for free. Flashes of Hope is a truly wonderful group.
Over four years ago in 2015, when we were all still optimistic about the Canon 5D Mark IV, Sony released the a7R II. This was a 42.4MP full-frame camera that also offered the ability to shoot 4k video using the full width of the sensor. This camera took many photographers by surprise because almost no one was expecting Sony to release such a camera. Sure, it had lots of flaws and it was somewhat of a beta release; but still, it put Sony on the map.
The Canon 1DX Mark III is shaping up to be one of the most exciting mirrorless cameras on the market, matching or outpacing the current industry standard in the Sony a9 and a9 II. Yes, you read that right: if the upcoming 1DX Mark III only has the features that were teased yesterday, it will be a killer mirrorless camera that just happens to have a mirror.
The release of the Fuji X-Pro3 this morning came as a bit of a surprise to me; not what was unveiled, but the general reception to it. So many comments (yes, I know you're not supposed to read the comments) of ridicule and annoyance were not what I was expecting. And as I read them (which I promise not to do again) I noticed an underlying theme that was a bit worrying.
One of the world's leading independent experts on Leica has announced that he's saying "farewell to the Leica world." He states that because of recent decisions and developments at the company, "the soul of Leica products has been eradicated."
Right now if you head over to Kickstarter and search for "camera bag," three active choices pop up. That's three more camera bag ideas vying for your attention in addition to the tons that have hit Kickstarter over the years and the hundreds more made by larger brands like Lowepro, Manfrotto and Think Tank.
A year or so ago, I wrote an article on why I switched from Nikon to Sony. A few people asked why I didn’t move to the Nikon mirrorless system. And the answer was simple: I didn’t want to risk shooting a wedding with a single memory card slot.
In 2010, the world's tallest skyscraper was completed in Dubai. Standing a staggering 2,722 feet tall, the Burj Khalifa towered over the next tallest building by over 700ft. It was a feat of engineering, and a beautiful and shining addition to one of the most impressive skylines in the world. But they didn't consider one issue: feces. In this way, the Burj Khalifa and the new Nikon Noct lens have something in common.
While reading the reaction to our coverage of the Sony a9 II announcement yesterday, one comment really stuck out to me as an excellent summation of a subject that's been buzzing around my mind for about a month now: "Sony reaching the edge of feasible. Now they don't know what to add anymore."
The latest Sony flagship full-frame mirrorless camera is finally available (I say "latest" instead of just "the" because Sony insists they have at any given time up to three and sometimes four flagship cameras). And yet, I contend that a vast majority of those interested in the a7R IV shouldn't buy it.
Over the past few weeks, two separate pieces have been published here on PetaPixel attacking YouTube photographers and camera reviewers. Whether it be this video from Mik Milman, or this latest piece from Bob Locher, the low hanging fruit seems to be the idea that the "general YouTube camera reviewer" has no idea what they're talking about. This is ridiculous, and wrong.
As for many other things, YouTube is a wonderful trove of opinion and information. This is certainly true for photographic interests. And a huge percentage of photographers are particularly interested in still photography, as opposed to videography.
Dear Live Nation, …
After going back and forth for months (read: years) between Sony and Fuji, never being entirely happy with either one, I ended up with... a Nikon system.
If you want to piss off a majority of professional photographers, show them a smartphone camera rig setup and explain how great it is. Better yet, show them an article about an iPhone-only wedding photographer. I've seen this reaction countless times, and it's especially prevalent when you look at smartphone photography accessories.
Sooner or later, every professional photographer runs into similar situations. Situations that are uncomfortable for the photographer and the client. One is the topic of post-production and retouching. Some clients might tell you that your retouching fee is too high. Others might tell you to not do any retouching. And then some others might ask you to send them all the pictures.
Professional event photographer and photography teacher Mik Milman recently published a video that's bound to receive some mixed reactions. In it, Milman laments the dearth of experience of many photographers who pass themselves off as "experts" on YouTube, earning thousands of followers and possibly misleading beginners by offering bad advice and unqualified critiques.
Photographer Ted Forbes of The Art of Photography recently published a well-reasoned and logical response to the Mirrorless vs DSLR debate that recently peaked with the announcement of the Nikon D6. In his video, Forbes offers a much more nuanced take than many of the arguments you've probably seen in various corners of the Internet.
Landscape and travel photographer James Popsys has noticed a troubling habit lately: he's posting things "for the dopamine hit," and he doesn't believe he's the only one. The result, says Popsys, is a "photographic groupthink," caused by social media, that encourages people to post the same thing over and over, just because it's popular.
When I was a little girl, I lived in Incirlik AFB, Turkey. We lived for a year off base on the third floor of a very large apartment building. My parents spoke no Turkish and the landlady spoke no English, but somehow, they managed just fine.
Photographer, YouTuber, and educator Serge Ramelli must be a glutton for punishment, because his most recent video reveals his opinion on a very controversial question: is retouching cheating?
I normally don’t write articles discussing new camera bodies like the Sony a6600, nor do I often get into fine detail on camera specs in general. But since I have been shooting with a Sony a6300 for a few years already, and have been eagerly wanting to upgrade to a newer Sony camera, I feel it is a good time for me to jump in on the subject.
Photography is an art and a commercial business. As a black-owned, woman-run business, Judah Avenue is both a passion project and an entrepreneurial breakthrough for me. I quit corporate America to pursue my art. As a girl who was born and raised in Ghana, that simply wasn’t something that was ever presented as a viable path for me.
I believe all artists experience “blocks” every once in a while. Feelings of discouragement or lack of motivation, inspiration, and will to do something we know we love to do.
I’ll begin by saying that I don’t only shoot with zoom lenses. I should also add that what I’m about to say is perhaps most relevant to other wedding photographers, particularly those shooting in a documentary style like myself.
Before the rise of social media and the ubiquity of apps like Instagram, photographers established and flexed their brands through their personal website and blog. The photographer website supplanted the printed portfolio, for the most part, offering photographers a way to showcase their work with a remote audience of photo editors, customers, and fans.
Is noise in photos always bad? It might seem like a rhetorical question with an obvious and universal answer: yes. But landscape photographer and YouTuber James Popsys begs to differ in an opinion video that will no doubt spark some debate.
I was excited when Canon and Nikon finally stepped into the mirrorless game seriously more seriously, releasing their full-frame mirrorless cameras in 2018. Nikon launched their Z6 and Z7 with the new Z-Mount, while Canon released the EOS-R with a new RF-Mount.
Instagram's controversial experiment with hiding public like counts is only live in seven countries, but it's already inspired some freakouts from influencers who claim the change is crippling their engagement and destroying their livelihood.
Focus on what’s important… pun intended. I’m not referring to lens focus or how to get sharp images. If that's your main concern right now, just Google tutorials on autofocus, zone focusing or micro-adjustments. When I say ‘focus on what's important,’ what I mean is the purpose, meaning, emotion or reason for your photographs.
After the recent allegations of harassment and assault against celebrity photographer Marcus Hyde, fashion photographer Jessica Kobeissi decided to use her platform on YouTube to speak out against what she's calling "the dark side of modeling" and share some of the horrifying stories she's heard from models she works with.
In a recent video, photographer and YouTuber Jamie Windsor shared some insightful thoughts on wedding photography: why so much of it looks the same (read: boring) and how wedding photographers like himself can help change that with each new couple they shoot.
"What lens did you use for that picture?" The only question less helpful to a growing photographer is probably, “What settings did you use for that picture?” Not because I think they are helping a newbie “cheat”, or because I might think it is copying, or ever -- God forbid! -- because I have some secret combination of shutter and aperture that is magic for me. It’s because it really doesn't matter.
Dear potential client, I have no crystal ball, yet I know you will be calling me this week for information about what I do. You might have seen one of my displays or my website or, hopefully, you were referred by a friend. And you will have liked what you saw—otherwise, you wouldn’t be calling me. And for that, I am truly happy.
“How do I grow my Instagram?” … it's a question I get asked often... too often. So I’m writing this article for my own selfish benefit. Rather than spend time repetitively composing a response, from now on, I can just link here when the next person asks me how they can grow their Instagram.
Dear Entitled, I came across a screenshot of your “I have started a photography business” post in a “Classifieds” Facebook group.
Landscape photographer and LUMIX Ambassador James Popsys has put together a video breaking down five of the most overused photography techniques in landscape photography. From long exposures of water, to sky replacement, he explains why he feels that each of these are either used badly, too often, or both.
Recently, I worked one of the most frustrating shoots I have ever had to endure. In my day job, I work with amateur prospective models doing test shoots. Most of the people I work with have never modeled and have rarely even stepped into a photography studio before. Despite this, the people I work with tend to understand the relationship and the unspoken code.
What does it take to push a farmer to this point? The point where, fed up of thousands of disrespectful photographers, wannabe “influencers” and narcissistic tourists, they feel the only way to get them to stop damaging their business and property, is to damage those people’s photographs?
Over the past five years, Sony has done more to push digital imaging forward than just about anybody else. But their incredible pace of innovation is straining an industry that just can't keep up, and the cracks are starting to show.
I, like many of you, watched the Sony a7R IV announcement live stream on Tuesday. I saw them put up the video of the camera and its specs, which I thought looked good as an evolution of their R platform. However, when the lights came back on in the room, the kind man that is the VP of their alpha division debuted the camera to the world with the line: “medium format level image quality”
